Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format.
Confetti (2006)
Tomatometer
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Reviews Counted:73
Fresh:42
Rotten:31
Average Rating:5.8/10
Consensus: This sweetly humorous mockumentary takes the spirit of Spinal Tap -- if not the laughs -- and uses it to spoof the wedding industry.
Theatrical Release:Sep 15, 2006 Limited
Box Office: $145,545
Synopsis: British actor Martin Freeman first came to the public's attention with his turn as the jaded and smitten Tim in Ricky Gervais's television mockumentary THE OFFICE. Freeman returns to the... British actor Martin Freeman first came to the public's attention with his turn as the jaded and smitten Tim in Ricky Gervais's television mockumentary THE OFFICE. Freeman returns to the mockumentary format for CONFETTI, taking a leading role alongside a host of British actors, many of whom are also making the transition from television to the big screen. The film revolves around three couples who have reached the final stages of a magazine competition to find the most unique and originally themed wedding; the prize is a multimillion dollar house. Jessica Stevenson from Britcom SPACED plays Freeman's other half, and their rivals are a tennis-obsessed couple played by Stephen Mangan (from dark comedy show GREEN WING) and Meredith MacNeill (MAN STROKE WOMAN), and a naturist duo brought to life by Robert Webb and Olivier Colman (who are both from BBC America's excellent PEEP SHOW). Director Debbie Isitt calls on her talented cast to improvise their dialogue throughout, veering close to Christopher Guest (BEST IN SHOW) territory at times. CONFETTI never quite manages to reach the effortless comic highs Guest's well-practiced troupe often attain, and the film ends up laying somewhere in-between traditional wedding farces like FOUR WEDDINGS AND A FUNERAL and the awkward comedy of Larry David's CURB YOUR ENTHUSIASM. This is no bad place to be of course, and avid anglophiles will be delighted to see a veritable who's who of British comedy filling out the cast, with Jimmy Carr (who Comedy Central viewers may recognize from his show DISTRACTION) and Felicity Monatgu (NIGHTY NIGHT) playing the two editors of the magazine, while smaller roles are taken by Julia Davis (NIGHTY NIGHT) and Mark Heap (BIG TRAIN). Ultimately CONFETTI is perfect fodder for a rainy afternoon spent in need of a few belly laughs, but hopefully it won't inspire too many people to get married in the nude. [More]
Starring: Martin Freeman, Jessica Stevenson, Stephen Mangan, Robert Webb
Starring: Martin Freeman, Jessica Stevenson, Stephen Mangan, Robert Webb, Olivia Colman, Meredith MacNeill, Felicity Montagu, Jimmy Carr, Mark Heap, Julia Davis, Alison Steadman
Director: Debbie Isitt
Director: Debbie Isitt
Producer: Ian Flooks, Ian Benson
Studio: Fox Searchlight Pictures
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Reviews for Confetti
No amount of zany improvisation can save a mockumentary with an inherently unfunny premise.
The search for the most original wedding of the year results in Confetti, a lively mockumentary-style comedy that is as funny as it is spontaneous.
The wackiness of this fake doc is often pretty strained, proving that while doing a wedding is hard, successfully emulating a Christopher Guest–style comedy is way harder.
...Offers plenty of sharp-eyed character humour and, crucially, develops each of its couples as credible relationships.
Confetti is both a curse and a blessing to those looking to Britain for comedy film; get on board with it and you'll have a riot but fail to pick up on the experimental nature of its humour and you'll likely be lost.
An agreeable Britcom about three couples competing in a magazine-sponsored contest for the Most Original Wedding of the Year.
The premise may look like Four Weddings and Love Actually, but this film is really a Christopher Guest-style improvised mock-doc.
... feels like a television idea that hasn't really got the muscle to pull it on to the big screen.
There's a scattering of funny moments in Confetti, but they're dispersed over a wide area where not much really happens.
It's cheerfully daft enough to be good fun, and even if you won't be quoting it the next day, it'll keep you laughing from start to finish.
The characters are well-drawn and superbly acted by the ensemble cast - Webb and Coleman prove particularly good sports by spending almost the entire film naked (and not in a good way)
Gloss and stupid, the film was made without a script, which is a good idea almost never.
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