Synopsis:
The Chelsea Hotel echoes with loneliness, residents moving in and out, dreaming behind closed doors and searching for someone -- or something -- that got away. The Chelsea Hotel used to be grand,...
The Chelsea Hotel echoes with loneliness, residents moving in and out, dreaming behind closed doors and searching for someone -- or something -- that got away. The Chelsea Hotel used to be grand, the place to live for New York City artists. Mark Twain, Thomas Wolfe, Tennessee Williams, Arthur Miller, Bob Dylan, Jimi Hendrix…they all passed through the hotel’s halls. Now, the iron façade has become rusty and the artists in residence are tarnished, too. Still, new dreamers come every day, hoping to be inspired by the ghosts of the past.
Grace (Uma Thurman) and Audrey (Rosaria Dawson) are young poets, who constantly struggle with issues of art and love. Never learning from experience, they always seem to let the wrong men into their hearts. Grace should love Frank (Vincent D’Onofrio), an artist who respects and understands her. But she still responds to the siren call of the lover who went to Hollywood. Similarly, Audrey lets impenetrable Val (Mark Webber) back into her life, knowing he will go off with Crutches (Kevin Corrigan) to do something that could take him away from her forever.
Down the hall, Bud (Kris Kristofferson) is a writer who faces more endings than beginnings. His pretends that his wife, Greta, (Tuesday Weld) and his mistress, Mary, (Natasha Richardson) are his muses. But his eight-hundred page book is really fueled by an endless supply of alcohol. A lion who is losing his roar, Bud is out of time.
For every worn out writer, there are two new musicians who come to town. Ross (Steve Zahn) and Terry (Robert Sean Leonard) have just driven in from Minnesota, eager to experience the sights and sounds of the Chelsea Hotel. These new hotel residents, young and full of expectations, mingle with the old hotel ghosts, ultimately becoming interchangeable. They form a community, linked by their dreams, their isolation, and their pain. The Chelsea Hotel never really leaves the people who live there, nor do they ever really leave it. -- © 2002 Lions Gate Films
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