The real star is Oscar-winning cinematographer John Toll, who captures the beauty of the islands better than any travel agent could.
Captain Corelli's Mandolin (2001)
Tomatometer
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Reviews Counted:114
Fresh:33
Rotten:81
Average Rating:4.4/10
Consensus: The cinematography is gorgeous, but the movie plays it fast and loose with history and the novel it was adapted from. Mostly, the movie fails because the romance between the leads strains credulity and the story is largely uninvolving.
Rated: R [See Full Rating] for some violence, sexuality and language
Runtime: 2 hrs 9 mins
Genre: Dramas
Theatrical Release:Aug 17, 2001 Wide
Box Office: $25,261,240
Synopsis:
Academy Award (R) winner Nicolas Cage (City of Angels) and Penelope Cruz (All About My Mother) star in Captain Corelli's Mandolin, an epic tale about the enduring hope of love and the devastating...
Academy Award (R) winner Nicolas Cage (City of Angels) and Penelope Cruz (All About My Mother) star in Captain Corelli's Mandolin, an epic tale about the enduring hope of love and the devastating brutality of war, set amid the Italian occupation of Greece during World War II.
The idyllic beauty of Greece's Mediterranean coast has been invaded by Italy, bringing legions of soldiers to the once tranquil island of Cephallonia. Captain Antonio Corelli (Cage), an officer with an irrepressibly jovial personality and passion for the mandolin, initially alienates a number of the villagers, including Pelagia (Cruz). The daughter of the village doctor, Pelagia is an educated and strong-willed woman, and while at first offended by the Italian soldier's behavior, she slowly warms to his certain charms as they are forced to share her father's home.
When Pelagia's fiancee, a local fisherman, heads off to war, the friendship between Antonio and Pelagia grows even stronger. Her beauty and intelligence have captured his heart, and his fondness for the village's vibrant community causes him to question his reasons for fighting. Antonio becomes a part of the lives of the villagers, but the moment is fleeting. As the war grows ever closer, Antonio and Pelagia are forced to choose between their allegiance to their countries and the love they feel for one another-a love which must overcome tremendous odds, and endure the inevitable sacrifice which accompanies eternal devotion. -- © 2001 Universal Pictures
Starring: Nicolas Cage, Penélope Cruz, Christian Bale, John Hurt
Starring: Nicolas Cage, Penélope Cruz, Christian Bale, John Hurt, David Morrissey, Irene Pappas
Director: John Madden
Director: John Madden
Screenwriter: Shawn Slovo
Producer: Tim Bevan, Eric Fellner, Kevin Loader, Mark Huffam
Composer: Stephen Warbeck
Studio: Universal Pictures
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Reviews for Captain Corelli's Mandolin
Fans will argue it's not as good as the book, but John Madden has delivered a pretty mooch around rustic, tranquil Cephallonia.
The stunning look of this film took my breath away and overcame its shortcomings for me.
The last half of the movie is undeniably gripping, creating a powerful love story for mature film-lovers.
There are some great set-pieces and comic moments and enough drama and beauty for some pleasant escapism.
Think of it as the anti-Pearl Harbor. Relying more on story and character than special effects, this moving adaptation of Louis de Bernières novel achieves everything that Michael Bay's empty spectacle could not.
Handled with such conviction by director John Madden (Shakespeare in Love) that it achieves the guilty enjoyability of a decent beach book.
Not great, but you can enjoy the beauty of a Greek island without suffering its August heat.
Like a folk ballad plucked on a mandolin, the new Nicolas Cage-Penelope Cruz film is sometimes overly familiar, even a bit maudlin, but still touchingly romantic.
Beautifully filmed and smartly told, Mandolin delights with unexpected plot twists and polished performances from John Hurt as the curmudgeonly pop and Christian Bale as the jilted fiance.
Captain Corelli's Mandolin will find favor with nearly everyone who appreciates this kind of motion picture.
The film flirts with greatness, but it settles instead on being something that is very good.
Cage refrains from pumping up the volume, and actually underplays the character's soulful gusto, making Corelli all the more affecting.
...Touching and at the same time brutal, brimming with the emotional conflict that surges within its characters.
Not as good as it might have been but better than the negative press it has received, which has unfairly doomed it to severe losses at the box office.
Good old-fashioned romantic entertainment, just restrained enough to skirt schmaltz.
La novela, disponible en cualquier librería, es una gran realización; desgraciadamente al llevarla a los 24 cuadros por segundo, perdió mucha de su fuerza.
Comes engagingly close to being the assured romantic epic you would want it to be.
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