It's risky business championing an adolescent protagonist who thrives on the illicit. But the appointments Charlie holds in the men's room make an argument most can get behind.
Charlie Bartlett (2007)
Tomatometer
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Reviews Counted:126
Fresh:68
Rotten:58
Average Rating:5.7/10
Consensus: With engaging performances marked by an inconsistent tone, Charlie Bartlett is a mixed bag of clever teen angst comedy and muddled storytelling.
Rated: R [See Full Rating] for language, drug content and brief nudity.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:Feb 22, 2008 Wide
Box Office: $3,738,218
Synopsis:
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An...
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An optimist, a truth-teller and a fearless schemer, when Charlie slyly positions himself as his new school’s resident “psychiatrist,” dishing out both honest advice and powerful prescriptions, he has no idea the ways in which he will transform his classmates, the school principal and the potential of his own life.
This is the premise of the provocative, Prozac-era comedy, Charlie Bartlett, in which a wealthy teenager’s foray into bathroom-stall psychiatry becomes a smart, funny and touching one-man battle against the loneliness, angst and hypocrisy of the modern world.
Anton Yelchin (Alpha Dog) stars as Charlie Bartlett, who has been kicked out of every private school he ever attended. And now that he’s moved on to public school, he’s simply getting pummeled. But when Charlie discovers that the kids who surround him – the outcast and the popular alike – are secretly in desperate need, his entrepreneurial spirit takes over. Hanging up his shingle in the Boys’ restroom, Charlie becomes an underground, not to mention under-aged, shrink who listens to the private confessions of his schoolmates, and makes the imprudent decision to hand out the pills he’s proffered from his own psychiatric sessions. Meanwhile, at home, Charlie keeps charming his way out of an inevitable confrontation with his adoring but utterly overwhelmed mother Marilyn (Hope Davis.)
Then, Charlie Bartlett makes his big mistake: falling in love with the beautiful and bold daughter (Kat Dennings) of the school’s increasingly disenchanted Principal (Robert Downey, Jr.), who is hot on his trail. As Charlie Bartlett’s world and fledgling psychiatric practice unravel, he begins to discover there’s a whole lot more to making a difference than handing out pills.
Charlie Bartlett marks the directorial debut of Jon Poll – a world-class film editor with deep comic roots who has collaborated with Jay Roach on both the blockbuster “Meet the Parents” and “Austin Powers” series, among others – and the screen debut of writer Gustin Nash. The producers are David Permut, Barron Kidd, Jay Roach and Sidney Kimmel. The executive producers are William Horberg, Jennifer Perini, Trish Hofmann and Bruce Toll. Steve Longi and Gustin Nash co-produced.
--© Sidney Kimmel Entertainment
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Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings
Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings, Tyler Hilton, Jake Epstein, Lauren Collins, Dylan Taylor, Mark Rendall, Jonathan Malen
Director: John Poll
Director: John Poll
Screenwriter: Gustin Nash
Producer: David Permut, Jay Roach, Sidney Kimmel, Barron Kidd
Composer: Christophe Beck
Studio: MGM
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Reviews for Charlie Bartlett
Yelchin gives Charlie a fresh-faced naiveté that raises the question: Is he a do-gooder or a villain? And do you care?
A rebellious teen comedy that isn't as good or as radical as Pump Up the Volume, but still feels like a shot in the arm and is full of irreverent energy.
An exuberant, unexpectedly smart comedy about the fraught give-and-take between kids and grown-ups.
Seeing itself as a Ferris Bueller's Day Off for the 21st century, Charlie Bartlett the film is instead a testimony to how low we as a culture can stoop.
Charlie Bartlett is an often-laugh-out-loud-funny comedy that takes aim at privileged WASP culture and the public school system with equal fervor.
[Director] Poll never picks a tone to stick with, so the movie is neither quite naturalistic nor stylized enough, and Charlie's character vacillates between charming-soulful and creepy-weird.
The movie is all over the map in tone, and though Downey brings obvious empathy to his alcoholic character, his adversarial relationship with Charlie feels fake and forced. Bueller vs. Rooney was more believably bruising, not to mention much funnier.
There are great swaths of plot in Charlie Bartlett that seem unlikely. And yet, there's a likability to the character and a fair bit of thought to the premise and execution that make it one of the better teen movies in recent years.
Like the teenagers in it, Charlie Bartlett is a movie in search of an identity, wondering just what sort of high-school flick it wants to be when it grows up.
Charlie Bartlett may not be a great movie, but it does serve as a splendid introduction to a supremely promising talent.
Tone is everything in a movie like this, and director John Poll spends the entire running time trying to find it.
Although much of the film is exaggerated for satirical purposes, somehow, in the eye of the farcical storm, a compelling story gets told.
The soft and derivative script by newcomer Gustin Nash and the lax direction by editor-turned-first-time-director Poll lend the film about as much kick as a placebo.
...in casting Anton Yelchin in the title role they've hit a home run.
Smug, painfully unoriginal and about as hip and edgy as a trip to Sears.
Almost everything in Charlie Bartlett is based on successful teen comedy formulas of the '70s, '80s and '90s.
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