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Movies / On DVD / Changing Lanes
Changing Lanes

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Changing Lanes (2002)

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Reviews Counted:142

Fresh:110

Rotten:32

Average Rating:7/10

Consensus: A dark, compelling drama featuring Jackson's best performance in years.

Rated: R [See Full Rating] for language

Runtime: 1 hr 39 mins

Genre: Dramas

Theatrical Release:Apr 12, 2002 Wide

Box Office: $66,650,688

Synopsis: Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson),... Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson), a meek, working-class black man. At the scene of this fender bender, Gavin, who is busy trying to make a business appointment on his cell phone, offers Doyle a blank check to cover damages. Doyle, wanting to properly exchange information, declines, causing Gavin to flee the accident site. In his haste, Gavin leaves behind an important legal file which Doyle uses to his advantage, setting off a brutal cycle of revenge between these two men who began this Good Friday as strangers. A class commentary that is decidedly different from director Roger Michell's previous film, NOTTING HILL, CHANGING LANES provides very little information about its two central characters before the moment of their car accident. Michell introduces them by crosscutting between both men speaking publicly--Gavin is lecturing to a charitable foundation, Doyle is talking at an AA meeting. These techniques of crosscutting and mirror imaging are used effectively throughout the film to underscore that the obvious social and economic differences between the two men doesn't disguise the dark and angry nature that exists in both of these men, and potentially in all of humanity. [More]

Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt

Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt, Amanda Peet, Sydney Pollack, Bradley Cooper, Jennie Dundas, Richard Jenkins, Dylan Baker

Director: Roger Michell

Director: Roger Michell
Screenwriter: Michael Tolkin, Chap Taylor
Producer: Scott Rudin
Composer: David Arnold
Studio: Paramount Pictures

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Release:

Sep 10, 2002

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Reviews for Changing Lanes

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141 - 160 (sorted by date)
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Changing Lanes will not make cinematic history. But it is brisk, sometimes enjoyable and delivers an entertaining 90 minutes.

Full Review Source: CNN.com | comment Comment
04/11/02
Paul Clinton (CNN.com)
Paul Clinton (CNN.com)
CNN.com
Top Critic Icon Top Critic

You've probably had the experience of reading a book nobody likes but that turns out to be interesting to talk about. The movie, Changing Lanes, is like that.

Full Review Source: St. Paul Pioneer Press | comment Comment
04/11/02
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

When so many Hollywood films actively discourage higher brain functions, you have to give Changing Lanes credit for giving you food for thought.

Full Review Source: Reel.com | comment Comment
04/11/02
Tor Thorsen
Tor Thorsen
Reel.com

Roger Michell, who did an appealing job directing Persuasion and Notting Hill in England, gets too artsy in his American debut.

Full Review Source: Charlotte Observer | comment Comment
04/11/02
Lawrence Toppman
Lawrence Toppman
Charlotte Observer

A film that dares to probe, intelligently, into some of those most essential, difficult American issues: race and class.

Full Review Source: Contra Costa Times | comment Comment
04/11/02
Mary F. Pols
Mary F. Pols
Contra Costa Times

Even if the ride's a little bumpy, with a final lap that's all too suspiciously smooth, you gotta give director Roger Michell, best known for the superfluous Notting Hill, credit for trying.

comment Comment
04/11/02
Luke Y. Thompson
Luke Y. Thompson
New Times

A pretty darn good movie with two very darn good stars.

Full Review Source: Atlanta Journal-Constitution | comment Comment
04/11/02
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
Top Critic Icon Top Critic

A story and character-driven reminder of the classic paranoia cinema of Arthur Penn and Alan Pakula; if only it ultimately displayed the courage of the same.

Full Review Source: Film Freak Central | comment Comment
04/11/02
Walter Chaw
Walter Chaw
Film Freak Central

A teasing drama whose relentless good-deed/bad-deed reversals are just interesting enough to make a sinner like me pray for an even more interesting, less symmetrical, less obviously cross-shaped creation.

Full Review Source: Entertainment Weekly | comment Comment
04/11/02
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

It has all the right ingredients (but) 60 percent of the movie is spent trying to make a rich, lying, conniving, completely unprincipled Manhattan lawyer seem sympathetic.

Full Review Source: SPLICEDWire | comment Comment
04/11/02
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

"Changing Lanes" does hit a few minor potholes along the way, but it's a pleasure to experience Hollywood come off of cruise control.

Full Review Source: Reeling Reviews | comment Comment
04/10/02
Laura Clifford
Laura Clifford
Reeling Reviews

Despite slick production values and director Roger Michell's tick-tock pacing, the final effect is like having two guys yelling in your face for two hours.

Full Review Source: Rolling Stone | comment Comment
04/10/02
Peter Travers
Peter Travers
Rolling Stone
Top Critic Icon Top Critic

An indicting, cynical trip into how crappy our world actually is.

Full Review Source: eFilmCritic.com | comment Comment
04/10/02
Erik Childress
Erik Childress
eFilmCritic.com

A thought-provoking, sophisticated drama that explores the motivations behind our split second decision-making and the consequences that result.

Full Review Source: Filmcritic.com | comment Comment
04/10/02
David Levine
David Levine
Filmcritic.com

A whip-smart thriller that begs comparison to the gritty mood pieces of the 1970s.

Full Review Source: Palo Alto Weekly | comment Comment
04/10/02
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

Good theme, good sound effects, slightly above average film that stumbles on the opportunity to be something very fine.

Full Review Source: Hollywood Report Card | comment Comment
04/10/02
Ross Anthony
Ross Anthony
Hollywood Report Card

An ethical thriller about two men whose biggest enemy is not each other, but their unwillingness to take responsibility for their own actions.

Full Review Source: NUVO Newsweekly | comment Comment
04/09/02
Edward Johnson-Ott
Edward Johnson-Ott
NUVO Newsweekly

A rare example of studio filmmaking evocatively concerned with the nature of morality.

Full Review Source: Slant Magazine | comment Comment
04/09/02
Ed Gonzalez
Ed Gonzalez
Slant Magazine

A provocative and engaging morality tale of the sort we're not accustomed to seeing at the local multiplex.

Full Review Source: Compuserve | comment Comment
04/09/02
Harvey S. Karten
Harvey S. Karten
Compuserve

The director pulls it off but is constantly right on the ragged edge of losing his audience.

Full Review Source: Internet Reviews | comment Comment
04/09/02
Steve Rhodes
Steve Rhodes
Internet Reviews
 
 
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