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The Closet (2001)
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Reviews Counted:78
Fresh:67
Rotten:11
Average Rating:7/10
Consensus: A pleasant comedy with a great cast.
Theatrical Release:Jun 29, 2001 Limited
Box Office: $4,519,967
Synopsis:
It's all about perception…
Francois Pignon (Daniel Auteuil, The Widow of Saint-Pierre) leads an uncomplicated, complacent and quiet existence. Due to his severe case of "boring," his wife...
It's all about perception…
Francois Pignon (Daniel Auteuil, The Widow of Saint-Pierre) leads an uncomplicated, complacent and quiet existence. Due to his severe case of "boring," his wife leaves him and his seventeen-year-old son abandons him. Pignon has little left to sustain himself except his accounting job at a condom factory. Until one day he accidentally discovers he is going to be fired, because his employers have grown tired of him as well.
Desperate for a solution, Pignon looks to his neighbor Belone (Michel Aumont), a retired corporate psychologist, for help. Together, they devise an outrageous scheme to solve his problem: Pignon will come out of a closet he never went into, and start a rumor that will have his entire corporation thinking he’s gay.
Due to this "surprising revelation," the new, mysterious Pignon suddenly intrigues his employer. Now he is a straight man pretending to live a gay life, entrenched in a comedy of errors, and finding his new persona is affecting everyone in his world. For the first time in his life, Francois Pignon is coming alive. -- © 2001 Miramax
Starring: Daniel Auteuil, Gérard Depardieu, Thierry Lhermitte, Michele Laroque
Starring: Daniel Auteuil, Gérard Depardieu, Thierry Lhermitte, Michele Laroque, Jean Rochefort, Stanislas Crevillen, Alexandra Vandernoot
Director: Francis Veber
Director: Francis Veber
Screenwriter: Francis Veber
Studio: Miramax Films
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Release:
Nov 13, 2001
Reviews for The Closet
The Closet will not appeal to all moviegoers, but it will find a niche audience of viewers hungry for brisk, smart comedies.
... only in retrospect that you realize just how absurd it is ...
Perhaps not the most uproarious of Veber's farces, but entertaining and emotionally satisfying all the same.
Both funny and poignant without succumbing to the easy excesses of either slapstick or sentimentality.
The screenplay relies too much on the first level of its premise and doesn't push into unexpected places.
We are left with a mildly amusing comedy and the lingering memory of a sterling cast that deserved better material.
The story idea is new and different, and the plot turns are fun and interesting, with that oh-so-tres-French bittersweetness lurking below the surface Auteuil is perfect...
[Veber] gets his laughs out of character and situation rather than isolated gags, which makes the picture feel like something from another era.
Irony piled upon irony as a straight, dull man pretends to be gay and becomes more alive.
[Auteuil] deftly achieves what amounts to an actor's paradox: He brings to the forefront a character who exists in the background.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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