A creative community is as fragile an ecosystem as any salt marsh and just as easily destroyed: Chelsea on the Rocks celebrates a hotel which nurtured some of the greatest talents of the twentieth century.

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Chelsea on the Rocks (2009)
Tomatometer
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Reviews Counted:27
Fresh:19
Rotten:8
Average Rating:6.2/10
Consensus: Abel Ferrara's loving portrait of New York's Chelsea Hotel is less interested in telling the story of its famous residents than in exploring the magic of the place that housed so many moments in rock history.
Rated: R [See Full Rating] for language, drug content, some sexual material and brief violence
Genre: Education/General Interest
Theatrical Release:Oct 2, 2009 Limited
Synopsis:
The latest film from Abel Ferrara, New York’s notorious poet of the street, Chelsea on the Rocks is a fascinating, freewheeling personal journey inside the walls, history and mythology of...
The latest film from Abel Ferrara, New York’s notorious poet of the street, Chelsea on the Rocks is a fascinating, freewheeling personal journey inside the walls, history and mythology of Manhattan’s celebrated bohemian landmark, The Chelsea Hotel. Famed home to such icons as Bob Dylan, Patti Smith, Tennessee Williams, Charles Bukowski, Andy Warhol and Mark Twain, and perennial shelter to artists great and small, new management has recently begun evicting boho tenants in favor of a more upscale crowd, prompting long-time resident Ferrara (Go Go Tales, King of New York, Bad Lieutenant) to capture the ragged splendor of the place before its unique spirit is lost forever.
Trolling the low-lit halls, visiting the hotel’s cast of memorable characters and raconteurs, and hanging out in the gallery-like lobby strewn with tenants’ paintings, Chelsea on the Rocks is shot through with an infectious brio, gallows humor and a hard-knock warmth to match its uniquely beloved subject. Ferrara’s first documentary feature, it includes interviews with residents past and present such as Milos Forman, Ethan Hawke, Dennis Hopper and R. Crumb, vintage music and archival footage, and dramatic re-enactments summoning ghosts of the Chelsea’s storied past – Nancy Spungen and Sid Vicious, Janis Joplin – performed by Bijou Phillips, Adam Goldberg, Giancarlo Esposito, and Grace Jones.
Built in 1883 and steadfast within an ever-changing city landscape, The Chelsea Hotel remained a respite and inspiration to artists, writers and performers, as well as a remarkably supportive base for assorted junkies, prostitutes, aspirants and hermits. As yet another of New York’s cultural landmark’s threatens to effectively vanish for the sake of a bland corporate status quo, Chelsea on the Rocks passionately shows how it’s often the misfit structures – and citizens – that possess a city’s soul. --© Official Site
Starring: Dennis Hopper, Ethan Hawke, Gaby Hoffmann, R. Crumb
Starring: Dennis Hopper, Ethan Hawke, Gaby Hoffmann, R. Crumb, Milos Forman, Vito Acconci, Andy Warhol, Janis Joplin, Grateful Dead, William S. Burroughs, Sid Vicious, Nancy Spungen, Grace Jones, Bijou Phillips, Adam Goldberg, Giancarlo Esposito
Director: Abel Ferrara
Director: Abel Ferrara
Producer: Jen Gatien, David Wasserman
Studio: Hannover House
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Reviews for Chelsea on the Rocks
There's a great movie to be made about the Chelsea Hotel; unfortunately, this isn't it.
It's a cheap, vicarious high to hear these unidentified denizens reminisce about the orgies and overdoses that seem to have been included with the rent.
Nostalgic and fun to talk about but not that much fun to listen to. At some point the dead will simply rest in peace.
You may not learn much about the hotel itself from Chelsea on the Rocks, but you come away knowing exactly what it was like to live there.
A visually poetic, if erratically edited, portrait illustrating how “the energy of this hotel is bigger than the people in it.”
This is Ferrara's first documentary since 1977, and it has the crackbrained air of menace and the ferocious humor that mark his fictional works.
Unfocused and uninteresting documentary about the famous hotel for bohemians of all stripes.
Often drags with poor editing and lack of sufficient insight while leaving you feeling unengaged and underwhelmed.
...Ferrara has left a testament to a beloved place whose spirit has been corrupted by commerce.
Ferrera's shaggy tone, which fits the iconic building, gets irritating. Still, if you come for the stories, you'll stay for the company.
In need of a re-edit like few other films, Chelsea on the Rocks isn't so much bad as it is disappointing.
Chelsea on the Rocks rambles a bit, but it's a real slice of New York history that includes everything from Ethan Hawke recounting a hilarious story about Marilyn Monroe and Arthur Miller at the hotel to footage of the 9/11 attacks...
An enraptured fantasia of high times at the hotel, the film is so intoxicated with the Chelsea’s bohemian mystique it virtually consumes itself.
Ferrara found a way to adapt his ramshackle style to the documentary format, and his new Chelsea on the Rocks works spectacularly.
Ferrara himself is no stranger to substance abuse or self-destructive impulses, and he’s perfectly in sync with the Chelsea’s spirit.
Not exactly art for art's sake, more like a case of film for historic preservation's sake!
It makes sense that, within his own act of remembrance, Ferrara would include a hotel tenant’s home-movie footage of the September 11 attacks. The underlying message, in both cases, is the same: Never forget.
Chelsea rambles -- and in a way that makes you want to move down the bar.
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