The film starts promisingly, but the ending is all too predictable and far too cliched to really work.
City by the Sea (2002)
Tomatometer
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Reviews Counted:140
Fresh:67
Rotten:73
Average Rating:5.8/10
Consensus: Even though the movie is well acted, it sinks under an abundance of melodrama and cliches.
Rated: R [See Full Rating] for language, drug use and some violence
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release:Sep 6, 2002 Wide
Box Office: $22,369,941
Synopsis:
New York City homicide detective Vincent LaMarca (Robert De Niro) has forged a long and distinguished career in law enforcement, making a name for himself as a man intensely committed to his...
New York City homicide detective Vincent LaMarca (Robert De Niro) has forged a long and distinguished career in law enforcement, making a name for himself as a man intensely committed to his work.
But on his latest case, the stakes are higher for Vincent — the suspect he's investigating is his own son (James Franco). He and Joey have been painfully estranged ever since Vincent divorced his wife and left the decaying boardwalks of Long Beach, Long Island for the anonymity of Manhattan and a successful career with the NYPD. He lives his life in solitude, keeping his girlfriend (Frances McDormand) at arm's length; the closest relationship he maintains is with his partner, Reg (George Dzundza) — and Vincent makes sure that stops at the precinct door. As long as Vincent lives in the protection of the present, he doesn't have to deal with the pain of his past — or his sorrow over his broken relationship with Joey.
But this murder investigation is drawing Vincent home to Long Beach, the self-proclaimed "City by the Sea," where the past has been waiting for him to return. The agonizing memory that has tortured him all his life — the death of his father, a convicted murderer who was executed when Vincent was just a boy — still plagues him. In the course of the investigation, he discovers that his own unresolved pain and failures as a father have deeply influenced Joey's life, and now his 18-month-old grandson may be fated to follow their self-destructive paths.
Haunted by his father's death, the sins of his own past, and the desire to break the cycle for the sake of his grandson's future, Vincent must put his life on the line in order to do right by both his family and his profession.
The Film stars Robert De Niro, Frances McDormand, James Franco, Eliza Dushku, William Forsythe, Patti LuPone and George Dzunzda.
City By The Sea is directed by Michael Caton-Jones and produced by Brad Grey, Elie Samaha, Michael Caton-Jones and Matthew Baer. -- © 2002 Warner Bros.
Starring: Robert De Niro, Frances McDormand, George Dzundza, James Franco
Starring: Robert De Niro, Frances McDormand, George Dzundza, James Franco, William Forsythe, Patti LuPone, Eliza Dushku
Director: Michael Caton-Jones
Director: Michael Caton-Jones
Screenwriter: Ken Hixon
Producer: Brad Grey, Matthew Baer, Elie Samaha, Michael Caton-Jones, Andrew Stevens
Composer: John Murphy
Studio: Warner Bros.
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Reviews for City by the Sea
City by the Sea is a gritty police thriller with all the dysfunctional family dynamics one could wish for. But how it washed out despite all of that is the project's prime mystery.
In its workmanship it aspires not to be remarkable but to be well made, dependable, moving us because of the hurt in the hero's eyes.
City by the Sea begins life in great health only to be strangled in its crib by bad writing.
De Niro portrays Detective Vincent LaMarca with the earnest determination of a man trying to transform a bathroom-wall limerick into King Lear.
An intense and satisfying drama about the release of guilt, pain, and suffering in the reconciliation between a father and son.
Those expecting to see a lot of shoot-outs better be ready to sit through a greater barrage of conversations.
The underworld urban angst is derivative of Martin Scorsese's Taxi Driver and Goodfellas, but this film speaks for itself.
Just as I’d reserved myself to the notion that Robert De Niro would coast through the rest of his career, he turns in one of the year’s most powerful performances.
When the first few villians are introduced as "Spider" and "Snake" you know you're in for a real winner, creativity at its peak.
The dialog isn't realistic, combine this with the emotional swelling of the soundtrack and the movie becomes laughable.
We’re forced to watch DeNiro struggle to chew out some of the most painful dialogue ever written... It’s downright heartbreaking.
Caton-Jones is one of those directors who seems to lose more personality with each new film he makes.
De Niro spars around the character, making occasional stabs at getting under the surface, but he never really inhabits the role.
Because there's not much bite or pull to the family drama, it's hard not to notice that the action elements are familiar and rather weak.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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