Certified Copy (Copie Conforme) (2011)
Critics Consensus: The main stars are absolutely perfect in this absorbing, existential drama that dissects human relationships.
Critics Consensus: The main stars are absolutely perfect in this absorbing, existential drama that dissects human relationships.
Juliette Binoche won the Best Actress prize in Cannes for her performance in this playful and provocative romantic drama from legendary auteur Abbas Kiarostami (TASTE OF CHERRY, THE WIND WILL CARRY US), his first feature made outside of Iran. Binoche plays a gallery owner living in a Tuscan village who attends a lecture by a British author (opera star William Shimell) on authenticity and fakery in art. Afterward, she invites him on a tour of the countryside, during which he is mistaken for her husband. They keep up the pretense and continue on their afternoon out, discussing love, life and art, and increasingly behaving like a long-married couple. But are they play-acting on a whim, or is there more to their seemingly new relationship than meets the eye? -- (C) IFC … More
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Critic Reviews for Certified Copy (Copie Conforme)
. The basic plot - a man and a woman traveling and talking - is reminiscent of Richard Linklater's Before Sunrise/Before Sunset films, but the way in which Certified Copy calls into question the nature of reality is more akin to Inception.
The conclusion is abrupt and unsatisfying, but the philosophical dialogue Kiarostami manages to keep aloft for well over an hour touches on intriguing questions of openness, self-honesty, and personal freedom.
The movie threatens to become a sketch about a coquette and a boor squabbling at each other to little effect.
"Certified Copy" promises more than it delivers, but the limited portions are fresh.
There's a divinely comical lightness to Binoche here: Even in states of conniption and complaint, she's floating, albeit manically.
Certified Copy is a slighter but more ingratiating film and a chance to see a master filmmaker in uncharacteristic playful mode.
Abbas Kiarostami's Tuscan sun-dappled enigma is the cinematic gift that is going to keep on giving for decades.
Binoche and Shimell keep us fully engaged with their characters throughout their conversations, and Kiarostami draws us in with his signature mixture of long takes and intimate close-ups
I could assess the performances (Juliette Binoche is better than ever). ... But I can't treat Certified Copy with a critic's typical detachment. I'm in love with it.
Kiarostami has woven together a veritable tapestry of the mind: here a stray thought, there an oft-disputed theory.
Tal vez intentar buscar respuestas a tantas preguntas sea no sólo una pérdida de tiempo sino contradecir el discurso sin ataduras que nos propone Kiarostami, lleno de interrogantes que no pretenden ser respondidas.
Kiarostami is quick to stimulate the mind but not the heart; as a result he never finds a comfortable balance between intellect and emotion, leaving Copie Conforme feeling chilly and distant.
It may be merely a copy of life, but in its power, mystery, confusion and emotional resonance, 'it leads us to the original.'
The only thing I can say for certain is that we can put our trust in the hands of a master filmmaker like Kiarostami, who engages the mind at the same time he pierces the heart. "Certified Copy" is the real deal.
It's like watching the two halves of Blue Valentine playing simultaneously.
... an elliptical, unresolved story that may frustrate those who want all accounts balanced by the end of the day.
So absorbing a work of such obvious mastery on all levels that one comes away immediately certain that the medium has just clicked up another notch.
If the term "arthouse" usually makes you cringe, [...] you'd better stop reading this and see what else is playing.
Were it not for the transcendent presence of Binoche (and her transfixing cleavage), I suspect Certified Copy might feel even more like homework.
Spoken in three different languages, with various coffee, wine, and bread products consumed by the characters, it satisfies on almost every level.
The best way to look at this is as an acting exercise. As long as your patience holds, it's mildly diverting.
Prompts many questions about the true nature of art and love, not all of them answered.
Audience Reviews for Certified Copy (Copie Conforme)
I'm embarrassed to admit it, but "Certified Copy" is the first Abbas Kiarostami film I've seen. During the 1990s, when Kiarostami's reputation was growing, I was not that focused on international high-art cinema. I didn't start paying careful attention to the Cannes Film Festival, for example, until about 10 years ago. Cannes played a central role in expanding Kiarostami's audience beyond Iran, where he lives and works. His film "Taste of Cherry" won top prize at Cannes in 1997.
