While certainly an entertaining and intriguing film, one simply can't get past the notion that we're watching semi-famous actors pretending to be their more famous characters.
The Cat's Meow (2002)
Tomatometer
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Reviews Counted:115
Fresh:83
Rotten:32
Average Rating:6.5/10
Consensus: The Cat's Meow is a deliciously evoked period piece and whodunit.
Rated: PG-13 [See Full Rating] for sexuality, a scene of violence and brief drug use
Runtime: 1 hr 52 mins
Genre: Dramas
Theatrical Release:Apr 12, 2002 Limited
Box Office: $3,176,936
Synopsis:
From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes THE CAT'S MEOW, an extraordinary look at a fateful excursion of "fun and frolic" aboard William Randolph...
From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes THE CAT'S MEOW, an extraordinary look at a fateful excursion of "fun and frolic" aboard William Randolph Hearst's private yacht in November of 1924 that brought together some of the century's best-known personalities and resulted in a still-unsolved, hushed-up killing. As Hearst and his lover actress Marion Davies set sail from San Pedro Harbor early one Saturday morning. They host a small group that includes the brilliant but self-absorbed Charlie Chaplin, film pioneer Thomas Ince preoccupied with his recent financial setbacks, ambitious gossip columnist Louella Parsons, and the eccentric British Victorian novelist Elinor Glyn. Quickly, however, it becomes clear that although witty repartee is the order of the day, deceit and deception are also on the menu.
Everyone, it seems, has a secret agenda: Ince, whose pioneering work in defining the role of the film producer has been favorably compared to D.W. Griffith's contributions to directing, is determined to seal a partnership with Hearst's Cosmopolitan Pictures despite W.R.'s seeming lack of interest; New York-based film critic Louella Parsons has her eye on a transfer to the west coast where she can cover the film industry more intimately; Ince's lover, actress Margaret Livingston, no longer cares to keep their affair a secret; Hearst himself suspects that his paramour Davies has been unfaithful with the legendary comic Chaplin; and Chaplin indeed schemes to steal away the beautiful actress from the richest man in the world.
The boat sets off, and the first evening's dinner gives way to frenetic dancing to the on-board jazz band, followed by a screening of Ms. Davies' latest film. From there the late-night revelries shift to individual cabins for bootleg whiskey and other tempting, though illicit, nocturnal activities.
Meanwhile, Ince stokes Hearst's flames of jealousy and offers to "keep an eye on" Ms. Davies if the two men were to unite their filmmaking enterprises. At the same time, Elinor warns Marion away from the predatory advances of the womanizing Chaplin. Hearst is further incensed when a late-night wire comes in to report that a rival newspaper will publish an item romantically linking Chaplin and Davies.
The next day Hearst's party guests are treated to an unusual display when their host fires a cannonball into the stomach of a brawny vaudevillian named "Mr. Cannonball." Meanwhile, lawyer George Thomas warns the increasingly desperate Ince not to turn over to Hearst a love letter to Marion that the producer stole from Chaplin's cabin. That afternoon, as Margaret reveals to anyone who'll listen that she is Thomas Ince's lover, Marion pleads with Charlie to keep his distance, though they cannot deny their mutual attraction.
That night, Ince fuels Hearst's jealousy into a bonfire. In an attempt to further ingratiate himself to close the partnership deal, he hands Hearst the crumpled love letter that he stole from Chaplin's wastebasket. Later, as figures come and go, trading whispered conversations in the shadows, the events of the last two days hurtle toward a dramatic moment of tragedy and a single gunshot echoes in the night. The events of that evening affect the lives of every celebrity on board the ship, and before the excursion is over, all will learn the painfully high price of their precarious success. -- © 2001 Lions Gate Films
Starring: Kirsten Dunst, Edward Herrmann, Eddie Izzard, Cary Elwes
Starring: Kirsten Dunst, Edward Herrmann, Eddie Izzard, Cary Elwes, Joanna Lumley, Jennifer Tilley, Claudia Harrison, Ronan Vibert, Victor Slezak, Claudie Blakely, Chiara Schoras, Ingrid Lacey, John C. Vennema, James Laurenson
Director: Peter Bogdanovich
Director: Peter Bogdanovich
Screenwriter: Steven Peros
Producer: Kim Bieber, Carol Lewis
Studio: Lions Gate Films
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Reviews for The Cat's Meow
Contains the same kind of intelligent class observation that was featured in Gosford Park.
Proves that director Peter Bogdanovich has still got the ability to pull together a strong production.
Juicy by any standards, this tale of sex, celebrity, money and motives is irresistibly decadent and cinematically delicious.
Slap cutie-pie Kirsten Dunst into the mix and I'm there with bells on!
As the story progresses, the tension dissipates, probably because once Bogdanovich has set his wheels in motion, he just lets them spin.
Peter Bogdanovich probably doesn't deserve the type of acclaim for this film that he's received for many of his other films, but it's definitely entertaining and worth a viewing.
the movie submerges you in the posh world of the Hollywood elite in the roaring '20s, which is both decadent and slightly absurd
The Cat's Meow is a purr-fect return to form for director Peter Bogdanovich. It's rich in the same flavor of his earlier films.
It spends too much time in the art department and not enough time in the script headquarters.
The Cat's Meow may not be the remaking of Peter Bogdanovich professionally (after all, it's a specialized film with a relatively narrow target audience), but it certainly restakes his claim for artistic respectability.
Just like Hearst’s enormous yacht, it’s slow and unwieldy and takes a long time to reach its destination.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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