Contained enough unusual scenery and frightening sequences to keep my mind off its farfetched plot most of the time.
The Cave (2005)
Tomatometer
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Reviews Counted:103
Fresh:13
Rotten:90
Average Rating:3.6/10
Consensus: Despite its stylized and impressive sets, this horror-monster movie mish-mash suffers from endless cliches and wildly implausible plotlines.
Rated: PG-13 [See Full Rating] for intense creature violence.
Runtime: 1 hr 37 mins
Genre: Action/Adventure
Theatrical Release:Aug 26, 2005 Wide
Box Office: $14,888,028
Synopsis: A sexy bunch of underwater explorers are summoned to Romania's Carpathian Mountains, where scientists have discovered a gigantic cave network containing a lengthy underground river. Cutting-edge... A sexy bunch of underwater explorers are summoned to Romania's Carpathian Mountains, where scientists have discovered a gigantic cave network containing a lengthy underground river. Cutting-edge breathing gear gets unpacked, camaraderie and budding romances develop, and then everyone becomes trapped in the depths, where monsters start picking off cast members, one by one. Escape depends on Jack, played by the dependably steely-eyed Cole Hauser (PAPARAZZI), who picked up a bad monster bite that may have infected his mind. Super-vixen Charlie (Piper Perabo) stands by him and displays a soothing screen presence as the tomboy rock climber in the crew, while Leana Headey plays the sexy Romanian biologist who fears that Jack is turning into a monster himself. Fans of B-movie monster movies should find this a nice cave to visit; there's no skimping on action or impressive set design, and each new cavern is weirder and more claustrophobic than the last. Staggeringly tall cliff faces, dark ominous waters, and a great, nerve-wracking orchestral soundtrack all add up to a fun horror adventure in the classic Saturday matinee sense. Of course, like all good monster movies, it borrows liberally from past classics: think of it as ANACONDA meets ALIEN by way of JOURNEY TO THE CENTER OF THE EARTH, and if that doesn't sound like a fine way to spend a lazy Saturday afternoon, make sure you tread carefully as you exit THE CAVE! [More]
Starring: Cole Hauser, Morris Chestnut, Eddie Cibrian, Daniel Dae Kim
Starring: Cole Hauser, Morris Chestnut, Eddie Cibrian, Daniel Dae Kim, Kieran Darcey-Smith, Rick Ravanello, Marcel Iures, Lena Headey, Piper Perabo
Director: Bruce Hunt
Director: Bruce Hunt
Screenwriter: Michael Steinberg
Producer: Tom Rosenberg, Gary Lucchesi, Andrew Mason, Richard S. Wright, Michael Ohoven
Composer: Johnny Klimek, Reinhold Heil
Studio: Screen Gems
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Reviews for The Cave
Constrained and unreadable, the space turns invaders into opportunistic killers (or maybe just rearrangers, a next step in body snatching).
Spare and single-minded, The Cave is an insistently entertaining piece of pulp.
if you enjoy watching flying, bloodthirsty monsters chase people around dark places, you’ll get a kick from the film
Not a classic by any means, but possibly one you might want to add to your Netflix queue for a rainy day.
The best part is that it takes place in a couple of locales -- spelunking in a cave and diving underwater -- that we don't normally go, unless it's a nature documentary.
Bruce Hunt’s directing debut displays a cold-blooded efficiency and refreshing lack of Michael Bay–ish hyperactivity in what is otherwise a solid if unspectacular action-horror flick.
Characters leap, dive, climb, swim, lift, and run from one scene to the next. The Cave is the celluloid personification of 'Outside Magazine.'
The pretty cast gets knocked off in order of attractiveness (the least cute bite it earlier on) and the monsters and action are shot in such a way as to maximize the overall incoherence.
Not once is The Cave scary, suspenseful, or worth the brain cells you'll lose trying to dumb yourself down to its level.
Most everyone in the audience, except those rendered unconscious by boredom, will see the 'big twist' plot turn coming well in advance, although the qualifiers 'big' and 'twist' seem overblown and inexact.
it isn’t just tedious, it isn’t just silly, no, it goes the distance until it actually becomes a personal affront to the sensibilities of everyone concerned
Has atmosphere to burn (and one lulu of a set-piece involving a rock-climbing Piper Perabo) but [the] mixmaster editing style drains away much of the film's urgency.
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