Three shots into Rahmin Bahrani's Chop Shop, and you're already pulled into its world with an effortless economy and precision that leave you no doubt you're in the best of cinematic hands.
Chop Shop (2007)
Tomatometer
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Reviews Counted:47
Fresh:45
Rotten:2
Average Rating:7.8/10
Consensus: Filled with excellent performances, Ramin Bahrani's deft sophomore effort is a heartfelt, hopeful neorealist look at the people who live in the gritty underbelly of New York City.
Theatrical Release:Feb 27, 2008 Limited
Synopsis: Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a... Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a hardscrabble existence in the "Iron Triangle." The boy earns a meager living hustling customers into body shops, hawking candy on the subway, and helping to chop up the parts of stolen cars. But he dreams of a better life. When his older sister Isamar (Isamar Gonzales) comes to live with him, Alejandro devises a plan to escape their desperate situation: they'll buy a lunch truck that they can run together. Alejandro begins stashing money, and even indulges in criminal activity to achieve his goal. When he learns a devastating secret about his sister, it makes him more determined than ever to change things. But reality proves a difficult opponent in his struggle for the American dream. Full of naturalistic performances and exquisite handheld photography, CHOP SHOP shows a side of New York that is rarely seen in films about the Big Apple. Its characters, mostly immigrants, inhabit a landscape of rubbish-strewn alleys, deafening expressways, and rusted steel. Manhattan's skyscrapers and the stands of Shea Stadium loom forever on the horizon. Though some may find the film's unsparing depiction of poverty difficult to watch, the film is never hopeless, and the humanity of its characters always shines through. Altogether, it achieves an air of documentary-like authenticity that convinces the viewer that, long after the screen goes black, the lives of its characters will continue. [More]
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata, Ahmad Razvi
Director: Ramin Bahrani
Director: Ramin Bahrani
Producer: Lisa Muskat, Marc Turtletaub, Jeb Brody
Studio: Koch Lorber Films
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Release:
Jul 8, 2008
Reviews for Chop Shop
Director/co-writer Ramin Bahrani ("Man Push Cart") gives a candid window into America's impoverished underbelly via a Queens junkyard neighborhood called the "Iron Triangle," where 12-year-old Latino orphan Ale (Alejandro Polanco) plans for his future
Shot in the unvarnished sets of New York's Iron Triangle, the unpaved mud holes of the streets and the rough plywood of bedroom walls tell an unforgettable story of growing up in a world with little pity
Bahrani's willingness to expose the shameful reality of third-world conditions in the Land of Plenty while telling a crackling good story marks him as a filmmaker as important as he is accessible.
Iranian-American filmmaker Ramin Bahrani showed great compassion for New York's underclass with his first feature, Man Push Cart, and his storytelling skill has only sharpened with this riveting followup.
It's already been compared to Brazilian classics City of God and Pixote. But Chop Shop is both more hopeful and less punishing than those films, in no small measure owing to the synergy between first-time actors Polanco and Gonzales.
As he did in his striking 2005 first feature film, Man Push Cart, about a Pakistani street vendor in New York, perceptive indie filmmaker Ramin Bahrani looks at what others overlook and finds drama in everyday details.
Not enough happens in his film to really engage the viewer, and it begins to feel repetitive and overextended.
Bahrani turns his keen eye toward another working-class subculture and again proves that he’s a virtually peerless New York neorealist.
Chop Shop is concerned principally with the kind of hard, marginal labor that more comfortable city dwellers rarely notice.
[Rahman] Bahrani's unsentimental film is perhaps most interesting as a look at a colorful, little-known world that has recently been targeted for urban renewal.
A poignant and heart-affecting film about a 12-year-old Latino street orphan who is one of the many poor in the forgotten America.
Chop Shop is an oddity to be stared at thoroughly. What it should be, and what I'm sure Bahrani wanted it to be, was something to be deeply contemplated.
The boy is fueled by a manic energy, moving so fast and furious, so ridiculously and affectingly hopeful, that it's hard to find time to reflect on what he's missing.
The setting may be New York, but it could be Africa or Central America. And the story could be from post-war Italy with filmmakers like Vittoria De Sica.
Chop Shop depicts a Third World existence in a land of supposedly unlimited opportunity.
What you get in Chop Shop is a very good 12-year-old actor who simply cannot carry a 85-minute drama in which he is the center of every single scene.
With Chop Shop, Ramin Bahrani exhibits a restraint not found in his 2005 debut Man Push Cart, focusing more intently on his tale's neorealist particulars than its symbolic potential.
Latest News for Chop Shop
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