[Zeta-Jones] makes Velma the coal-lump heart of Chicago a movie that is as dark as it is danceable.
Chicago (2002)
Tomatometer
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Reviews Counted:206
Fresh:180
Rotten:26
Average Rating:7.9/10
Consensus: A rousing and energetic adaptation of the Broadway musical that'll have you tapping your feet.
Rated: PG-13 [See Full Rating] for sexual content and dialogue, violence and thematic elements
Runtime: 1 hr 53 mins
Genre: Comedies
Theatrical Release:Dec 27, 2002 Limited
Box Office: $170,617,614
Synopsis: Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband,... Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband, she lands on Chicago’s famed murderess row, retains Chicago’s slickest lawyer, Billy Flynn (RICHARD GERE), and is the center of the town’s most notorious murder case, only increasing her celebrity. Roxie Hart (RENÉE ZELLWEGER), seduced by the city’s promise of style and adventure, dreams of singing and dancing her way to stardom. When Roxie’s abusive lover tries to walk out on her, she too ends up in prison. Billy recognizes a made-for-tabloids story, and postpones Velma’s court date to take on Roxie’s case. Infamy is Roxie’s ticket to stardom. Billy turns her crime of passion into celebrity headlines, and in this town, where murder is a form of entertainment, she becomes a bona fide star – much to Velma’s chagrin. As Roxie fashions herself as America’s sweetheart, Velma has more than a few surprises in store, and the two women stop at nothing to outdo each other in their obsessive pursuit of fame and celebrity. A new interpretation that takes the award-winning Broadway show into fresh and expansive cinematic realms, CHICAGO shifts adroitly from the reality of intrigue, rivalry and betrayal to spectacular fantasies of music and dance, offering tongue-in-cheek commentary on the cult of celebrity and the scandalous lengths to which people will go to attain it. -- © 2002 Miramax Films [More]
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Christine Baranski, Lucy Liu, Taye Diggs, Colm Feore, Dominic West, Chita Rivera
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Bill Condon
Producer: Martin Richards
Composer: John Kander
Studio: Miramax Films
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Reviews for Chicago
Watch for Roxie’s dance with the mirrors, for the courtroom three-ring circus, for Billy’s tap dance, and for Roxie’s and Velma’s big finale in front of a wall of light. For those who have seen “Chicago,” these scenes are likely burnt into your mind. For
I'd give real money to see the perpetrators of Chicago torn apart by dingoes.
Leggy Zeta-Jones is so hot in the 'All That Jazz' number, she's flammable. And Zellweger defines delicious.
All the main performances are entertaining and touching — if there’s an unearned confidence in Zeta-Jones’ shirking shoulders, it’s appropriate to her character. They all deserve credit — though when a real singer like Queen Latifah has her moment, we un
"You can't wait for the next song to blast onto the screen in all its chic, sexy, stylish glory."
The trouble is the jazzy vaudeville-like musical numbers are energetic but hardly memorable.
Chicago is a near-perfect translation of a stage musical that might have worked even better without Richard Gere.
If you like musicals, you will like Chicago, as do I. But I’m sure that I’ll be wondering just how great it could have been for a long, long time.
Zellweger...channels no one less than Marilyn Monroe. Just watch the word `booze' drip from her lips.
Marshall frequently cuts between the songs and the story, a trick which will keep MTV audiences interested. Still, he doesn't use the intercutting so much that older viewers will complain of headaches — as some did with the sensory overloading "Moulin Ro
This is the sleekest and sexiest movie musical to slither, shake and scintillate on-screen since Cabaret.
Chicago is no Cabaret, but if all you want from your evening's entertainment is jazz, it's all that.
A very good bet for those who don't have the leisure to make it to London for the stage show, and want a reliable, cheaper ticket-price approximation with (mostly) proper Americans in the cast.
The song and dance numbers are very well staged, even though Zellweger and Gere are not experienced song and dance people.
After being stuck in years of development, Chicago finally arrives on the big screen and the result is spectacular.
In the rousing and rhythmically spry Chicago, Marshall delivers a finger-snapping gem that radiates jubilance and promotes its lyrical spirit -- its bounciness and endless energy will have audiences giddy with delight.
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