"Certified Copy" has a number of intriguing elements, but I don't think too many would consider it a major work of art. It was accepted into competition at Cannes in 2010, but it lost (thank goodness) to the near-masterpiece "Uncle Boonmee Who Can Recall His Past Lives."
Juliette Binoche did win Best Actress that year for her work in the film. But I think the Cannes Jury, led by Tim Burton incidentally, was overly generous to her. She's a great actress, but her work in "Certified Copy" was not particularly significant in my view.
Binoche plays a French art dealer living in Italy. Her specialty is copies of major works of art, particularly statuary. An English art scholar is visiting her small town in Tuscany on a book tour to promote the Italian translation of his new work "Certified Copy," which critically examines the concept of originality.
She volunteers to take him on a driving tour of the area, and the film chronicles their day trip. It is actually filmed in Italy, Kiarostami's first time filming outside Iran I'm told.
In a highly unusual bit of casting, the art scholar is played not by a professional actor, but by a famous opera singer, William Shimmel. From what I've read, Kiarostami is quite the polymath, having expertise not just in cinema, but also in painting, photography, poetry, and even graphic design. He's a true Renaissance man. His casting of an opera singer embodies that broad interest in the arts, I would say. He seems to see cinema not as standing alone, but as part of a tapestry of modern arts.
The film itself also has that polymath quality. Everywhere you go in "Certified Copy" there's some kind of art, especially painting and sculpture. But even clothes, jewelry and wine are approached artistically. Philosophy is also everywhere.
In the first 20 minutes, it seems that the film is going to be a fairly straightforward talk-fest about art and philosophy. But then something quite bizarre happens. The protagonists slowly become different characters. This happens so subtly and gradually, that you don't entirely know when they change. Suddenly I realized they were not strangers, but a married couple celebrating their 15th anniversary.
I was so disconcerted and intrigued that I had to go back and watch for the first signs of this change. This was fun, and I liked the mind-bending quality. The problem is that I didn't think this avant-garde technique really meant that much ultimately. It certainly is unusual, but what does it say? It conveys the fluidity of identity and the illusion of the self, but this has been done many times before -- far more trenchantly in "Uncle Boonmee" in fact.
It also brings into sharper focus the nature of cinema as a copy of life. There's also a refracting quality, exploring how even in "real life" we often feel like we're imitating something or someone -- sometimes imitating cinema! But this has also been done before and in far more exciting ways. (Jean-Luc Godard, anyone? Ingmar Bergman's "Persona"?)
There's a flat look to "Certified Copy" most often, which is rather uninspiring. The cinematography I have to say is quite pedestrian most of the time. Very often the film looks as plain as a TV movie. It takes a lot of work to make Tuscany look plain, but somehow Kiarostami succeeds!
So it's a mixed bag with "Certified Copy." Some interesting ideas are explored, but not in a way that's very inspiring or even original. Pardon the pun.
An intriguing drama that begins with a realistic approach but then suddenly shifts towards a more surrealistic tone after halfway through the story, becoming so emotionally involving and raising a fascinating discussion about our perception of the value of art, original or not.More
'Certified Copy'. An absolute gem on originality, value, and the perceptions that change one or the other.
Two brilliant central performances and existential, intellectual questions aplenty! The film works on a very meta level, and by the end of it, I can't believe their relationship, or *what* their relationship was, was even up for debate.
Clearly my perceptions changed well enough based on what looked like a certified, failed marriage to me, but who knows what someone else might have seen?
Directed (and written) by Abbas Kiarostami, MK2 Productions, 2010.
Starring: Juliette Binoche and William Shimell.
Question: Do you ever find it hard not to relate to or be affected by a film? I do, all the time.
