A film in which talented, attractive people sing ugly lyrics to beautiful music in other people's beautiful voices amid ugly shot framing and ill-timed cutting.
Carmen Jones (1954)
Tomatometer
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Reviews Counted:17
Fresh:12
Rotten:5
Average Rating:6/10
Runtime: 1 hr 48 mins
Genre: Musical & Performing Arts
Synopsis: A sizzling screen version of Bizet's Carmen updated for an all-black cast, including an especially sizzling Dandridge. Soldier Belafonte falls for Dandridge, a seductive factory worker. The lovers... A sizzling screen version of Bizet's Carmen updated for an all-black cast, including an especially sizzling Dandridge. Soldier Belafonte falls for Dandridge, a seductive factory worker. The lovers flee after the soldier kills his sergeant, but Carmen's taunting faithlessness drives her lover to a crime of passion. Hammerstein provided lyrics for Bizet's melodies, and Preminger added the snap. If you're curious what all the fuss over Dandridge is about, catch this. [More]
Starring: Dorothy Dandridge, Harry Belafonte, Pearl Bailey, Roy Glenn
Starring: Dorothy Dandridge, Harry Belafonte, Pearl Bailey, Roy Glenn, Diahann Carroll, Brock Peters, Joe Adams, Olga James, Sandy Lewis, Nick Stewart, Mauri Lynn
Director: Otto Preminger
Director: Otto Preminger
Screenwriter: Harry Kleiner
Producer: Otto Preminger
Composer: Georges Bizet
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Reviews for Carmen Jones
Electric performance by Dorothy Dandridge as the sultry whorish Carmen Jones.
Preminger's heavy-handed adaptation of a Broadway triumph combines gorgeous music with risible lyrics by Oscar Hammerstein II; the project is saved by a terrific cast.
Otto Preminger has transferred it to the screen with taste and imagination in an opulent production.
Impeccably liberal in its time, the film has not aged gracefully, although Dorothy Dandridge's performance in the lead remains a testimony to a black cinema that might have been.
Every frame, you feel, is freighted with the tension imposed by the never-appearing white folks. It was, however, laudable in its desire to showcase the talents of African-American performers who were denied opportunities in Hollywood.
The best reason to revisit Carmen Jones lies in Dorothy Dandridge's electrifying performance, which saw her become the first African-American to be nominated for a Best Actress Oscar.
Woefully miscast in places and extremely dubious in its portrayal of African-Americans but does boast an on-form Dorothy Dandridge.
Slinking through director Preminger's CinemaScope widescreen in slit skirts and tight blouses, Dandridge is naturally carnal the way summer is naturally warm.
The somewhat heavy-handed direction and the ultimately two-dimensional characters leave you admiring the workmanship without plucking at the necessary emotional/romantic heart-strings.
A truly dreadful film. Preminger can't be faulted for ambition, but for once, his execution is sorely lacking.
Interesting Preminger experiment. Modernizing with an all-black cast highlighted by Dandridge and Belafonte is first-rate.
While the embarrassment of talent onscreen is a joy to watch, I can’t help be overwhelmed and a little saddened thinking how much of that talent went ignored by Hollywood most of the time.
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October 25, 2007:
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