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Come Undone (2001)
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Reviews Counted:31
Fresh:24
Rotten:7
Average Rating:6.4/10
Theatrical Release:Jun 29, 2001 Limited
Synopsis: Come Undone begins during one hot, French summer in a sleepy, picturesque town near the coast of Nantes and ends there 18 months later. As Mathieu (Jérémie Elkaïm, of François Ozon's short film... Come Undone begins during one hot, French summer in a sleepy, picturesque town near the coast of Nantes and ends there 18 months later. As Mathieu (Jérémie Elkaïm, of François Ozon's short film Bed Scenes), a quiet 18-year-old boy, spends yet another holiday with his depressed mother, nosy aunt and clingy sister, he meets a cocksure young man, Cédric (Stéphane Rideau of Wild Reeds). Cédric catches Mathieu's eye while selling candy at the local seaside amusement park. The beautiful, more experienced Cédric begins to pursue Mathieu, and they are soon meeting for clandestine, evening encounters in the dunes. The young men open up to their respective families about the nature of their involvement, and a fragile happiness sets in. Sébastien Lifshitz's intimate direction evokes hot summer nights in France most of us wish we'd had. Like a dream, Come Undone languidly flows back and forth between the past and the present, often asking us to fill the deliberate jumps in time. The audience is allowed to steal very private glances at Mathieu's memories and snapshots of his life,including his loss of innocence. These moments let us experience what happens to Mathieu after he gives in to Cédric's pleas for a life together. He learns to live independently for the first time, far removed from the people whose love he's always taken for granted. -- © 2001 Picture This! Entertainment [More]
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Reviews for Come Undone
If you leave the theater for even a minute, you'll be lost, given the way Come Undone jumps around.
Lives up to its title with its deliberately confusing fractured narrative style and elliptical storytelling.
A grey, sullen treatment of an increasingly hackneyed subject, marked by opaque characterizations and a fractured, disjointed narrative style.
I couldn't keep myself from checking my watch as my impatience with incoherent nature of the film grew.
Come Undone is the coming-of-age romance French-style, with emotions nuanced, effects subtle. But it's also achingly slow, at times bleak and, in the end, frustratingly and regrettably, rather pointless.
The sex scenes are bluntly beautiful, the boys are natural, superb actors, and you'll find yourself more than ready to embrace "Come Undone" as one of the great tales of amour.
Charged by Rideau's amazingly sexy performance as the most forthright gay character put on screen to date.
Lifshitz has made a serious, at times quite genuine coming-out drama.
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