The Center of the World (2001)



Critic Consensus: For all its tease, the movie doesn't have more to say than money can't buy you love.

Movie Info

The probability of sex and the possibility of love between twenty-somethings -- a lonely man and a fiercely independent and emotionally unavailable woman -- is at the core of the Center of the World. Peter Sarsgaard plays Richard, a successful computer engineer who knows nothing quite as intimately as his hardware and software. Florence (Molly Parker) is a struggling rock drummer who makes her living as a stripper and is the object of his desire, though she couldn't have more walls and bridges … More

Rating: R
Genre: Drama, Romance, Art House & International
Directed By:
Written By: Wayne Wang, Ellen Benjamin Wong, Miranda July
In Theaters:
On DVD: Dec 18, 2001
Artisan Entertainment - Official Site


as Richard Longman

as Florence

as Roxanne

as Brian Pivano

as Vladimir

as Lap Dancer

as Pandora Stripper

as Porn Site Woman

as Dog Owner

as Motel Manager

as Gondolier

as Pandora Stripper

as Delivery Man
Show More Cast

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Critic Reviews for The Center of the World

All Critics (91) | Top Critics (27)

There's something numbingly predictable about Wang's whole approach.

May 24, 2001
Orlando Sentinel
Top Critic

Enough to send you running from the theater, yawning.

May 14, 2001
Philadelphia Inquirer
Top Critic

...rings with a perfectly hollow pitch that's a digital video punch to the solar plexus.

Full Review… | July 20, 2009

Utilizando o sexo como ponte para estudar seus personagens, o diretor Wayne Wang cria um filme interessante, mas não totalmente satisfatório.

November 18, 2003
Cinema em Cena

Retains the dreaded essence of voyeurism dressed as art.

Full Review… | February 13, 2003

The dramatic push and pull of the budding relationship is not terribly original in and of itself -but in its ambiguities the movie soars.

Full Review… | May 30, 2002
Film Experience

Audience Reviews for The Center of the World

A rich computer nerd brings a stripper to Vegas and tries to get her to fall in love with him.
I'm surprised by this film's weak story and slowly moving plot. At the helm is Wayne Wang, and among the film's four writers are Paul Auster and Miranda July. These are all strong talents; perhaps there were too many cooks in the kitchen.
What's troubling about the film is that we get such a concentration on character, but none of the real questions are answered. Why does Richard become so obsessive? Why does Florence break the rules? Where is the line between sexual obsession and love for these characters, and how do they determine it? These aren't minor issues; rather, they're at the heart of whatever the hell the film is saying. Additionally, Jerri wanders into the story on her way to another film.
Overall, despite the wealth of talent that went into the film, it's unfortunate that the result is not a sum of its parts.

Jim Hunter

Super Reviewer


A very modern, somewhat disquieting look at sex and relationships in the modern world.

Steve K

Super Reviewer

Depressing as hell and rather self-contained, The Center of the World is a dull, dreary story, shot on the cheap with an ugly, hyper-real aesthetic but a somewhat unbelievable starting point. Richard, a successful but socially inadequate computer engineer, meets Molly, a drummer in an aspiring rock group, iand decides to talk to her. Molly (very) soon tells him that for money, she works in a strip club, and one night he goes there to meet her and gets a lap dance. Apparently under pressure from his friends to 'get laid' (well, there's one scene anyway), he offers Molly a substantial amount of money if she spends a three-day weekend with him in Las Vegas. Of course, eventually she agrees, though inevitably there are conditions: she's only 'his' from 10 PM until 2 AM, there's no kissing on the mouth, and definitely no penetration. Guess what happens? The bleak ending is a bit disrespectful to one of the characters, but is certainly powerful, and the strong sex scenes are far more effective than say, those in 9 Songs. Though there's really no new ground covered here, writer Ellen Benjamin Wong and director Wayn Wang clearly have good intentions, and what elevates this into watchable, sometimes perceptive territory is the stunning lead performance from Peter Sarsgaard (and to a lesser extent, the performance by Molly Parker). Whenever films are shot on hand-held camcorders/home-video equipment, something about the way it looks highlights that people are acting. It all looks too 'fake' and static, mannerisms become exaggerated and it becomes quickly obvious that the whole thing is, well, fictitious. But Sarsgaard is never anything less than utterly believable; he is supernaturally talented here - there's no artifice, and though the entire film is really quite underwritten, his is the only character here who feels like he has lived before the film starts and will continue to live after it is over.

Daniel Parsons

Super Reviewer

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