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Cleo de 5 a 7 (1962)
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Reviews Counted:15
Fresh:14
Rotten:1
Average Rating:8.4/10
Runtime: 90 mins
Genre: Foreign Films
Synopsis: Agnes Varda's signature strategy of mixing documentary and fiction comes to fruition in this intimate and fluid portrait of two hours in the life of pop singer Cleo Victoire (Corrine Marchand) as... Agnes Varda's signature strategy of mixing documentary and fiction comes to fruition in this intimate and fluid portrait of two hours in the life of pop singer Cleo Victoire (Corrine Marchand) as she restlessly awaits the results of a cancer test. With a distinctly feminist take on the French New Wave films of the early 1960s, Varda's film examines Cleo's banal yet extraordinary afternoon as she traverses Paris, bouncing back and forth between various men, intercepting and avoiding friends, enemies, superstitions, chance, and eventually love. The camera follows at breakneck speed as Cleo's existential ennui pulls her through the city (beautifully captured by Jean Rabier's sweeping cinematography). Lively characters populate Cleo's journey, ranging from a tough female cabdriver, Cleo's mothering assistant, her blasé boyfriend, and finally a talkative and intriguing stranger, a young soldier (Antoine Bourseiller) spending his last hours in Paris before shipping off to war. As Cleo's perspectives are completely rearranged by the specter of possible illness, Varda describes a world of life, possibilities, and love. [More]
Starring: Corinne Marchand, Antoine Bourseiller, Dorothee Blank, Michel Legrand
Starring: Corinne Marchand, Antoine Bourseiller, Dorothee Blank, Michel Legrand, Jose-Luis De Villalonga
Director: Agnes Varda
Director: Agnes Varda
Screenwriter: Agnes Varda
Producer: Georges De Beauregard
Composer: Joanna Bruzdowicz
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Reviews for Cleo de 5 a 7
Varda could have stopped after "Cleo From 5 to 7" with the assurance that she'd contributed more to cinema than most directors.
Varda transforms the typical French cinema gamine into a complex, tragic figure: the girl who's all too good at playing plaything, forced to face the hollowness of her youth.
Varda uses her documentary skills to take an objective approach to the material, rather than a sentimental one. It's amazing how much can happen in two hours.
Not every minute is as spirited as Varda would like us to believe, but in the cinema of enchantment this ranks pretty high.
Generally, Mlle. Varda is so absorbed with her camera stunts, as she is in that scene in the hat shop or when she is screening that comedy short, that the essential concentration on the heroine is neglected and the interest lost.
As good as almost any entry from the French New Wave...a devastating portrait of running out of time...
By most accounts, photographer-turned-director Agnès Varda is considered the archetypal girl who crashed the big boys’ clubhouse, and Cléo from 5 to 7 was the film that paid her membership fee.
Why Agnes Varda's Cleo From 5 to 7 is not considered a classic of the French New Wave on the order of Truffaut's The 400 Blows or Godard's Breathless is a complete mystery. Well, I tell a lie.
Told in real time, Agnès Varda's film has tons of heart and brains to match.
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