The boy is fueled by a manic energy, moving so fast and furious, so ridiculously and affectingly hopeful, that it's hard to find time to reflect on what he's missing.
Chop Shop (2007)
Tomatometer
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Reviews Counted:47
Fresh:45
Rotten:2
Average Rating:7.8/10
Consensus: Filled with excellent performances, Ramin Bahrani's deft sophomore effort is a heartfelt, hopeful neorealist look at the people who live in the gritty underbelly of New York City.
Theatrical Release:Feb 27, 2008 Limited
Synopsis: Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a... Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a hardscrabble existence in the "Iron Triangle." The boy earns a meager living hustling customers into body shops, hawking candy on the subway, and helping to chop up the parts of stolen cars. But he dreams of a better life. When his older sister Isamar (Isamar Gonzales) comes to live with him, Alejandro devises a plan to escape their desperate situation: they'll buy a lunch truck that they can run together. Alejandro begins stashing money, and even indulges in criminal activity to achieve his goal. When he learns a devastating secret about his sister, it makes him more determined than ever to change things. But reality proves a difficult opponent in his struggle for the American dream. Full of naturalistic performances and exquisite handheld photography, CHOP SHOP shows a side of New York that is rarely seen in films about the Big Apple. Its characters, mostly immigrants, inhabit a landscape of rubbish-strewn alleys, deafening expressways, and rusted steel. Manhattan's skyscrapers and the stands of Shea Stadium loom forever on the horizon. Though some may find the film's unsparing depiction of poverty difficult to watch, the film is never hopeless, and the humanity of its characters always shines through. Altogether, it achieves an air of documentary-like authenticity that convinces the viewer that, long after the screen goes black, the lives of its characters will continue. [More]
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata, Ahmad Razvi
Director: Ramin Bahrani
Director: Ramin Bahrani
Producer: Lisa Muskat, Marc Turtletaub, Jeb Brody
Studio: Koch Lorber Films
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Release:
Jul 8, 2008
Reviews for Chop Shop
All these low-level criminal enterprises and idle dreams aren't happening in Mexico City or Kandahar; they're just outside Queens.
Lean and gritty, the movie eschews false sentiment, but in Alejandro (Alejandro Polanco), a tough, resourceful 12-year-old who stares down reality and bounces back from his own miscalculations, the movie boasts an anti-hero who inspires hopes.
It's exciting watching Bahrani explore the possibilities of neo-realism to dramatize penury and disenfranchisement among the service-class in this country.
Shot in August of 2006, the film’s spare narrative is free of psychology and histrionics.
Three shots into Rahmin Bahrani's Chop Shop, and you're already pulled into its world with an effortless economy and precision that leave you no doubt you're in the best of cinematic hands.
Ale carrys the weight of the world on his scrawny shoulders, and in Palanco, Bahrani found the perfect young actor to play the part.
Director/co-writer Ramin Bahrani ("Man Push Cart") gives a candid window into America's impoverished underbelly via a Queens junkyard neighborhood called the "Iron Triangle," where 12-year-old Latino orphan Ale (Alejandro Polanco) plans for his future
Bahrani deftly walks a tightrope toward insight, never falling into safety nets of judgment or unearned sentiment.
An intriguingly original look at one boy's version of the American Dream, Ramin Bahrani's third feature is filled with vibrant life, finding drama and beauty in a world that's hidden from the eyes of most Americans.
As he did in his striking 2005 first feature film, Man Push Cart, about a Pakistani street vendor in New York, perceptive indie filmmaker Ramin Bahrani looks at what others overlook and finds drama in everyday details.
Not enough happens in his film to really engage the viewer, and it begins to feel repetitive and overextended.
The ambiguous fates awaiting Alejandro and Isamar are resonant and unforgettable.
Capturing grungy Queens blocks on the cusp of change as if it's the Third World, where entrepreneurial boys aggressively, and heartbreakingly, take on adult responsibilities.
Chop Shop is an oddity to be stared at thoroughly. What it should be, and what I'm sure Bahrani wanted it to be, was something to be deeply contemplated.
Ramin Bahrani's patient, perfectly-scripted vérité drama doesn't have many plot points, but we're so absorbed in their world that each upset leaves us frustrated and furious.
The raw power of this unassuming snapshot would make Vittorio De Sica proud.
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