Incredibly perverse and weirdly fascinating look at the Soviet Union in the pre-Glasnost era.
Cargo 200 (2008)
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Reviews Counted:17
Fresh:13
Rotten:4
Average Rating:6.4/10
Theatrical Release:Jan 2, 2009 Limited
Synopsis: In the Soviet Union circa 1984, Captain Zhurov (Alexei Poluyan) is a corrupt policeman who lives with his alcoholic mother. When an opportunity to exercise his power comes along one night at a... In the Soviet Union circa 1984, Captain Zhurov (Alexei Poluyan) is a corrupt policeman who lives with his alcoholic mother. When an opportunity to exercise his power comes along one night at a bootlegger's shack, it produces a horrifying series of events in which a local girl, Angelika (Agniya Kuznetsova), is left at his mercy. Alexei Balabanov (BROTHER) directs this caustic black comedy that was a hit in its native Russia. [More]
Starring: Alexey Serebryakov, Leonid Gromov, Yuri Stepanov, Alexei Poluyan
Starring: Alexey Serebryakov, Leonid Gromov, Yuri Stepanov, Alexei Poluyan, Agniya Kuznetsova
Director: Alexei Balabanov
Director: Alexei Balabanov
Producer: Sergei Selyanov
Studio: Disinformation Company
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Reviews for Cargo 200
A depressing Russian thriller set in 1984 that paints a very unpretty picture of society.
Art house meets grind house in Cargo 200, Alexey Balabanov’s morbidly compelling thriller set in the Soviet Union.
Balabanov (Brother) writes and directs with an almost unnervingly naturalistic style, loading each scene with pitch-black humour
You're likely to leave this movie wondering what you've just watched, as if you've been abused worse than the poor kidnapped girl.
Soviet lives are uncomfortable to watch here but as compelling as Richard Widmark's début in 'Kiss of Death' or Tarantino's more graphic one with 'Reservoir Dogs.'
Balabanov has crafted horror setpieces as vile (and strangely aesthetically pleasing) as anything you might see in contemporary torture porn, but Cargo's slow-burn build give each act of rape, murder, torture and necrophilia that much more weight.
The realism of the cinematography, the pull-no-punches style in the scenes that depict Russia's military as a disenfranchised bunch of thugs and the gumption to toss it into one pot all deliver a robust recipe.
so bleak and horrifying that you might think Francis Bacon served as DP
Mildly compelling, but, essentially, it's just another bland, tedious, pointless version of Hostel with much less blood-and-guts and ultimately leaves you with a bitter aftertaste.
o stomahi hreiazetai na to 'heis gero kai to goysto isos kai ligo diestrammeno gia tin ektimiseis, toylahiston sto epipedo poy doyleyei i ameilikti eystohia toy petyhimenoy pantrematos toy karamayroy hioymor me tin politiki satira, tin arketa sygkratimeni
Searing critique of the social decay in 1984 by Alexei Balabanov, who has an affinity with Quentin Tarentino. Worth seeing, but not as successful as his best-known movie "Brother".
Regardless of intent, Cargo 200 is beautifully filmed and completely disturbing for its entire running time.
This is not a movie for those with weak stomachs, but it is haunting if you can stomach the disgusting acts of sexual abuse and murder.
Alexey Balabanov’s gruesome little charmer of a black comedy -- a goth cousin to Delicatessen -- is set in the gray, decaying environs of Leninsk, essentially a more depressing version of Pittsburgh.
Balabanov imbues his uncompromisingly matter-of-fact horror show material with a shrewd politicized consciousness.
Unflinching would be a gentle word to describe this portrayal of a doomed humanity, but the exact point of the film beyond its doomsday message is never really clear.
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