Some make me laugh and I will randomly giggle when thinking about certain moments of the story. Some make me cry and I will shed a tear if I allow any memories in. And then some freak me out that I will have to sleep with the light on if recall any of the scary parts. Then there are the ones where you watch a couple of actors converse in what first appears nonsensical or of little importance, but a switch is flipped in your consciousness, and you soon realize that everything they are saying has a profound point. That is Certified Copy. Once the switch flipped for me, my heart just sank. This one ended up tossing me about that I know this one will be with me for the long haul.
I was in the mood to watch a movie but a really good one. Fortunately, Netflix has categories based on what you have watched and then list others they feel you may enjoy. Under the "Critically-acclaimed" list I found Certified Copy. Actually I already had it in my instant play queue when I went looking a few days ago in the "New Arrivals" list, but my queue is REALLY long, and sometimes I find it difficult to decide what to watch and review next. However, Netflix had One Flew of the Cuckoo's Nest, Young Frankenstein, Reservoir Dogs and Apocalypse Now, 4 of my all time favorite movies, on the "Critically-acclaimed" list so I immediately hit play without knowing anything about it.
Well, that's not entirely true. I knew Juliette Binoche starred in it and that it was a story about love and art. Plus it was set in Tuscany. I adore Italy, worship art and I wish I could be as alluring as Juliette Binoche. So I was content when I started the film, but I didn't stay that way long.
The opening of Certified Copy started off with no music, views of people or even a panoramic shot of Italy. The camera focused on a large stone mantel with a table and a couple of microphones on it. Then all you hear are people talking slightly above a whisper. It was a little disconcerting as this went on for a few minutes. I was waiting for something - a person to pop into screen, the camera to move or a change of scenery. But nothing for a few more minutes. Finally, a person came into view speaking Italian (there were sub-titles) to announce that the writer is running late for the lecture. I relaxed again as the story moved forward.
The writer finally arrived - a handsome middle-aged British man - and he begins to speak about his book, "Certified Copy", which is about reproductions of original pieces of art and his theory that all copies are just as authentic as the the original objects. He also claims the originals are also reproductions themselves. Soon a beautiful middle-aged woman walks into the lecture hall. She seems intrigued with the writer. No more detail - that is enough for now.
The discussion of his theory is transported forward for nearly 30 more minutes when the two people meet up. At this point I was uncertain where the story was heading but it kept my interest. However, there was some strange or odd behavior by both parties that I couldn't quite figure out. The story went in and out of a foreign language: Italian or French - all with sub-titles but half of the movie was in English. For those who don't like subtitles this one wasn't bad - although I had to rewind a few moments to make sure I knew what they said. However, it wasn't so much for my slow reading ability but something I believe the film-maker was trying to "trick" us with. (So pay close attention.) Immediately trompe l'oeil or "trick of the eye" popped in my head when I finally realized what was going on in Certified Copy. Brilliant!
Now you know I am not going to tell you any more about the story, but I will say Juliette Binoche was mesmerizing as her role of the middle-aged woman trying to converse with this "stranger". There were moments of pure tenderness and then there were times of utter sorrow that only a select few people, I believe, could relate to in this story. Are you one of them? You will just have to find out.
Certified Copy is an original story and one that I believe not many will enjoy. You must have patience and an understanding that this tale doesn't take a typical path. Plus, as in real-life, there aren't answers to everything and there aren't always cathartic moments that allow you to let go of the story once it is over. Many use films to escape the drudgery of their world, but some films draw you right back into the things you fear or sadden you the most. So if you are looking for an uplifting, overly romantic love story - I suggest you watch something else. However, if you want to be surprised, witness a real relationship between two people and decide for yourself how it ended - then Certified Copy is your movie.
My favorite thing: When I realized what I was really watching.
My least favorite thing: Not gonna say.
Length: 106 minutes
Review: 9 out of 10
Certified Copy (Copie Conforme) Quotes
- The Café Owner:
- It would be stupid of us to ruin our lives for an ideal.
- James Miller:
- I'm afraid there's nothing simple about being simple.
- If we were more tolerant of each others weaknesses, we'd be less alone.
- James Miller:
- I didn't mean to sound so cynical, but when I saw all their hopes and dreams in their eyes, I just couldn't support their illusion.
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