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The Chateau (2002)
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Reviews Counted:52
Fresh:26
Rotten:26
Average Rating:5.3/10
Theatrical Release:Aug 9, 2002 Limited
Synopsis: Jesse Peretz follows up his subdued first feature, FIRST LOVE, LAST RITES, with this outrageous comedy, shot on digital video. The story follows brothers Graham (Paul Rudd) and Allen (Romany Malco)... Jesse Peretz follows up his subdued first feature, FIRST LOVE, LAST RITES, with this outrageous comedy, shot on digital video. The story follows brothers Graham (Paul Rudd) and Allen (Romany Malco) Granville as they make their way from America to small-town France. It appears that their mysterious great-uncle has died, bequeathing upon them an enormous chateau. Excited to sell the property and make a healthy profit, the brothers meet unexpected conflict when they arrive. The sullen employees of the chateau--including butler Jean (Didier Flamand) and servant Isabelle (Sylvie Testud)--are not too excited about the prospect of leaving their familiar environment. To make matters worse, they have a hard time comprehending how Graham and Allen could be brothers (an honest confusion, considering Graham is white and Allen is black). As Graham and Allen (who has begun to refer to himself as "Rex") wait impatiently for a buyer, they both try to win over Isabelle, with disastrous results. By the time someone does decide to put their money down, a revealed secret spoils the fun, testing the brothers' conscience once and for all. Working from a loose outline, and relying on the improvisational skills of Rudd and Malco, Peretz's film attains a level of freshness that scripted comedy could never match. [More]
Starring: Paul Rudd, Romany Malco, Sylvie Testud, Didier Flamand
Starring: Paul Rudd, Romany Malco, Sylvie Testud, Didier Flamand, Donal Logue
Director: Jesse Peretz
Director: Jesse Peretz
Screenwriter: Jesse Peretz
Producer: Scott Macaulay, Robin O'Hara
Composer: Nathan Larson
Studio: IFC Films
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Reviews for The Chateau
There are enough of the usual only-in-the-movies misunderstandings between Graham and Allen to delay any sort of resolution, but director Jesse Peretz neglects to fill the gaps with any memorably diverting action.
'The Château is never quite able to overcome the cultural moat surrounding its ludicrous and contrived plot.'
The Château would have been benefited from a sharper, cleaner script before it went in front of the camera. Not to mention a sharper, cleaner camera lens.
With the supremely gifted Rudd as his point man, Peretz is often ruthless in depicting Americans abroad as deluded cretins; by film’s end, however, he finds their optimism useful for re-firing the defeated hearts of his characters.
The Chateau... is less concerned with cultural and political issues than doting on its eccentric characters.
Suffers from rambling, repetitive dialogue and the visual drabness endemic to digital video.
After the setup, the air leaks out of the movie, flattening its momentum with about an hour to go.
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