[A] much-celebrated documentary from the festival circuit.
Chris & Don: A Love Story (2007)
Tomatometer
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Reviews Counted:34
Fresh:32
Rotten:2
Average Rating:7.6/10
Consensus: Chris and Don paints an affecting, enlightening portrait of a one-of-a-kind love affair.
Theatrical Release:Jun 13, 2008 Limited
Box Office: $157,417
Synopsis: A sleeper hit at the Telluride Film Festival, Chris & Don: A Love Story is the true-life story of the passionate three-decade relationship between British writer Christopher Isherwood (whose... A sleeper hit at the Telluride Film Festival, Chris & Don: A Love Story is the true-life story of the passionate three-decade relationship between British writer Christopher Isherwood (whose Berlin Stories was the basis for all incarnations of the much-beloved cabaret) and American portrait painter Don Bachardy, thirty years his junior. From Isherwood’s Kit-Kat-Club years in Weimar-era Germany (the inspiration for his most famous work) to the couple’s first meeting on the sun-kissed beaches of 1950s Malibu, their against-all-odds saga is brought to dazzling life by a treasure trove of multimedia. Bachardy’s contemporary reminiscences (in the Santa Monica home he shared with Isherwood until his death in 1986) artfully interact with archival footage, rare home movies (with glimpses of glitterati pals W.H. Auden, Igor Stravinsky and Tennessee Williams), reenactments, and, most sweetly, whimsical animations based on the cat-and-horse cartoons the pair used in their personal correspondence. With Isherwood’s status as an out-and-proud gay maverick, and Bachardy’s eventual artistic triumph away from the considerable shadow of his life partner, Chris & Don: A Love Story is above all a joyful celebration of a most extraordinary couple. --© Zeitgeist Films [More]
Director: Guido Santi, Tina Mascara
Director: Guido Santi, Tina Mascara
Producer: Julia Scott, Tina Mascara, Guido Santi, James S. White
Composer: Miriam Cutler
Studio: Zeitgeist Films
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Release:
Feb 24, 2009
Reviews for Chris & Don: A Love Story
With delectable-looking home movies of the couple's travels in California and Europe, Chris and Don offers an intimate portrayal of a passionate, enduring association, as well as a social history of postwar life.
By examining this older/younger couple for differences of social circumstance, individual ego and personal desire that pertain to any love relationship, Santi and Mascara present a complex testament of gay experience. It’s remarkable because it’s rare.
It's a sentimental and loving picture, playing out as a leisurely cocktail-hour stroll through an enchanting life.
There are many reasons to see Chris & Don, but the best one I can think of is the chance to see Isherwood and his best friend W.H. Auden, probably the greatest poet of the twentieth century, jumping around together like middle-aged schoolboys in beguiling
Primed as we are by a culture rich in both homophobia and dirty old men, we can be forgiven for anticipating a sordid cautionary tale. It’s a shock -- a happy shock -- when Chris & Don recounts a love that approaches the transcendental.
Santi and Mascara are right to call their film A Love Story, because this is the portrait of a marriage as full and enviable as the greatest unions in literature.
A wonderfully crafted documentary about a most unusual long-term relationship
Though a bit too conventional to perfectly reflect the unique affair at its center, Chris & Don is likely to inspire romantics of all kinds.
A charming, illuminating portrait of the complex and storied queer romance between Isherwood and Bachardy.
One of the most positive, affecting portrayals of queer romance in recent memory.
A great, revealing documentary; one of the best films released in 2008
Surprisingly, this 2007 documentary about their 34-year relationship becomes more engrossing as its focus shifts from Isherwood to Bachardy...
While they might have had their ups and downs, the subjects of Chris & Don are a testament to fidelity.
A love unique in every respect -- nothing to sniff at and forever to be treasured.
The documentary, made after Isherwood’s death and with Bachardy’s enthusiastic participation, is as much a love story as a chronicle of Bachardy’s maturation into a man and an artist.
The work is a reflective hodgepodge of unnervingly 'cute' animation, reenactments, archival footage, and Bachardy's own reminiscences, spoken in the singular British accent he invented just as he invented his own unorthodox life.
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