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Cherry Blossoms (2009)
Tomatometer
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Reviews Counted:50
Fresh:42
Rotten:8
Average Rating:7/10
Consensus: This mature and eloquent meditation on grief and loss sports measured performances and moments of humor.
Theatrical Release:Jan 16, 2009 Limited
Box Office: $293,708
Synopsis: Doris Dörrie (HOW TO COOK YOUR LIFE) directs this drama about an older married couple in love. Wife Trudi is the only one who knows that her husband, Rudi, has a disease that will kill him. In... Doris Dörrie (HOW TO COOK YOUR LIFE) directs this drama about an older married couple in love. Wife Trudi is the only one who knows that her husband, Rudi, has a disease that will kill him. In fact, even Rudi doesn't know about his sickness, and the pair plans to see their family in Berlin. But Trudi's surprising death changes all their plans, and Rudi decides to go to Tokyo to see the cherry blossom festival. [More]
Starring: Elmar Wepper, Hannelore Elsner, Aya Irizuki, Birgit Minichmayr
Starring: Elmar Wepper, Hannelore Elsner, Aya Irizuki, Birgit Minichmayr, Felix Eitner, Floriane Daniel, Nadja Uhl, Maximillian Brückner
Director: Doris Dörrie
Director: Doris Dörrie
Screenwriter: Doris Dörrie
Producer: Molly Von Furstenberg, Harald Kügler
Composer: Claus Bantzer
Studio: Strand Releasing
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Reviews for Cherry Blossoms
Exquisitely shot and initially absorbing, but it often drags and, ultimately, feels contrived and overstays its welcome at an excessive running time of 2 hours and 7 minutes.
A beautiful tissue-paper piece of art that falls to shreds should you so much as blow upon it
The example set by Ozus best works goes unheeded as the film becomes too cutesy and forced to be moving.
As Cherry Blossoms (Kirschblüten - Hanami) begins, Trudi is surprised when she learns her husband is dying of an unnamed condition.
If you believe that Trudi's silence about Rudi's illness is unethical, you'll want to throttle instead of console her.
There's meat and sustenance there, but Cherry Blossoms too often traffics in shopworn Western notions of Japanese culture; it's a pilgrim's-eye-view of Zen.
Doris Dorrie's Cherry Blossoms is both a tender tale of cultural crossings and a double portrait of grief.
There's a grace to it all, and moments of oddball poetry will reward patient viewers.
The bluntness of the script doesn't attain the ethereal quality it's striving for (Japanese cinema favours inscrutability, a cultural lesson that seems to have been lost in translation here), but it's still oddly absorbing.
Sometimes a quiet whisper is more compelling than the loudest shout. Cherry Blossoms is a gentle, maudlin tale of love, loss, family ties and the fleeting nature of life.
It is a seldom-told story in an essentially youth-oriented, escapist movie industry, but when it is told sublimely well, as it is by Ms. Dörrie now, and by McCarey in 1937, and by Ozu in 1953, it becomes a film for the ages.
Doris Dorries Cherry Blossoms translates a foreigner-in-Japan experience much better than Sofia Coppola could.
Cherry Blossoms is an exquisitely and delicately crafted film about love, loss, and a kind of spiritual healing.
With exquisite performances, engaging camerawork, and a compassionate story that cuts directly to bone, Blossoms is a riveting, perceptive feature film...It's an incredible motion picture.
Cherry Blossoms is both austere and garish, simultaneously dry and sentimental, tightly repressed and extravagantly expressive, bourgeois and bohemian. It's a seesaw, but [director] Dorrie finds the balance.
Tokyo's bustling downtown has never looked so vibrant and distinctive on film, and the titular blossoms are an eye-popping metaphor for the film's approach to life.
It's a gentle lesson in facing life's hardships with acceptance rather than grief.
Latest News for Cherry Blossoms
February 08, 2009:
Trailer & Poster review ![]()
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