Subtitles that are damnably hard to read are all that gets in the way of Virzì's story, which simultaneously suffices as a teen drama and a political metaphor.
Caterina in the Big City (2005)
Tomatometer
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Reviews Counted:36
Fresh:32
Rotten:4
Average Rating:7.4/10
Consensus: This witty movie succeeds as both a modest teen coming-of-age story and a satirical microcosm of Italy's political climate.
Runtime: 1 hr 56 mins
Genre: Foreign Films
Theatrical Release:Jun 10, 2005 Limited
Synopsis: A coming of age story about a 15-year-old provincial girl who moves to Rome and finds her new tony private school is a microcosm of the cultural and political divisions of Italian society. When her... A coming of age story about a 15-year-old provincial girl who moves to Rome and finds her new tony private school is a microcosm of the cultural and political divisions of Italian society. When her parents, Giancarlo (Sergio Castellitto) and Agata (Margherita Buy), move from a seaside town in Tuscany to an ailing aunt's apartment in the big city, Caterina (Alice Teghil) is ready for something new. Dad, a teacher in a tech school, has undisguised social ambitions and is delighted to see a list of famous last names attending his old alma mater, where Caterina will also be going. Her class is split between revolutionary no-globals and rich kids who parrot their parents' conservative ideas. Both sides try to bring the new girl into their sphere of influence. She's first drawn to Margherita (Carolina Iaquaniello), a mercurial hippie princess whose mom (Galatea Ranzi) is a politically active intellectual. This first phase of Caterina's social education ends when Margherita gets her drunk and tattoos her arm. Giancarlo arrives, intending to get Margherita's mother to find a publisher for his novel, which he has given her daughter to read. Abruptly switching from fawning to outraged, he insults everyone before dragging the vomiting Caterina home. Caterina soon falls in with the flighty Daniela (Federica Sbrenna) and her circle of rich, cell phone totting mall-rats. After making her over into an urban sophisticate, they introduce her to a quiet young aristocrat with a disapproving mother and to Daniela's father, a right-wing undersecretary (Claudio Amendola) in Berlosconni’s government. As her parent’s marriage disintegrates in the face of her father’s social frustrations, Catherina finds comfort in her extended family and hope for the future in a budding romance (and perhaps the prospect of emigration someday) with a boy from Australia. -- © Empire Pictures [More]
Starring: Sergio Castellitto, Margherita Buy, Alice Teghil, Carolina Iaquaniello
Starring: Sergio Castellitto, Margherita Buy, Alice Teghil, Carolina Iaquaniello, Galatea Ranzi, Claudio Amendola
Director: Paolo Verzi
Director: Paolo Verzi
Screenwriter: Francesco Bruni, Paolo Verzi
Studio: Empire Pictures
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Reviews for Caterina in the Big City
Like its heroine, Caterina in the Big City is delightfully unclassifiable, a modest, unassuming movie, but a rule-breaker nonetheless.
Teghil, with her soft, plain features and sad eyes, gives a sweet, honest, unaffected performance that brings Virzi's themes to full bloom in the bosom of teenage anxiety...
A charming and wise film about a teenage girl who moves from the Italian suburbs to the pulsing metropolis that is Rome.
The social and political particulars may be uniquely Italian, but the underlying theme -- of adolescence and its myriad pains -- cuts across all cultural and language barriers.
13-year-old Alice Teghil is brilliant in her acting debut, as is Sergio Castellitto as a psychologically deviant father and husband in this metaphor of modern Italy.
This is not another teen movie. It's a sly political satire disguised as a deceptively light Italian coming-of-age flick.
A young woman comes of age with the insight that two politicians ostensibly on different sides can embrace each other because at base, they're both insincere.
Paolo Virzì captures the breathless excitement and sharp disappointments of adolescence.
Despite outward appearances, Paolo Virzi's utterly charming fable is actually a razor-sharp political satire that tries to make sense of Italy's current political situation while expressing the frustrations of ordinary citizens.
According to Paolo Virzi's vibrant coming-of-age drama, Italian teens are just like their American counterparts, except that who they vote for matters more than what they wear.
Comedy veteran Paolo Virzi brings a light helming touch to a story with a lot to say about contemporary Italy.
The movie uses the competition for Caterina's loyalty to portray the school as a microcosm of Italian society under Prime Minister Silvio Berlusconi. Any way you look at it, it's not a pretty picture.
Pitch-perfect performances and a light-handed but razor-sharp script keep this satire brisk and biting.
Despite its slightly overblown histrionics, Castellitto's furious performance gives the film a welcome measure of righteous indignation.
[Teghil's] sensitive work goes a long way toward overcoming the unfocused script, which, despite its incisive characterizations, never quite settles into a cohesive tone.
Caterina Va in Citta has outrageously funny scenes -- but it's a very dark sense of humor. The film is really about personalities.
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