The bland sameness and numb predictability of life in Colma might make for adequate sociology, it makes for a poor antagonist
Colma: The Musical (2007)
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Reviews Counted:30
Fresh:27
Rotten:3
Average Rating:7.3/10
Consensus: Three teens contemplate life after high school while singing their hearts out in this fresh musical.
Rated: R [See Full Rating] for language including sexual references.
Runtime: 1 hr 40 mins
Genre: Musical & Performing Arts
Theatrical Release:Jun 22, 2007 Limited
Synopsis: Taking place in the suburban town of Colma, where the dead outnumber the living 1500 to 1, Colma: The Musical takes the music of H.P. Mendoza and weaves it into a fresh personal look into the ups... Taking place in the suburban town of Colma, where the dead outnumber the living 1500 to 1, Colma: The Musical takes the music of H.P. Mendoza and weaves it into a fresh personal look into the ups and downs of early adulthood. Best pals Rodel, Billy, and Maribel find themselves in a state of limbo; fresh out of high school, they are just beginning to explore a new world of part-time mall jobs and crashing college parties. As newfound revelations and romances challenge their relationships with one another and their parents, the trio must assess what to hold onto, and how to best follow their dreams. Billy is an aspiring actor with big dreams; but there is nothing big about Colma. When he is cast in a local play, his mundane routine of dead-end mall jobs and late-night small-town romps with Rodel and Maribel are challenged by glimpses of a bigger life. Rodel can be the life of the party – if he feels like it. But at home, with his brother in prison, he carries the pressure of being the “good kid" in his family. Rodel’s relationship with his father is fading as their communication has been reduced to screaming at each other across the house. However, a secret Rodel keeps from him will force a confrontation; for better or worse. Maribel loves a party, especially crashing them. Helping Rodel and Billy land fake ID’s, she constantly is trying to get them into the “in” parties. When the friendships between the three become challenged, she does what she can to keep them all together; but she begins to wonder if the only thing permanent in her life is Colma. Colma: The Musical boasts 13 musical numbers featuring all original music by H.P. Mendoza and is Richard Wong’s feature directorial debut. It has been awarded the Special Jury Prize at the San Francisco International Asian American Film Festival and the Los Angeles Asian Pacific Film Festival. --© Official Site [More]
Starring: H.P. Mendoza, Jake Moreno, L.A. Renigen, Sigrid Sutter
Starring: H.P. Mendoza, Jake Moreno, L.A. Renigen, Sigrid Sutter
Director: Richard Wong
Director: Richard Wong
Screenwriter: H.P. Mendoza
Producer: Paul Kolsanoff, Richard Wong
Composer: H.P. Mendoza
Studio: Roadside Attractions
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Reviews for Colma: The Musical
This is a potentially brilliant scenario, so it's unfortunate that Colma pays so little attention to Colma; it may as well be set anywhere.
The songs sound like they were recorded on a toy synthesizer in someone's basement, and neither of the two male leads can sing.
A winning amalgam of MySpace-ish self-involvement, digital video immediacy and 'Hey kids, let's put on a show' gumption.
Richard Wong's DV-shot musical channels an earnest, let's-put-on-a-show-ethos into a melancholy celebration of the titular San Francisco suburb.
breezy and irreverent in idiom, yet it examines with sometimes wry, but always unflinching, even brutal, honesty, the impact and consequences of emotional betrayal. And it does so without missing a beat, or a combination step.
Colma works because the filmmakers believe it can and aren't listening to anyone who tells them otherwise.Take a visit to Colma, you won't regret it.
Colma is so blazingly original that it bursts off the screen with the sort of breathtaking energy that reminds you why you love movies in the first place.
Director Richard Wong is alert to every nuance, cleverly framing the heavily satirical situations with appropriate deadpan affection and deft use of split-screen.
Amerindie Colma: The Musical just gives the kids music they like and characters they can identify with, forgetting any grandiosity.
Colma: The Musical is a great big surprise, a riotous, effervescent and even gritty treat
After film versions of Dreamgirls and Rent, Colma: The Musical feels like a palette cleanser.
H.P. Mendoza’s clever melodies and pointedly constructed rhymes rescue the movie from the detriments of its tired plot and unfocused pace.
Wonderfully staged numbers -- a raucous song in a tavern, a lovely ballad sung in a cemetery with couples dancing through the tombstones -- that give this little indie a big heart.
Colma: the Musical makes up in heart what it lacks in glitz and real, singable songs.
Suburban teenage frustration: Didn’t it always go down best with a salty side of Journey? Or the Smiths?
There hasn't been a movie that lays out the confusion and heartbreak of the first tentative steps into adulthood this mercilessly since Ghost World.
Mendoza's 13 original numbers...provide the slender story with structure, and overall the songs are surprisingly catchy despite the bare-bones music production and the fact that of the leads, only Renigen has a standout voice.
An itty-bitty movie with a great big heart, Colma: The Musical is about how we learn to give voice -- joyfully, honestly, loudly -- to the truest parts of ourselves.
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