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Code Unknown (2001)
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Reviews Counted:37
Fresh:26
Rotten:11
Average Rating:6.9/10
Consensus: Though challengingly cryptic at times, Code Unknown still manages to resonate.
Runtime: 1 hr 53 mins
Genre: Foreign Films
Theatrical Release:Nov 15, 2000 Limited
Synopsis: CODE UNKNOWN tracks a series of events that unfold in like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne (Juliette... CODE UNKNOWN tracks a series of events that unfold in like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne (Juliette Binoche) is an actress whose boyfriend Georges (Thierry Neuvic) photographs the war in Kosovo. Georges' brother, Jean (Alexandre Hamidi), is looking for the entry code to Georges' apartment because he has decided he no longer wants work on his father's farm in the country and he is moving to Paris. The lives of these characters haphazardly interconnect with those of a Romanian immigrant begging on the street, Maria (Luminita Gheorghiu), and a deaf teacher of West African descent, Amadou (Ona Lu Yenke). With many twists and turns that draw the viewer into webs of family, nationality, culture, economics, and politics, CODE UNKNOWN is a splendidly complex drama with a nonsequential chronology from Austrian director Michael Haneke. [More]
Starring: Juliette Binoche, Thierry Neuvic, Alexandre Hamidi, Luminita Gheorghiu
Starring: Juliette Binoche, Thierry Neuvic, Alexandre Hamidi, Luminita Gheorghiu, Ona Lu Yenke, Bob Nicolescu
Director: Michael Haneke
Director: Michael Haneke
Screenwriter: Michael Haneke
Producer: Alain Sarde, Marin Karmitz
Composer: Giba Goncalves
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Reviews for Code Unknown
Unfortunately, [Haneke's] often too cryptic, which leaves viewers still trying to make connections when they should already be reacting to the moral lessons implied by them.
An interesting concept... [but] one doomed by a lack of characterization, Code Unknown remains a jumble of unknowable elements.
This sliced and diced curio (think Manchevski's Before the Rain as directed by Godard) tackles entirely too much to ever really be about anything.
As an intellectual exercise, it's quite distinguished. As a drama, its reach exceeds its grasp.
Though it's difficult to call the film a success, it's certainly beguiling.
Too self-consciously obtuse, enigmatic and 'meaningful' for its own good, it demands far more than it gives back in return.
While it alludes to themes concerning xenophobia, communication and social responsibility, ultimately the film amounts to little more than a collection of stark, uneven vignettes.
[Haneke's] socio-political condemnations assume an aggressively hectoring tone.
Tackles contemporary cosmopolitan ennui with unfailing sensitivity and perceptiveness, and that more than makes its stories worth knowing.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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