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Movies / Upcoming / Chop Suey
Chop Suey

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Chop Suey (2001)

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Reviews Counted:31

Fresh:21

Rotten:10

Average Rating:6.1/10

Consensus: Freeform in structure, Chop Suey captures the range of Weber's eclectic interests.

Rated: Not Rated

Genre: Education/General Interest

Theatrical Release:2001

Synopsis: Bruce Weber's discovery of a gorgeous young hunk named Peter Johnson was the beginning of a marvellous collaboration that continued over four years. Plucking the young man from over a thousand boys... Bruce Weber's discovery of a gorgeous young hunk named Peter Johnson was the beginning of a marvellous collaboration that continued over four years. Plucking the young man from over a thousand boys in training as wrestlers, Weber turned Johnson into a highly-paid photographic model for Ralph Lauren, Versace, and Karl Lagerfeld. Chop Suey uses still photographs and live action footage to chart Johnson's transformation from a pretty young boy into a homoerotic icon.

But the film does much more than such a simple synopsis indicates. An autobiographical work, the film examines Weber's own career as photographer and filmmaker by bringing together, in a structure that replicates the mix of ingredients suggested by the title, a complex collage of images, ideas, reflections, personages and film materials. Weber's voice-over narration-garrulously personal and casually reflective-guides the viewer as he introduces a diverse collection of characters, including singer Frances Faye, Robert Mitchum, fashion guru Diana Vreeland and desert explorer Sir Wilfred Thesiger. Sometimes interacting with them as interviewer, Johnson acts as a polished, charming and confident participant.

The glories of this film are many, and their easy fit together is the result of the brilliant editing. This is free-form filmmaking: transitions from one subject, character or kind of image to another can be startling sometimes, and there is no way to predict where the film will go next. It could be Robert Mitchum singing jazz, a small-town parade, a fashion shoot, a homely gathering around the table, or an educational moment with Weber's own wonderful collection of classic photography. But wherever it takes us, it always seems right. And the thread that binds all the ingredients together is the sense of intimacy between photographer and subject.

It's been a long time since Let's Get Lost, and I for one have missed Bruce Weber. The two intervening short films, Backyard Movie and Gentle Giants, were delightful bon bons, but with Chop Suey we get a full meal.

- Kay Armatage, 2001 Toronto International Film Festival Catalogue [More]

Starring: Peter Johnson, Frances Faye, Rickson Gracie, Teri Shepherd

Starring: Peter Johnson, Frances Faye, Rickson Gracie, Teri Shepherd, Robert Mitchum, Jan-Michael Vincent, Diane Vreeland, Ernest Thesiger, Sir Wilfred Thesiger

Director: Bruce Weber

Director: Bruce Weber
Screenwriter: Bruce Weber, Maribeth Edwards
Composer: Douglas Cooper, John Leftwich
Studio: Zeitgeist Films

[See More Credits]

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Reviews for Chop Suey

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1 - 20 (sorted by fresh rating)
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Click to read the article

Full Review Source: Film Threat | comment Comment
03/16/04
Film Threat

Click to read the article

Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat

Anybody who expects this film to be nothing more than the equivalent of flipping through the advertisements in a slick magazine is in for a surprise.

Full Review Source: San Francisco Chronicle | comment Comment
02/08/02
Bob Graham
Bob Graham
San Francisco Chronicle
Top Critic Icon Top Critic

Some folks will call this film avant garde or blissfully trendy; others might settle for self-indulgent with moments of brilliance.

Full Review Source: PopcornQ | comment Comment
03/21/01
Brandon Judell
Brandon Judell
PopcornQ

Even the misspellings and ramblings fit into the loosey-goosey, associative framework.

Full Review Source: St. Paul Pioneer Press | comment Comment
05/23/02
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Though undoubtedly a vanity project -- the music clearances alone must have cost much more than the film could ever hope to gross -- it functions pleasantly enough as an exercise in free association.

Full Review Source: New York Times | comment Comment
10/05/01
Dave Kehr
Dave Kehr
New York Times
Top Critic Icon Top Critic

It's hard to resist, no matter how much you may hate fashion photography, and this documentary is less a love letter to Weber than to the people who've inspired him.

Full Review Source: IFilm | comment Comment
10/08/01
Dave White
Dave White
IFilm

With footage of Faye in performance, and interviews with her friends and associates, Weber uses Faye as base from which to branch out in bizarre directions.

comment Comment
03/07/02
David Ehrenstein
David Ehrenstein
New Times

Even when it turns pensive or deals with a death, it has the compulsive charm of a bright, gossiping diary you have to keep reading.

Full Review Source: San Diego Union-Tribune | comment Comment
01/04/02
David Elliott
David Elliott
San Diego Union-Tribune

There's a breezy charm to the proceedings.

Full Review Source: Film Journal International | comment Comment
12/09/01
David Noh
David Noh
Film Journal International

In the end, what resonates is the fragile yet unfailing grace of the human spirit embodied by Weber's subjects.

Full Review Source: PopMatters | comment Comment
12/28/01
David Sanjek
David Sanjek
PopMatters

Bruce Weber's filmic journey becomes a series of libidinal ups and humbling downs.

Full Review Source: Slant Magazine | comment Comment
09/25/01
Ed Gonzalez
Ed Gonzalez
Slant Magazine

It's an eclectic film, held together only by Weber's ironic voice-over narration and the endless shots of the beautiful Johnson.

Full Review Source: BBC | comment Comment
06/25/02
Jamie Russell
Jamie Russell
BBC

Spending time with Weber and hearing his stories makes you realize you might be listening to the secret of a happy life.

Full Review Source: Combustible Celluloid | comment Comment
02/11/02
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

A film of extraordinary beauty and singular vision.

Full Review Source: Hollywood Reporter | comment Comment
05/11/01
Joe Mader
Joe Mader
Hollywood Reporter

Assembled by Weber himself and overflowing with bits and pieces of his life and loves, this ditty box of a movie is a little like Maximillian Schell's 1984 documentary Marlene.

Full Review Source: TV Guide's Movie Guide | comment Comment
10/08/01
Ken Fox
Ken Fox
TV Guide's Movie Guide

The most personal and accomplished of the several documentaries Weber has made over the years.

Full Review Source: Los Angeles Times | comment Comment
03/01/02
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

It's a fascinating life and an interesting movie, but it's also a little evasive.

Full Review Source: Chicago Tribune | comment Comment
11/15/01
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

Sometimes maddeningly meandering, often intriguing.

Full Review Source: Seattle Times | comment Comment
04/05/02
Moira MacDonald
Moira MacDonald
Seattle Times

Weber's eclectic, grandly engaging documentary, is as personal as movies get, a generous and candid first-person exploration of the wide-ranging influences that inform the photographer's work.

Full Review Source: Miami Herald | comment Comment
02/01/02
Rene Rodriguez
Rene Rodriguez
Miami Herald
 
 
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