Introducing The Dwights (2007)
Runtime: 1 hr 49 mins
Theatrical Release: Jul 4, 2007 Limited
Box Office: $263,040
Synopsis: This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and marry a one-hit wonder country singer. One of her two sons is mentally handicapped (Richard... This Australian coming-of-age comedy/drama features SECRETS AND LIES star Brenda Blethyn as Jeannie, a semi-monstrous mom who gave up a promising career as a British comic to move Down Under and marry a one-hit wonder country singer. One of her two sons is mentally handicapped (Richard Wilson); the other is a sensitive kid named Tim (Kham Chittenden), whose sexual maturity has been waylaid by his clingy mom's fear of being abandoned again (her husband--understandably--left her). He's got to look after his brother and drive Mom to her local club gigs as she attempts a comeback. Complications arise when Tim meets Jill (Emma Booth), a girl cute and bright enough to be worth standing up to his mother for. Director Cherie Nowlan stages the ensuing family fracas in the style of Australia's and England's past working-class comedy hits, like MURIEL'S WEDDING and LIFE IS SWEET. This suits the larger-than-life talents of Blethyn just fine: over the top is her natural habitat and here she inhabits it body and soul. The broad comic strokes are nicely balanced by some subtle shading in the sensitive romance between Tim and his Jill. Chittenden is very likeable, and his sensitivity makes a nice foil for the histrionics on display. Still, it's Blethyn's show all the way (she also wrote much of her own stand-up material), and fans of her work in the films of Mike Leigh will be happy with the warm, improvisatory feel of much of INTRODUCING THE DWIGHTS (or CLUBLAND as it's known in Australia). [More]
Genre: Comedies
Starring: Brenda Blethyn, Richard Wilson, Khan Chittenden, Frankie J. Holden, Rebecca Gibney
Screenwriter: Keith Thompson
Producer: Rosemary Blight
Composer: Martin Armiger
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Reviews
A movie that works beautifully when it's on point and feels sort of hollow when it's not.
Yes, Introducing the Dwights is a melodrama, but this melodrama handles its emotional manipulation with such subtle honesty that it takes on an impressive degree of realism.
...does little more than disappoint its audience with annoying characters and stereotypical situations.
As lively as a slap in the face, this film struggles to connect with us due to an extremely unsympathetic central figure, but still wins us over with strong acting and a sweet romance.
It doesn't quite add up as a convincingly rounded drama, thanks largely to a tepid feelgood ending, but there are many good moments - and the expert acting from Blethyn alone is worth the price of a ticket.
If you're making a film about a stand-up, it helps if she has at least one good gag in her routine.
Brenda Blethyn gets her teeth into the role of a flamboyant showbiz monster who can't accept that her career has failed to make the big time.
This heartfelt, good-natured film grew on me, and Blethyn always commands attention.
You can’t help but mourn for the hint of an intriguing film that could have been.
Promising turns from Booth and Chittenden aren't enough to save a slight and sloppy Aussie soap from a poor script, messy direction and Blethyn's overbearing performance.
It’s Keith Thompson’s script that struggles here, his sub-Little Voice histrionics leaving next to nothing for the cast to work with.
In the hands of Mike Leigh, this could be a masterpiece, as it is, it's forgettable fun.
Feels like a Sunday night TV drama - and not a very good one at that.
Enjoyable, emotionally engaging Australian drama with superb performances from Blethyn and an up-and-coming young cast.
Introducing the Dwights is funny and poignant, with a tour-de-force performance by British actress Brenda Blethyn.
Director Cherie Nowlan is far too intent on serving up searing pathos washed down, inevitably, with a tub of soaring affirmation.
At times, it's a mawkish drama about a mother-son relationship that's uncomfortable to watch and too melodramatic to be believed. Then, it's a sprightly comedy about an innocent boy who hits the adolescent jackpot.
One of those quirky Australian comedies that’s almost as charming and sharp as it thinks it is.
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