Amelio's camera captures with subtlety and without sentimentality the state of mind of a parent for whom every child running freely in the park is a painful reminder of another's limitations.
The Keys to the House (2004)
Tomatometer
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Reviews Counted:25
Fresh:20
Rotten:5
Average Rating:6.9/10
Consensus: Favoring subtlety over cheap sentimentality, The Keys to the House is emotionally honest, compassionate, and a genuine tear-jerker.
Theatrical Release:Dec 22, 2004 Limited
Synopsis: Taking to some difficult material with a sublimely delicate touch, Italian director Gianni Amelio offers a personal cinematic treatise on mental illness, physical disability, and child abandonment... Taking to some difficult material with a sublimely delicate touch, Italian director Gianni Amelio offers a personal cinematic treatise on mental illness, physical disability, and child abandonment in THE KEYS TO THE HOUSE. Gianni (Kim Rossi Stuart) is a father who removed himself from the child rearing process when his mentally and physically challenged son, Paolo (Andrea Rossi), was born. Paolo's mother died giving birth, so a kindly couple picked up the reigns and raised him under trying circumstances. Fifteen years later, a guilt-stricken Gianni gets back in touch with his son, offering to accompany him on a trip to a hospital in Berlin. Paolo cautiously agrees to the trip with his father, but the reunion is awkward for both parties. The level of care Paolo requires is problematic for Gianni, while Paolo seizes the opportunity to unleash some pent up anger he's kept simmering beneath the surface for the previous 15 years. But a chance meeting at the hospital between Gianni and a fellow parent of a disabled child, Nicole (Charlotte Rampling), presents the beleaguered father with a lifeline. Offering helpful advice, Nicole's words provide Gianni with the glue needed to mend his fractious relationship with Paolo. But as Amelio's film reaches its conclusion, some surprising revelations threaten to undo all of Gianni's attempts at reconciliation. Presenting some well-considered musings on the difficult relationship between the disabled and their able-bodied counterparts, THE KEYS TO THE HOUSE triumphs by offering some rarely afforded screen time to an oft-neglected section of the community. Director Amelio treats his subject matter with the dignity and respect it deserves, always treading carefully so as not to condescend, and ultimately offering a cogent statement that lingers long in the mind after the final credits roll. [More]
Starring: Charlotte Rampling, Kim Rossi-Stuart, Pierfrancesco Favino, Michael Weiss
Starring: Charlotte Rampling, Kim Rossi-Stuart, Pierfrancesco Favino, Michael Weiss, Andrea Rossi, Alla Faerovich
Director: Gianni Amelio
Director: Gianni Amelio
Screenwriter: Gianni Amelio
Producer: Mario Cotone, Elda Ferri
Composer: Franco Piersanti
Studio: Lions Gate Films
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Reviews for The Keys to the House
Such a minimalist drama that, if not for the actors, we'd barely care if father and son ever reconcile.
A film that treats a difficult subject with the delicacy of real art.
Subtle yet powerfully subversive look into the emotional toll and confusion of dealing with a disabled child.
The Keys to the House is a compelling Italian drama about a father-son reunion and the bravery needed to open one's heart to another.
Feels as if its being telegraphed from a cosmic fugue state, and means to get (and stay) beneath the skin.
I left the cinema feeling rather frustrated because the potential for a great film was so clearly there.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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