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Movies / On DVD / The Keys to the House
The Keys to the House

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The Keys to the House (2004)

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Reviews Counted:25

Fresh:20

Rotten:5

Average Rating:6.9/10

Consensus: Favoring subtlety over cheap sentimentality, The Keys to the House is emotionally honest, compassionate, and a genuine tear-jerker.

Rated: Not Rated

Runtime: 1 hr 47 mins

Genre: Dramas

Theatrical Release:Dec 22, 2004 Limited

Synopsis: Taking to some difficult material with a sublimely delicate touch, Italian director Gianni Amelio offers a personal cinematic treatise on mental illness, physical disability, and child abandonment... Taking to some difficult material with a sublimely delicate touch, Italian director Gianni Amelio offers a personal cinematic treatise on mental illness, physical disability, and child abandonment in THE KEYS TO THE HOUSE. Gianni (Kim Rossi Stuart) is a father who removed himself from the child rearing process when his mentally and physically challenged son, Paolo (Andrea Rossi), was born. Paolo's mother died giving birth, so a kindly couple picked up the reigns and raised him under trying circumstances. Fifteen years later, a guilt-stricken Gianni gets back in touch with his son, offering to accompany him on a trip to a hospital in Berlin. Paolo cautiously agrees to the trip with his father, but the reunion is awkward for both parties. The level of care Paolo requires is problematic for Gianni, while Paolo seizes the opportunity to unleash some pent up anger he's kept simmering beneath the surface for the previous 15 years. But a chance meeting at the hospital between Gianni and a fellow parent of a disabled child, Nicole (Charlotte Rampling), presents the beleaguered father with a lifeline. Offering helpful advice, Nicole's words provide Gianni with the glue needed to mend his fractious relationship with Paolo. But as Amelio's film reaches its conclusion, some surprising revelations threaten to undo all of Gianni's attempts at reconciliation. Presenting some well-considered musings on the difficult relationship between the disabled and their able-bodied counterparts, THE KEYS TO THE HOUSE triumphs by offering some rarely afforded screen time to an oft-neglected section of the community. Director Amelio treats his subject matter with the dignity and respect it deserves, always treading carefully so as not to condescend, and ultimately offering a cogent statement that lingers long in the mind after the final credits roll. [More]

Starring: Charlotte Rampling, Kim Rossi-Stuart, Pierfrancesco Favino, Michael Weiss

Starring: Charlotte Rampling, Kim Rossi-Stuart, Pierfrancesco Favino, Michael Weiss, Andrea Rossi, Alla Faerovich

Director: Gianni Amelio

Director: Gianni Amelio
Screenwriter: Gianni Amelio
Producer: Mario Cotone, Elda Ferri
Composer: Franco Piersanti
Studio: Lions Gate Films

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Release:

Jun 28, 2005

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Reviews for The Keys to the House

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1 - 20 (sorted by fresh rating)
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This compelling Italian drama will have you weeping before the credits roll.

Full Review Source: E! Online | comment Comment
12/22/04
E! Online

We always understand why these people feel the way they do and, remarkably, believe we well might act the same were we in their shoes.

Full Review Source: Los Angeles Daily News | comment Comment
12/21/04
Bob Strauss
Bob Strauss
Los Angeles Daily News

Radiates a warm humanity and uplifts the spirit.

Full Review Source: Variety | comment Comment
06/09/05
Deborah Young
Deborah Young
Variety

Tough and sensible film, whose heart is in the right place.

Full Review Source: Ozus' World Movie Reviews | comment Comment
04/05/07
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Feels as if its being telegraphed from a cosmic fugue state, and means to get (and stay) beneath the skin.

Full Review Source: Slant Magazine | comment Comment
12/08/04
Ed Gonzalez
Ed Gonzalez
Slant Magazine

The Keys to the House is a compelling Italian drama about a father-son reunion and the bravery needed to open one's heart to another.

Full Review Source: Spirituality and Practice | comment Comment
12/16/04
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Takes on the challenge of overcoming the obstacles entailed in working with a handicapped actor.

Full Review Source: culturevulture.net | comment Comment
09/21/05
Gloria Monti
Gloria Monti
culturevulture.net

Click to read the article

Full Review Source: Cinema Signals | comment Comment
07/05/05
Jules Brenner
Jules Brenner
Cinema Signals

A touching tale.

Full Review Source: TV Guide's Movie Guide | comment Comment
12/29/04
Ken Fox
Ken Fox
TV Guide's Movie Guide

It takes a story that could be turned into the most florid kind of tear-jerker and instead tells it with an exactness and a restraint that makes it powerfully effective.

Full Review Source: Los Angeles Times | comment Comment
12/22/04
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

Subtle yet powerfully subversive look into the emotional toll and confusion of dealing with a disabled child.

Full Review Source: L.A. Weekly | comment Comment
12/16/04
Kim Morgan
Kim Morgan
L.A. Weekly

Amelio's camera captures with subtlety and without sentimentality the state of mind of a parent for whom every child running freely in the park is a painful reminder of another's limitations.

Full Review Source: Village Voice | comment Comment
12/21/04
Leslie Camhi
Leslie Camhi
Village Voice

A film that treats a difficult subject with the delicacy of real art.

Full Review Source: Film Journal International | comment Comment
12/19/04
Lewis Beale
Lewis Beale
Film Journal International

The kind of quietly unassuming tear-jerker that works its way into your heart despite the occasional cries of protest emanating from your head.

Full Review Source: New York Times | comment Comment
12/21/04
Manohla Dargis
Manohla Dargis
New York Times

Amelio, one of the true modern heirs of the great Italian neo-realist tradition, is a filmmaker of great subtlety, emotional precision and socio-psychological acumen.

Full Review Source: Chicago Tribune | comment Comment
06/09/05
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

Tackles issues like guilt, shame and compassion with admirable sensitivity.

Full Review Source: Empire Magazine | comment Comment
08/05/05
Patrick Peters
Patrick Peters
Empire Magazine

Amelio tells the story with a silent stillness that belies the intense emotions that churn under the surface.

Full Review Source: Shadows on the Wall | comment Comment
02/26/05
Rich Cline
Rich Cline
Shadows on the Wall

A film of quiet, understated power and authentic grace.

Full Review Source: Reel.com | comment Comment
12/23/04
Timothy Knight
Timothy Knight
Reel.com

Amelio intelligently steers clear of lachrymose speeches, swelling orchestral music, and cheap redemption and instead probes away at the ambivalent feelings of parents towards their handicapped off-spring.

Full Review Source: BBC | comment Comment
03/29/05
Tom Dawson
Tom Dawson
BBC

Amelio deals with the sensitive subject in a mature matter, refusing to descend into Hollywood-style schmaltz.

Full Review Source: New York Post | comment Comment
12/27/04
V.A. Musetto
V.A. Musetto
New York Post
 
 
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