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Come Undone (2001)
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Reviews Counted:31
Fresh:24
Rotten:7
Average Rating:6.4/10
Theatrical Release:Jun 29, 2001 Limited
Synopsis: Come Undone begins during one hot, French summer in a sleepy, picturesque town near the coast of Nantes and ends there 18 months later. As Mathieu (Jérémie Elkaïm, of François Ozon's short film... Come Undone begins during one hot, French summer in a sleepy, picturesque town near the coast of Nantes and ends there 18 months later. As Mathieu (Jérémie Elkaïm, of François Ozon's short film Bed Scenes), a quiet 18-year-old boy, spends yet another holiday with his depressed mother, nosy aunt and clingy sister, he meets a cocksure young man, Cédric (Stéphane Rideau of Wild Reeds). Cédric catches Mathieu's eye while selling candy at the local seaside amusement park. The beautiful, more experienced Cédric begins to pursue Mathieu, and they are soon meeting for clandestine, evening encounters in the dunes. The young men open up to their respective families about the nature of their involvement, and a fragile happiness sets in. Sébastien Lifshitz's intimate direction evokes hot summer nights in France most of us wish we'd had. Like a dream, Come Undone languidly flows back and forth between the past and the present, often asking us to fill the deliberate jumps in time. The audience is allowed to steal very private glances at Mathieu's memories and snapshots of his life,including his loss of innocence. These moments let us experience what happens to Mathieu after he gives in to Cédric's pleas for a life together. He learns to live independently for the first time, far removed from the people whose love he's always taken for granted. -- © 2001 Picture This! Entertainment [More]
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Reviews for Come Undone
The sex scenes are bluntly beautiful, the boys are natural, superb actors, and you'll find yourself more than ready to embrace "Come Undone" as one of the great tales of amour.
Charged by Rideau's amazingly sexy performance as the most forthright gay character put on screen to date.
Lifshitz has made a serious, at times quite genuine coming-out drama.
It is heartfelt, and is full of intense feelings and insights into love.
A delicately managed piece that is by turns intimately detailed and elliptical.
Sticks to a standard of emotional honesty in following Mathieu's journey, and casting a shrewd eye as he stumbles toward self-awareness.
Hopefully, even those who fail to accept the director's stylistic experiments will still appreciate the beautifully acted, disarming picture of youth and love.
Deals with sex in terms of feelings, deep feelings, and with no need to reach for a cheap punch line in order to make everything 'acceptable' for audiences.
It impressionistically paints a portrait of a young man attempting to come to grips with himself and with life, without offering any simplistic solutions.
It's nothing new, but worth a viewing if only for the performances of Elkaïm and Rideau.
If you found films like But I'm a Cheerleader or Edge of Seventeen profoundly unimaginative, Sebastien Lifshitz, making his directorial debut, has something to show you.
Brings maximum subtlety, nuance and insight into the timeless story of first love.
A touching meditation on the most ignored reason why relationships collapse -- love's unscripted exit, stage left.
A highly credible, if rather unexceptional, look at the many insecurities and occasional joys of young love.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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