... Chicago is dazzling entertainment ...
Chicago (2002)
Tomatometer
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Reviews Counted:206
Fresh:180
Rotten:26
Average Rating:7.9/10
Consensus: A rousing and energetic adaptation of the Broadway musical that'll have you tapping your feet.
Rated: PG-13 [See Full Rating] for sexual content and dialogue, violence and thematic elements
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Dec 27, 2002 Limited
Box Office: $170,617,614
Synopsis: Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband,... Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband, she lands on Chicago’s famed murderess row, retains Chicago’s slickest lawyer, Billy Flynn (RICHARD GERE), and is the center of the town’s most notorious murder case, only increasing her celebrity. Roxie Hart (RENÉE ZELLWEGER), seduced by the city’s promise of style and adventure, dreams of singing and dancing her way to stardom. When Roxie’s abusive lover tries to walk out on her, she too ends up in prison. Billy recognizes a made-for-tabloids story, and postpones Velma’s court date to take on Roxie’s case. Infamy is Roxie’s ticket to stardom. Billy turns her crime of passion into celebrity headlines, and in this town, where murder is a form of entertainment, she becomes a bona fide star – much to Velma’s chagrin. As Roxie fashions herself as America’s sweetheart, Velma has more than a few surprises in store, and the two women stop at nothing to outdo each other in their obsessive pursuit of fame and celebrity. A new interpretation that takes the award-winning Broadway show into fresh and expansive cinematic realms, CHICAGO shifts adroitly from the reality of intrigue, rivalry and betrayal to spectacular fantasies of music and dance, offering tongue-in-cheek commentary on the cult of celebrity and the scandalous lengths to which people will go to attain it. -- © 2002 Miramax Films [More]
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Christine Baranski, Lucy Liu, Taye Diggs, Colm Feore, Dominic West, Chita Rivera
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Bill Condon
Producer: Martin Richards
Composer: John Kander
Studio: Miramax Films
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Reviews for Chicago
Funny, smart, and with enough energy for two musicals, Chicago is one of the best films of 2002, and one of the best musicals ever.
While Chicago boasts plenty of razzle-dazzle, jazz and pizazz, it's not quite the bedazzling Broadway-to- Hollywood musical triumph some of us have hoped for all these years.
The curtain on “Chicago” goes up this week, and with it the resurgence of movie musicals… if anyone else can make one this good.
With her dynamic dancing and singing, Catherine Zeta-Jones emerges as a force of nature in this killer musical.
Chicago may or may not be a movie for the ages, only time will tell, but its theme of instant celebrity is topical and its music and acting are entertaining for the nonce.
Extremely enjoyable, although it says it all about the 2003 Oscars that this was a winner.
Chicago is hyperactive, but instead of throwing everything and seeing what sticks, it intoxicates you like a glitzy, neon narcotic.
Chicago is, even for the most disavowed theatre enthusiasts, a terrifically entertaining film based on a terrifically entertaining stage musical, that exists solipsistically as an entity for entertainment. . .
a big, splashy, brassy confection wrapped up in a bow with enough bugle beads and sequins to circle the globe twice and finish with a flourish.
Come on, give me a break. Who wins a Globe for having passed Basic Dance 101? Chicago is a decent film, a real toe-tapper directed with much flair and performed with competence - but ONLY competence.
Ultimately, in the history of the Academy, people may be wondering what all that jazz was about "Chicago" in 2002. Zellweger's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a
Rob Marshall's style is to make everything relentlessly brassy and fake, and his Chicago simply looks like a filmed stage play.
Chicago pode até ser um filme divertido e cativante (como é), mas acaba representando um passo que vai na direção contrária à evolução dos musicais.
La película no es sólo una cadena de números de canto y baile, sino una edición soberbia de escenas y recursos de teatro con cuadros y elementos de cine.
Chicago glorifies murder, glamorizes sex & death -- in other words it is just right for today's unsunny times.
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