City of Ember starts out promising and ends up ho-hum.
City of Ember (2008)
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Reviews Counted:117
Fresh:60
Rotten:57
Average Rating:5.7/10
Consensus: City of Ember is visually arresting, and boasts a superb cast, but is sadly lacking in both action and adventure.
Rated: PG [See Full Rating] for mild peril and some thematic elements.
Runtime: 2 hrs 3 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Oct 10, 2008 Wide
Box Office: $7,781,625
Synopsis:
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. Built as a refuge for humanity and powered by a massive generator - this...
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. Built as a refuge for humanity and powered by a massive generator - this City will only sustain for 200 years. Now Ember is falling into darkness as the generator fails, and the dazzling lights begin to flicker and fade.
Despite growing concern for the future of their beloved City, Ember's students find themselves confronting the next step in their lives. A rite of passage for all graduates, it is Assignment Day, the day on which the Mayor himself will stand before the graduating students as they choose, by lottery, how they will spend their lives working for their society. Lina, praying with all her might to be a messenger, is devastated to be assigned to the Pipeworks, the vast network of pipes underneath the City. Her classmate, Doon Harrow, who wants more than nothing else to work in the Generator, panics when he pulls the messenger assignment. The Pipeworks isn't the Generator, but it is close enough and Doon offers to swap assignments with Lina. She is thrilled and grateful and eagerly changes jobs. Thus, an unlikely friendship is born, one that, as it blossoms, will change the course of all the lives in Ember.
Lina takes easily to the job of messenger and finds herself zipping all over Ember, delivering important missives to even more important people, including the mayor himself. At home she cares for her aging and forgetful grandmother, and her baby sister Poppy. When an old metal box is discovered in their closet, Lina's grandmother is overjoyed. Completely sure that the contents of the box are of the utmost importance, she is completely bereft of any memory as to why.
Lina manages to jimmy the lock open, and discovers some cryptic papers inside. Unable to piece the papers together, but sure that they are important, Lina resolves to decipher their meaning and enlists Doon's help.
As blackouts in the City become more frequent, Lina and Doon realize that the information inside that box could lead to the salvation of their City and their fellow citizens. Now racing against the clock, the two follow the clues, cleverly maneuvering around corrupt politicians and unsavory characters hoping to keep them from their goal: restoring the light in the City of Ember.
A Walden Media and Playtone co-production, this heart-thumping, edge-of-your seat adventure boasts an impressive cast and crew of acclaimed, award-winning talent. City of Ember was directed by Gil Kenan (Academy Award® nominee for Monster House), and was produced by Playtone¹s Tom Hanks and Gary Goetzman. The cast includes recent Academy Award nominee Saoirse Ronan (Atonement) as the fiesty Lina, Academy Award® nominee Bill Murray, in the role of the larger than life Mayor of Ember, Harry Treadaway (Control) as Doon, Academy Award nominee Marianne Jean-Baptiste (Secrets & Lies) as Clary, and Toby Jones (Infamous) as Barton Snode, the Mayor of Ember¹s right hand man. Academy Award® winner Tim Robbins plays Loris Harrow, father of Doon, and Academy Award® winner Martin Landau appears as Sol, the Pipeworks gauge minder. The film is from a script written by Caroline Thompson (Edward Scissorhands) based on the best-selling novel by Jeanne Duprau.
The creative production team includes Academy Award® nominated costume designer Ruth Myers (Emma, The Addams Family), Academy Award® winning senior special effects supervisor Kit West (Raiders of the Lost Ark), production designer Martin Laing (Titanic), cinematographer Xavier Perez Grobet (Before Night Falls), supervising art director Jon Billington (Pearl Harbor, Troy) and art director James Foster (Children of Men.)
--© Fox Walden
Starring: Bill Murray, Tim Robbins, Saoirse Ronan, Harry Treadaway
Starring: Bill Murray, Tim Robbins, Saoirse Ronan, Harry Treadaway, Mary Kay Place, Martin Landau, Toby Jones
Director: Gil Kenan
Director: Gil Kenan
Screenwriter: Caroline Thompson
Producer: Tom Hanks, Gary Goetzman
Composer: Andrew Lockington
Studio: Walden Media
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Release:
Jun 16, 2009
Reviews for City of Ember
Except for watching Bill Murray get attacked by a giant mole (something unique in Billy boy's career so far) this sci-fi fantasy aimed at kids feels wan and warmed over.
City of Ember has almost anything one could want from a science fiction-based family adventure film: likeable characters, an imaginative setting, and a fast pace.
I never read the books that led to this film, but I would imagine that some elements of the story work better on the page than on the screen.
There's been far too much attention paid to physical and narrative detail, not enough to the dimensions of the characters.
This Walden Media production has less in common with 'The Chronicles of Narnia' than with 'Z.P.G.' and 'THX-1138' and other environmentally conscious science-fiction films that end with inspiring images of the Earth's giver of life, the sun.
Both light entertainment and smart, subversive literature, urging the young to think for themselves, question authority and make their own destiny.
Entertainment-wise, City of Ember is a good family deal: exciting and simple enough for anyone over 8 to follow yet mature and mildly satirical enough for parents.
Ember is seldom riveting, but it's consistently compelling, and its uncompromising literal and metaphorical darkness renders its climax enormously satisfying.
It does have two likable teen actors as role models for the audience at which it takes aim. Anybody over 15, though, should look elsewhere.
And though the film ultimately falls short of its considerable promise, there's more than enough here to keep thoughtful moviegoers - of any age - intrigued.
The movie brings DuPrau's visionary world of wonder alive with fervor and energy. The story moves quickly: hitting plot points at a sprint and creating great tension.
There's shockingly little plot in this tale of the denizens of the titular city.
A grim fantasy about a cloistered subterranean metropolis that wants to be both a kids' adventure and a dystopian finger-wag. That director Gil Kenan's second feature never quite succeeds as either is a shame for all the dazzling craftsmanship.
Caroline Thompson's screenplay is dour in the extreme ... a bit of humor would have made this dystopian tale go down easier.
The mood of the movie is flat, without highs or lows, and the special effects are only mildly exciting. Even kids will notice that.
City of Ember is one of those sparkling and smart family fantasy films that breed respect for the writers of young adult novels and serve as reminder that good things do come out of Hollywood.
The brightest star is the soundstage that stands in for endangered Ember. It's a beguiling, belching, labyrinthine example of movie magic.
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