Derek Luke owns this movie from start to finish, and the film's truest power comes entirely from within him.
Catch a Fire (2006)
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Reviews Counted:136
Fresh:103
Rotten:33
Average Rating:6.7/10
Consensus: No stranger to the political thriller, director Phillip Noyce tackles apartheid and terrorism with experienced gusto, while Derek Luke and Tim Robbins hand in nuanced performances.
Rated: PG-13 [See Full Rating] for thematic material involving torture and abuse, violence and brief language.
Runtime: 1 hr 42 mins
Genre: Dramas
Theatrical Release:Oct 27, 2006 Wide
Box Office: $4,291,965
Synopsis: Powerfully telling the story of a South African hero's journey to freedom, Catch a Fire is the new film from director Phillip Noyce (The Quiet American, Rabbit-Proof Fence). The political thriller... Powerfully telling the story of a South African hero's journey to freedom, Catch a Fire is the new film from director Phillip Noyce (The Quiet American, Rabbit-Proof Fence). The political thriller takes place during the country's turbulent and divided times in the early 1980s, and in the new South Africa of today. Derek Luke portrays real-life hero Patrick Chamusso. Patrick is a charming and loving husband to his wife Precious (Bonnie Henna), and a caring father to his two young daughters. He works as a foreman at the centrally located Secunda oil refinery, which is a symbol of South Africa's self-sufficiency at a time when the world was protesting the country's oppressive apartheid system. In his spare time, Patrick coaches a local boys' soccer team. Carefully toeing the hard line imposed on blacks by apartheid, Patrick is completely apolitical. Academy Award winner Tim Robbins plays Nic Vos, a Colonel in the country's Police Security Branch. The shrewd and charismatic Vos strives to maintain order in volatile situations, which have become more and more frequent as the outlawed activist organization African National Congress (ANC) rallies blacks against apartheid. Vos is also concerned for the safety of his wife and two daughters. He and his family live a world away from the Chamusso family ... until the innocent Patrick comes under suspicion and is arrested (in June 1980) for sabotage of the Secunda oil refinery. His alibi is compromised, and Patrick is desperate to shield Precious from a past indiscretion and keep his job. But he is ill-prepared to withstand brutal interrogations by Vos' men. As Vos further insinuates himself into the lives of the Chamussos, to Patrick's shock and shame, Precious herself is jailed and tortured. Although he and Precious are soon released from custody, Patrick is stunned into action and completely reorients his sense of self and purpose. He leaves his family to join up with the ANC. Becoming a rebel fighter and political operative, Patrick is radicalized on behalf of his people and his country. He ultimately envisions a formidable and dangerous follow-up strike against the Secunda refinery, risking his own life and future. Change must and will come, for Patrick and his family, and for South Africa itself. --© Focus Features [More]
Starring: Derek Luke, Tim Robbins, Bonnie Henna, Mncedisi Shabangu
Starring: Derek Luke, Tim Robbins, Bonnie Henna, Mncedisi Shabangu, Tumisho K. Masha, Sithembiso Khumalo, Terry Pheto, Michele Burgers, Malcolm Purkey
Director: Phillip Noyce
Director: Phillip Noyce
Screenwriter: Shawn Slovo
Producer: Robert Bevan, Eric Fellner, Anthony Minghella
Studio: Focus Features
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Reviews for Catch a Fire
Slovo refuses to turn either Vos or Chamusso into an easily identifiable 'good guy' or 'bad guy,' and Robbins and Luke follow the same lead, creating credible, well-rounded characters...
Even through the lens of director Phillip Noyce's sympathetic camera eye, it's impossible to keep the term 'terrorist' at bay while watching Catch a Fire.
Right off the bat, Catch a Fire distinguishes itself from other recent international productions about Africa in that it is actually told from an African perspective.
Under the direction of Phillip Noyce, Catch a Fire becomes a suspenseful tale of one man's radicalization and eventual journey through hatred to forgiveness.
Derek Luke's amazing performance elevates the movie beyond any misstep.
Whatever you make of the film's politics, Luke makes a vivid impression in his most substantial role since Antwone Fisher, and Robbins resists the temptation to make the thinly written Vos a villainous caricature.
Smoothly directed by Phillip Noyce, the movie relies heavily on well-staged action sequences and two gifted actors to keep its familiar tale from appearing stale.
Noyce's straightforward, almost documentary style is especially effective, considering that so many incidents happened pretty much the way they're portrayed.
Although Catch a Fire was clearly done for the right reasons, the movie dissipates its own tensions.
A political thriller that thankfully sidesteps the offensive convention of exploring Africa's suffering through the eyes of a white protagonist.
As long as there's oppression anywhere, well-told stories like this will always be relevant.
Thanks to a terrifically shaded performance by Robbins, Vos comes across as a complex character with clearly ambivalent feelings about his task and his place in the apartheid system.
Catch a Fire is firmly anchored to a real world in desperate need of a reminder of how evil once prospered, but never triumphed.
Phillip Noyce is admirably restrained in his filmmaking; where other directors would assault the senses, he underplays the beatings Patrick endures without graphic detail.
[Derek] Luke, best-known for his headlining role in Antwone Fisher, plays Chamusso with grace and intelligence, but never quite locates his emotional mutation from get-along guy to hard-core revolutionary.
Catch a Fire could spark a few with this incendiary notion: Torture breeds terrorists.
Catch a Fire is really a story of tangled loyalties, rather than the political thriller it is being dubiously sold as.
Director Phillip Noyce clearly knows how to integrate the politics and the personal without resorting to didacticism or sentimentalism.
Catch a Fire blurs the distinction between labels and resonates through today's global conflicts. More importantly, the film offers a taste of the desperation and fear behind the restrictions and the cruelty that whites forced on blacks.
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