The director has created a not-to-miss gem for the discriminating viewer.
Chop Shop (2007)
Tomatometer
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Reviews Counted:48
Fresh:46
Rotten:2
Average Rating:7.8/10
Consensus: Filled with excellent performances, Ramin Bahrani's deft sophomore effort is a heartfelt, hopeful neorealist look at the people who live in the gritty underbelly of New York City.
Theatrical Release:Feb 27, 2008 Limited
Synopsis: Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a... Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a hardscrabble existence in the "Iron Triangle." The boy earns a meager living hustling customers into body shops, hawking candy on the subway, and helping to chop up the parts of stolen cars. But he dreams of a better life. When his older sister Isamar (Isamar Gonzales) comes to live with him, Alejandro devises a plan to escape their desperate situation: they'll buy a lunch truck that they can run together. Alejandro begins stashing money, and even indulges in criminal activity to achieve his goal. When he learns a devastating secret about his sister, it makes him more determined than ever to change things. But reality proves a difficult opponent in his struggle for the American dream. Full of naturalistic performances and exquisite handheld photography, CHOP SHOP shows a side of New York that is rarely seen in films about the Big Apple. Its characters, mostly immigrants, inhabit a landscape of rubbish-strewn alleys, deafening expressways, and rusted steel. Manhattan's skyscrapers and the stands of Shea Stadium loom forever on the horizon. Though some may find the film's unsparing depiction of poverty difficult to watch, the film is never hopeless, and the humanity of its characters always shines through. Altogether, it achieves an air of documentary-like authenticity that convinces the viewer that, long after the screen goes black, the lives of its characters will continue. [More]
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata, Ahmad Razvi
Director: Ramin Bahrani
Director: Ramin Bahrani
Producer: Lisa Muskat, Marc Turtletaub, Jeb Brody
Studio: Koch Lorber Films
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Release:
Jul 8, 2008
Reviews for Chop Shop
Skillfully evading bleakness and sentimentality, Chop Shop is a terrifically assured piece of filmmaking.
A poignant and heart-affecting film about a 12-year-old Latino street orphan who is one of the many poor in the forgotten America.
Chop Shop is an oddity to be stared at thoroughly. What it should be, and what I'm sure Bahrani wanted it to be, was something to be deeply contemplated.
The boy is fueled by a manic energy, moving so fast and furious, so ridiculously and affectingly hopeful, that it's hard to find time to reflect on what he's missing.
The ambiguous fates awaiting Alejandro and Isamar are resonant and unforgettable.
What you get in Chop Shop is a very good 12-year-old actor who simply cannot carry a 85-minute drama in which he is the center of every single scene.
Three shots into Rahmin Bahrani's Chop Shop, and you're already pulled into its world with an effortless economy and precision that leave you no doubt you're in the best of cinematic hands.
Within the first 30 seconds or so of Ramin Bahrani's Chop Shop, you know you're in good hands.
Bahrani turns his keen eye toward another working-class subculture and again proves that he’s a virtually peerless New York neorealist.
Bahrani's willingness to expose the shameful reality of third-world conditions in the Land of Plenty while telling a crackling good story marks him as a filmmaker as important as he is accessible.
Chop Shop has the feel of a foreign film, but what is most likely to horrify audiences is that it's set in America.
A film with an incredible sense of place, of space, of how they shape and guide and define us.
Bahrani deftly walks a tightrope toward insight, never falling into safety nets of judgment or unearned sentiment.
The setting may be New York, but it could be Africa or Central America. And the story could be from post-war Italy with filmmakers like Vittoria De Sica.
An intriguingly original look at one boy's version of the American Dream, Ramin Bahrani's third feature is filled with vibrant life, finding drama and beauty in a world that's hidden from the eyes of most Americans.
[Rahman] Bahrani's unsentimental film is perhaps most interesting as a look at a colorful, little-known world that has recently been targeted for urban renewal.
Capturing grungy Queens blocks on the cusp of change as if it's the Third World, where entrepreneurial boys aggressively, and heartbreakingly, take on adult responsibilities.
Latest News for Chop Shop
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