This compelling Italian drama will have you weeping before the credits roll.
The Keys to the House (2004)
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Reviews Counted:25
Fresh:20
Rotten:5
Average Rating:6.9/10
Consensus: Favoring subtlety over cheap sentimentality, The Keys to the House is emotionally honest, compassionate, and a genuine tear-jerker.
Theatrical Release:Dec 22, 2004 Limited
Synopsis: Taking to some difficult material with a sublimely delicate touch, Italian director Gianni Amelio offers a personal cinematic treatise on mental illness, physical disability, and child abandonment... Taking to some difficult material with a sublimely delicate touch, Italian director Gianni Amelio offers a personal cinematic treatise on mental illness, physical disability, and child abandonment in THE KEYS TO THE HOUSE. Gianni (Kim Rossi Stuart) is a father who removed himself from the child rearing process when his mentally and physically challenged son, Paolo (Andrea Rossi), was born. Paolo's mother died giving birth, so a kindly couple picked up the reigns and raised him under trying circumstances. Fifteen years later, a guilt-stricken Gianni gets back in touch with his son, offering to accompany him on a trip to a hospital in Berlin. Paolo cautiously agrees to the trip with his father, but the reunion is awkward for both parties. The level of care Paolo requires is problematic for Gianni, while Paolo seizes the opportunity to unleash some pent up anger he's kept simmering beneath the surface for the previous 15 years. But a chance meeting at the hospital between Gianni and a fellow parent of a disabled child, Nicole (Charlotte Rampling), presents the beleaguered father with a lifeline. Offering helpful advice, Nicole's words provide Gianni with the glue needed to mend his fractious relationship with Paolo. But as Amelio's film reaches its conclusion, some surprising revelations threaten to undo all of Gianni's attempts at reconciliation. Presenting some well-considered musings on the difficult relationship between the disabled and their able-bodied counterparts, THE KEYS TO THE HOUSE triumphs by offering some rarely afforded screen time to an oft-neglected section of the community. Director Amelio treats his subject matter with the dignity and respect it deserves, always treading carefully so as not to condescend, and ultimately offering a cogent statement that lingers long in the mind after the final credits roll. [More]
Starring: Charlotte Rampling, Kim Rossi-Stuart, Pierfrancesco Favino, Michael Weiss
Starring: Charlotte Rampling, Kim Rossi-Stuart, Pierfrancesco Favino, Michael Weiss, Andrea Rossi, Alla Faerovich
Director: Gianni Amelio
Director: Gianni Amelio
Screenwriter: Gianni Amelio
Producer: Mario Cotone, Elda Ferri
Composer: Franco Piersanti
Studio: Lions Gate Films
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Reviews for The Keys to the House
We always understand why these people feel the way they do and, remarkably, believe we well might act the same were we in their shoes.
Feels as if its being telegraphed from a cosmic fugue state, and means to get (and stay) beneath the skin.
The Keys to the House is a compelling Italian drama about a father-son reunion and the bravery needed to open one's heart to another.
Takes on the challenge of overcoming the obstacles entailed in working with a handicapped actor.
It takes a story that could be turned into the most florid kind of tear-jerker and instead tells it with an exactness and a restraint that makes it powerfully effective.
Subtle yet powerfully subversive look into the emotional toll and confusion of dealing with a disabled child.
Amelio's camera captures with subtlety and without sentimentality the state of mind of a parent for whom every child running freely in the park is a painful reminder of another's limitations.
A film that treats a difficult subject with the delicacy of real art.
The kind of quietly unassuming tear-jerker that works its way into your heart despite the occasional cries of protest emanating from your head.
Amelio, one of the true modern heirs of the great Italian neo-realist tradition, is a filmmaker of great subtlety, emotional precision and socio-psychological acumen.
Tackles issues like guilt, shame and compassion with admirable sensitivity.
Amelio tells the story with a silent stillness that belies the intense emotions that churn under the surface.
Amelio intelligently steers clear of lachrymose speeches, swelling orchestral music, and cheap redemption and instead probes away at the ambivalent feelings of parents towards their handicapped off-spring.
Amelio deals with the sensitive subject in a mature matter, refusing to descend into Hollywood-style schmaltz.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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