The images of the coastal desert of Maranhão in northern Brazil are as beautiful to look at in Andrucha Waddington's movie as the lives of her characters are hard to live.
House of Sand (2005)
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Reviews Counted:67
Fresh:52
Rotten:15
Average Rating:7.1/10
Consensus: Beautifully filmed with wonderful performances, this Brazilian tale deftly explores the passage of time and prolonged isolation in several decades of a mother and daughter relationship.
Theatrical Release:Aug 11, 2006 Limited
Box Office: $379,450
Synopsis: Áurea's saga starts in 1910, when, in pursuing a dream she never shared, she arrives in a caravan at a labyrinth of sand in Maranhão, northern Brazil. Her husband, Vasco, believes this land to be... Áurea's saga starts in 1910, when, in pursuing a dream she never shared, she arrives in a caravan at a labyrinth of sand in Maranhão, northern Brazil. Her husband, Vasco, believes this land to be prosperous and she is condemned to a life in this barren place, her only female company being her mother, Dona Maria. Pregnant and dissatisfied with her destiny, she tries everything to find a way out. She spends 59 years living with an imminent departure. At first Áurea is hindered by Vasco and is forced to live in a house on the top of a dune, until one day, alongside her mother, she witnesses the death of her husband, buried by his own insanity. With a mixture of both pain and relief, she believes herself to be free. But the truth is, her fate is in the hands of destiny. Abandoned in the desert with her daughter, Dona Maria goes in search of a small settlement originally founded by runaway slaves. Here she meets Massu, who becomes an important companion for the two women. It is he who teaches them how to trade belongings for food. And salt, brought from afar by Chico, the only man able to come and go as he pleases, and whom Áurea clings to in the hope of leaving after she gives birth. A girl is born, also called Maria. Nine years pass and Dona Maria is the first to realize that there is some sense to that place. But Áurea remains stubborn, only waiting for her daughter to grow up in order to face the journey. The possibility of realizing her greatest wish comes to life again with the return of the salt salesman. Just as everything seems set, Massu surprises them all by hindering their departure. Desperate, Áurea runs across the sandy plains after Chico. Instead of finding him, she encounters Lieutenant Luiz, a young guide leading a group of scientists researching of the total solar eclipse in the region. In an emotional passage she is able to rescue her feelings, rediscover sex and is given a chance to restart her life. However, once again, circumstances beyond her will force Áurea to remain on the sandy plains. Alongside Massu, she discovers that she does belong here, after all. --© Sony Pictures Classics [More]
Starring: Fernanda Montenegro, Fernanda Torres, Ruy Guerra, Seu Jorge
Starring: Fernanda Montenegro, Fernanda Torres, Ruy Guerra, Seu Jorge, Emiliano Queiroz, Stenio Garcia
Director: Andrucha Waddington
Director: Andrucha Waddington
Screenwriter: Elena Soarez
Story: Elena Soarez, Luis Carlos Barreto, Andrucha Waddington
Producer: Luis Carlos Barreto, Lucy Barreto, Walter Salles
Studio: Sony Pictures Classics
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Reviews for House of Sand
Beautifully shot in a sandy, remote corner of Northern Brazil, this lovely film tells the story of three generations of women.
This quietly seductive elegy sweeps through six decades with a seamless sense of topographical texture and spatial editing... [a] gorgeous tapestry.
Both Waddington and Soarez understand the impotence of words in this dusty setting, or the potency of just the right ones.
Visually dazzling, epic in its sweep and deeply romantic in its sensibility, The House of Sand is one of those films whose images and ideas linger long after the lights come on, having been burned into the viewer's consciousness.
House of Sand boasts the hypnotic power of its landscape and a pair of powerful and passionate performances by Montenegro and Torres.
It takes time for this spare narrative to show its heart, but the wait is worth it.
Heartbreaking and strange, House of Sand is as original as it is lovely.
The cinematography is stunning, but the story of generations of mothers and daughters is compelling as well, with fine performances in multiple roles by each of the women.
The tone can be hypnotic and the pacing requires some patience; just give in to the film's rhythms and you'll find that you're different walking out than you were walking in.
They remain separate women, each carving herself out of the sand. At times the barren, brilliant landscape seems designed to illustrate their internal states.
What is here, is that life is not easy, and death certain for the generations of man; but love lasts, and women are strong.
With very few characters, it's just the two women and Massu as everything and nothing happens.
Haunting and beautiful...an intimate epic which remains engrossing over its two-hour (and fifty-nine year) span.
Three generations of women struggle to survive in an inhospitable wilderness in Brazil far from civilization.
If you let yourself get swept up in its ravishing imagery, and if you can accept its largely non-verbal poetic conceits, it sticks to you like grains of the substance that gives it its name.
Brazilians live Spartan lives culturally as far from Rio as you can get.
An intriguing meditation on aging, the impermanence of time and man's place in nature.
Remarkable for a number of reasons, not the least of which is that it marks the first time that the acting mother and daughter team of Montenegro and Torres have appeared in a movie together.
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