This eminently watchable misfire divides amateur and professional critics alike.
The Catered Affair (1956)
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Reviews Counted:6
Fresh:2
Rotten:4
Average Rating:4.3/10
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: Gore Vidal adapted Paddy Chayefsky's teleplay about the Hurleys, a hardworking Irish family struggling to make ends meet in a poor Bronx flat. Bette Davis stars as Mrs. Agnes Hurley, a woman aged... Gore Vidal adapted Paddy Chayefsky's teleplay about the Hurleys, a hardworking Irish family struggling to make ends meet in a poor Bronx flat. Bette Davis stars as Mrs. Agnes Hurley, a woman aged by the toil and hardships of her marriage, forced to look back on her life and marriage to her taxi-driver husband, Tom (Ernest Borgnine), when her only daughter, Jane (Debbie Reynolds), announces her upcoming wedding. Although Jane wants only a simple civil ceremony, Mrs. Hurley is determined to give her daughter the wedding she never had, even if it will wipe out the family's savings and ruin her husband's dream of owning his own taxi company. THE CATERED AFFAIR is a simultaneously heartwarming and heart-wrenching slice of poor working-class life and the dreams that are sometimes squelched by poverty. Almost all the action takes place within the walls of the crowded flat that the Hurleys call home. Ernest Borgnine and Bette Davis deliver complex and thought-provoking portrayals of a husband and wife who are forced to examine the dreary circumstances of their marriage and find hope for the future. [More]
Starring: Bette Davis, Ernest Borgnine, Debbie Reynolds, Barry Fitzgerald
Starring: Bette Davis, Ernest Borgnine, Debbie Reynolds, Barry Fitzgerald, Rod Taylor, Robert F. Simon, Madge Kennedy, Dorothy Stickney, Carol Veazie, Andre Previn
Director: Richard Brooks
Director: Richard Brooks
Producer: Sam Zimbalist
Screenwriter: Gore Vidal
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Reviews for The Catered Affair
Kitchen Sink Realism Paddy Chayefsky style and Bette Davis as a frumpy Bronx housewife sounds like contradiction in terms, and it is. Stretching to the limit, Davis tries to fit into the mold of a Marty-like b/w working class melodrama with mixed results
Richard Brooks directed in a sort of free-wheeling way that carries the action jumpily from poignancy to farce and from moments of frowsy frustration to scenes of vulgar squawling en famille.
The tragedy got lost somewhere in Richard Brooks's crushingly blunt direction.
Overall, the performances are good and there are occasionally amusing and touching momemts in the otherwise talky, mostly drab, affair under Richard Brooks' direction.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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