Only a fine performance from Pfeiffer and a couple of decent lines from Bates made it bearable.
Cheri (2009)
Tomatometer
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Reviews Counted:116
Fresh:63
Rotten:53
Average Rating:5.7/10
Consensus: A too-short script and a romance lacking in heat detracts from an otherwise haughty charmer.
Rated: R [See Full Rating] for some sexual content and brief drug use.
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Jun 26, 2009 Limited
Box Office: $2,643,292
Synopsis: Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I,... Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I, CHERI paints a picture of the romance between young Chéri (Rupert Friend) and retired courtesan Léa (Michelle Pfeiffer). Chéri’s mother (Kathy Bates), a rival of Léa, plots to separate the pair by arranging a marriage between her son and Edmée (Felicity Jones). Screenwriter Christopher Hampton previously collaborated with the director on DANGEROUS LIAISONS. [More]
Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones
Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones, Frances Tomelty
Director: Stephen Frears
Director: Stephen Frears
Screenwriter: Christopher Hampton
Producer: Bill Kenwright, Andras Hamori, Tracey Seaward, Thom Mount
Composer: Alexandre Desplat
Studio: Miramax Films
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Reviews for Cheri
Pfieffer brings a real sense of vulnerability to proceedings, but Chéri is too passive a character and Friend simply isn't able to generate enough on-screen chemistry with her to make this work.
Intrusive narration from Frears doesn’t help and the fact that Cheri is such a drip makes the all-consuming nature of the romance hard to swallow. The film just can’t match the elegance and wit that come so effortlessly to Pfeiffer.
The chemistry-free and inexplicable romantic relationship between the two lead characters causes a ripple effect that dooms the entire movie.
This glimpse into a decadent era has its charms, but they’re mostly visual. While Pfeiffer and Friend perform well, the script is tonally confused and lacks edge.
Stellar cast, topnotch director, impressive design%u2014all the components for a rich satisfying movie, but without a compelling story it's somewhat forgettable.
Michelle Pfeiffer is quite good, but the script leaves Kathy Bates -- talented as she is -- with a bit of a cartoonish performance.
Chéri is a very enjoyable and fascinating cinematic experience. Despite being set almost a century ago, the movie's central themes are very relevant to our age-obsessed contemporary society.
Clever, charming, and slightly superficial, Cheri is the kind of pert period piece that gets by on a great deal of creative goodwill.
Chéri should have swept the audience off their feet and carried them to the bedroom... but instead teases them with a whiff of perfume and a flirtatious wink.
A disappointing script lets down the film despite its lavish costuming and consummate cast.
Frears takes Hampton's wet-lipped hint and bathes the film in a booze-soaked haze of opulence and intolerance, employing masterful cinematographer Darius Khondji to deliver bold images.
Scene after scene unfolds, with colourful costumes, attractive sets, knowing glances and innuendo, but also a feeling that this is a pedestrian read-through of a stage play.
By the end, it almost seems as if Frears has wearied of the tale, bringing in the narrator to dispatch Chéri to his fate (an unhappy one) in a few well-modulated sentences.
Cheri may be too leisurely paced for the Fast & Furious and Terminator Salvation crowd. But if you're in the mood for a warm bath rather than a quick shower, you might find this bittersweet period piece quite moving.
On the page the narrator's tone is clearer than it is on-screen, where images dominate dialogue.
Getting to see Michelle Pfeiffer in a big role is almost worth sitting though Cheri. But not quite.
Pfeiffer is curiously cold and brittle, while Friend never allows us to feel his character's anguish when he realizes the error of leaving Lea.
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