One of Bertolucci's best films, The Conformist makes a provocative connection between repressed sexual desires and fascist politics.
The Conformist (1970)
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Reviews Counted:39
Fresh:39
Rotten:0
Average Rating:8.7/10
Consensus: A commentary on fascism and beauty alike, Bernadro Bertolucci's The Conformist is acclaimed for its sumptuous visuals and extravagant, artful cinematography.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: The film that made Bernardo Bertolucci's international reputation, THE CONFORMIST (based on Alberto Moravia's novel) is equal parts film noir, Freudian melodrama, and political commentary. The... The film that made Bernardo Bertolucci's international reputation, THE CONFORMIST (based on Alberto Moravia's novel) is equal parts film noir, Freudian melodrama, and political commentary. The hero, Marcello Clerici (Jean-Louis Trintignant), joins Italy's fascist party, marries a simpering bourgeois woman, and agrees to assassinate the university professor who once acted as his mentor, all to become a "normal" member of society. As his psyche unravels--a homosexual encounter at age 13, his father's illness, his desire for the professor's wife, Anna (Dominique Sanda)--Bertolucci gradually shows that Clerici wants to become a robot in order to forget the messiness of life. But Clerici is moral enough at heart to begin putting off the murder in true Hamlet fashion. Bertolucci evokes the antiseptic fascist bureaucracy, the charming circle of the professor, and the bloody outcome of moral bankruptcy with equally arresting visuals. The narrative is nonlinear, but the arc is clear; as Clerici's smug, self-satisfied air comes undone, Bertolucci wants every Italian to answer for their own behavior when the fascists came. [More]
Starring: Jean-Louis Trintignant, Stefania Sandrelli, Dominique Sanda, Pierre Clementi
Starring: Jean-Louis Trintignant, Stefania Sandrelli, Dominique Sanda, Pierre Clementi
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
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Reviews for The Conformist
A powerful story well acted by a fine cast, it doesn't have the moral outcome you might imagine. An absorbing drama with a different, albeit downbeat, twist to it.
One of the most referenced and extraordinary films in cinema history.
One of the all-time greats, with a flabbergastingly deep mastery of time and space.
Bertolucci never made another film that even came close to The Conformist
"The Conformist" is Bernardo Bertolucci's immaculate work of cinematic art about the conflicted mindset of a man who carries out Mussolini's fascist ideology.
The exquisite reverie of a death dance (political and sexual), filmed by a wizard of barely sublimated eros.
Trintignant gives a mesmerizing performance as someone wrestling with his inner demons.
More like a symphonic poem than a movie. Your breath is taken away by its baroque compositions.
This film nevertheless touches some issues that seem universal even today.
Bertolucci's masterpiece was controversial at the time due to its psycho-sexual approach to the fascist protag and to history, but what was beyond doubt was the film's spectacular visuals and sensual texture, its unity of contents, form and style.
A visual masterpiece thanks to Storaro’s keen eye and Bertolucci's assured direction.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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