While Camera Buff lacks some of the artistry evident in the director's later projects, it's worth seeing not only as an example of Kieslowski's early work, but as an important film in its own right.
Camera Buff (1979)
Tomatometer
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Reviews Counted:9
Fresh:8
Rotten:1
Average Rating:7.3/10
Runtime: 1 hr 52 mins
Genre: Foreign Films
Synopsis: Krzysztof Kieslowski presents this initially comic yet ultimately moving drama about finding one's calling in life. Filip Mosz (Jerzy Stuhr), a Polish factory worker, purchases an eight-millimeter... Krzysztof Kieslowski presents this initially comic yet ultimately moving drama about finding one's calling in life. Filip Mosz (Jerzy Stuhr), a Polish factory worker, purchases an eight-millimeter movie camera to record his baby daughter's first few years of life. Looking for other things to do with his new toy, Filip makes a rather shoddy documentary about his workplace and then submits the film to a local festival. Surprisingly, his amateur movie garners an award, and this small taste of success sends Filip into a moviemaking frenzy. Committing himself to a new life as a documentary filmmaker, he shoots footage of nearly everything he encounters, but his zeal to record all that he sees soon runs him afoul of government officials who guard secrets they don't want revealed, in addition to his wife, who becomes fed up with his need to live life from behind the camera. In traditional Kieslowski fashion, his film works on many different levels, including the sociopolitical one that takes place in the factory. It is the personal commentary on filmmaking passion that provides the film with its core emotion, however. Stuhr's Filip is a remarkable creation--a man who is at once inspiring, loving, and pathetic. [More]
Starring: Jerzy Stuhr, Malgorzata Zabkowska, Krzysztof Zanussi
Starring: Jerzy Stuhr, Malgorzata Zabkowska, Krzysztof Zanussi
Director: Krzysztof Kieslowski
Director: Krzysztof Kieslowski
Screenwriter: Krzysztof Kieslowski
Composer: Krzysztof Knittel
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Reviews for Camera Buff
Much of the film means to be uproariously emotional, but the events we see seldom justify all the overwrought reactions.
Kieslowski lays the foundation of robust realism and takes off in a search for transcendence
As one character puts it, “filmmakers are service providers,” and despite the unromantic tone of such a designation, this seems to be very near to Kieslowski’s own view.
Clearly a bit of navel-gazing on Kieslowski’s behalf; in fact, the film is self-deferential to an almost painful degree
Suffused with Kieslowski's dry wit and intelligence, this early feature provides an excellent introduction to his work.
This is a political spoof on the limits of the artist's role in Communist Poland.
A modest metaphorical examination of the problems and pressures suffered by artists in semi-authoritarian societies, the picture won the grand prize at the 1977 Moscow Film Festival.
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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