The effort is there, but nothing can save 'Click' from being another raunch-fest starring the emoting challenged Sandler.
Click (2006)
Tomatometer
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Reviews Counted:163
Fresh:52
Rotten:111
Average Rating:4.8/10
Consensus: This latest Adam Sandler vehicle borrows shamelessly from It's A Wonderful Life and Back To The Future, and fails to produce the necessary laughs that would forgive such imitation.
Rated: PG-13 [See Full Rating] for language, crude and sex-related humor, and some drug references
Runtime: 1 hr 47 mins
Genre: Comedies
Theatrical Release:Jun 23, 2006 Wide
Box Office: $137,340,146
Synopsis: Michael Newman (Adam Sandler) is married to the beautiful Donna (Kate Beckinsale) and they have two terrific kids, Ben (Joseph Castanon) and Samantha (Tatum McCann). But he doesn't get to see them... Michael Newman (Adam Sandler) is married to the beautiful Donna (Kate Beckinsale) and they have two terrific kids, Ben (Joseph Castanon) and Samantha (Tatum McCann). But he doesn't get to see them much because he's putting in long, hard hours at his architectural firm in the elusive hope that his ungrateful boss (David Hasselhoff) will one day recognize his invaluable contribution and make him a partner. Once he's on easy street, he'll be able to lavish attention on the wife and kiddies. At least, that's what he tells himself. After staying up all night to work, a tired Michael becomes frustrated because he can't even figure out which of his remotes will turn on the TV set. Michael sets out to find the perfect device to operate all his electronic equipment and stumbles into the back room of a Bed, Bath & Beyond, where an eccentric employee, Morty (Christopher Walken), gives him an experimental one-of-a-kind souped-up gadget guaranteed to change his life. Morty wasn't kidding either. Soon Michael is master of his domain, turning on every appliance with the click of a button. But the device has other, more startling functions. It can somehow muffle the barking of Sundance, the family dog — and even more astoundingly, fast forward through an annoying quarrel with his wife. Michael is fascinated by his new toy and a little freaked out as well. He decides to pay another visit to Morty, the guy who sold him the mysterious device. Morty tells Michael he gave him exactly what he asked for — a universal remote that lets him control his universe. Right before Michael's astonished eyes, Morty demonstrates the device's mind-boggling advanced features, including a function that lets Michael travel back and forth through his life at different speeds. Michael quickly becomes addicted to this new rush of power, which literally allows him to have his cake and eat it too. But before he knows it, the remote is programming him, rather than the other way around. And try as he might, a panicked Michael can't stop the device from deciding which events of his life he'll experience and which ones he'll miss. Only then does he begin to truly appreciate and embrace his life — the good, the bad and the ugly. --© Sony Pictures [More]
Starring: Adam Sandler, Kate Beckinsale, Christopher Walken, Sean Astin
Starring: Adam Sandler, Kate Beckinsale, Christopher Walken, Sean Astin, Jennifer Coolidge, Rachel Dratch, David Hasselhoff
Director: Frank Coraci
Director: Frank Coraci
Screenwriter: Steve Koren, Mark O'Keefe
Producer: Adam Sandler, Jack Giarraputo, Neal H. Moritz, Steve Koren, Mark O'Keefe
Composer: Rupert Gregson-Williams
Studio: Columbia Pictures
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Reviews for Click
If you can tolerate Sandler's juvenile humor, you'll also find something worthwhile.
Click is basically It's a Wonderful Life with punching, farting, dog-on-duck intercourse and sex jokes ...
The onscreen maturing of Adam Sandler continues with Click, perhaps the erstwhile frat boy's most sentimental outing yet.
Click goes clunk when the screenwriters lather on the sentiment too thick
Sways too far one direction into the vulgar and too far the other into the maudlin.
Adam Sandler still coasts on American pop culture's peculiar indulgence of boys who won't grow up
I've never been a fan of Sandler's humor, but if the alternative is him struggling mightily to convey angst, bring on the 'You can do it!' callbacks and Rob Schneider cameos.
The first half is typical juvenile Sandler shtick and the second aims for the heart with the kind of bittersweet nectar the emotionally diabetic will reject.
Director David Frankel finds the mainstream summer swagger in this crowd-pleaser of a film while managing to keep its snooty, upscale tone.
In the end, the movie works better as a high-concept quirky dramatic piece...
This is definitely not one of Sandler's best films -- no 'Wedding Singer' romantic sensitivity or 'Waterboy' innocent appeal emerges here.
What it lacks is an inspired moment of unleashed rage -- the kind that have always kept Sandler's romps redeemable.
The comedy isn't as pointed as desired and the drama isn't as maudlin as expected, yielding decidedly mixed results.
The latest Adam Sandler assault on the art of film is one of those films -- the kind where multi-millionaires explain to you that money can't buy happiness.
[A] painfully generic and gimmicky comedy. Relentlessly interminable, predictable and drowsy in concept. Sandler's man-child routine has already run its course ad nauseam.
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
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