Average Rating: 8.6/10
Reviews Counted: 21
Fresh: 20 | Rotten: 1
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Critic Reviews: 2
Fresh: 1 | Rotten: 1
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Cleo From 5 to 7 (Cleo de cinq a sept), per its title, concentrates on two hours in the life of a woman. Those hours are desperate ones, in that Cleo, a pop singer, awaits the results of her tests for cancer. Director Agnes Varda stages the film in "real" rather than subjective time, its various episodes divided into chapters, using significant Tarot cards. During the allotted time, Cleo visits her friends, tries to sing her worries away, spends money, and cries. ~ Hal Erickson, Rovi
Jan 1, 1961 Wide
May 16, 2000
Zenith International Films
All Critics (22) | Top Critics (2) | Fresh (20) | Rotten (1) | DVD (7)
Varda transforms the typical French cinema gamine into a complex, tragic figure: the girl who's all too good at playing plaything, forced to face the hollowness of her youth.
Generally, Mlle. Varda is so absorbed with her camera stunts, as she is in that scene in the hat shop or when she is screening that comedy short, that the essential concentration on the heroine is neglected and the interest lost.
Definitely a document from lost-past times.
The Parisian streetscapes are beautiful and thrilling, and the tarot scene at the beginning, combined with overheard fragments of anxious city lives, give this something of TS Eliot.
Race to see Agnes Varda's exquisite 1962 New Wave masterpiece, about an hour and a half in the life of a gorgeous, possibly dying chanteuse.
One of the Nouvelle Vague's boldest achievements.
Like many New Wave films, Cléo from 5 to 7 alternates between ambiguity and charm on the one hand, vagueness and whimsy on the other.
This remarkable feature typifies all that was good in French film-making during its celebrated New Wave.
Varda could have stopped after "Cleo From 5 to 7" with the assurance that she'd contributed more to cinema than most directors.
Varda uses her documentary skills to take an objective approach to the material, rather than a sentimental one. It's amazing how much can happen in two hours.
... has its spirited moments.
Not every minute is as spirited as Varda would like us to believe, but in the cinema of enchantment this ranks pretty high.
As good as almost any entry from the French New Wave...a devastating portrait of running out of time...
By most accounts, photographer-turned-director Agnès Varda is considered the archetypal girl who crashed the big boys' clubhouse, and Cléo from 5 to 7 was the film that paid her membership fee.
Why Agnes Varda's Cleo From 5 to 7 is not considered a classic of the French New Wave on the order of Truffaut's The 400 Blows or Godard's Breathless is a complete mystery. Well, I tell a lie.
while the plot is quite simple, a young capricious woman awaiting test results, this is filmmaking at its finest. varda creates a new fiction by merging real time, cinema verite, and multiperspectives. WOW!
December 7, 2008Super Reviewer
This is from the Criterion Film Collection. I guess its because I am not french or maybe its just a bad run of French Films lately but I think I am going to pass on the french films for a while, I tried I really did, good Black and white background scenes, but is was painfull to hang in there till the end.
June 15, 2008Super Reviewer
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