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Control

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Control (2007)

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Reviews Counted:104

Fresh:90

Rotten:14

Average Rating:7.4/10

Consensus: Control is a work of art, thanks to its evocative black and white cinematography and sensational performances from Sam Riley and Samantha Morton. Even those not familiar with Joy Division can still appreciate the beauty of the film.

Rated: R [See Full Rating] for language and brief sexuality.

Runtime: 2 hrs 2 mins

Genre: Musical & Performing Arts

Theatrical Release:Oct 10, 2007 Limited

Box Office: $801,112

Synopsis: Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for.... Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for. It's also a beautifully rendered piece of cinema about the crippling effects of love and regret, and the salvation we seek in art. Born out of England's post-Sex Pistols punk explosion, Joy Division played a dark, minimalist version of the nascent sound, and became cult heroes thanks in part to their brilliant yet disturbed frontman Ian Curtis (played by an eerily perfect Sam Riley). Corbijn does a wonderful job recreating the Manchester band's music and live show, cutting straight to the essence of Joy Division's unique appeal. Credit must also be given to the three actors who portray the rest of Joy Division. Playing all the instruments themselves, they perfectly capture the band's powerfully stoic presence, one that translates both live and on record into the sonic equivalent of an existential crisis. CONTROL, however, is ultimately about Curtis's tumultuous marriage with his wife, Deborah (Samantha Morton), and the way that Joy Division became an aesthetic manifestation of his pain--one that was both physical (Curtis was an epileptic) and emotional. Corbijn evokes Curtis's hurt and isolation with both honesty and subtlety: a photographer originally, he frames each shot to look like a stark black-and-white photo from an album the audience was never meant to see, making Curtis's pain palpable and his eventual suicide that much more tragic. The overtones to the later suicide of Kurt Cobain are hard to avoid, but where Cobain's suicide has always been discussed in terms of the pressure he felt as a rock star, Curtis's, as rendered by Corbijn, is a pain anyone could potentially be forced to suffer through. [More]

Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson

Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson, Toby Kebbell, Harry Treadaway

Director: Anton Corbijn

Director: Anton Corbijn
Screenwriter: Matt Greenhalgh
Producer: Orian Williams, Peter Heslop, Deborah Curtis
Composer: New Order
Studio: Weinstein Company

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Release:

Jun 3, 2008

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Reviews for Control

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1 - 20 (sorted by critic A-Z)
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Control is a brilliant feature debut by Corbijn, and a compelling portrait of the life and art of the late Ian Curtis.

Full Review Source: KPBS.org | comment Comment
11/02/07
Beth Accomando
Beth Accomando
KPBS.org

Though it follows the usual biopic formula, Corbijn's stark, black-and-white widescreen visual scheme restores some of the story's real power.

Full Review Source: Combustible Celluloid | comment Comment
10/25/07
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

The film ends, as it begins and largely unfolds, in a blaze of affectlessness. This is anomie as art.

Full Review Source: Financial Times | comment Comment
10/05/07
Nigel Andrews
Nigel Andrews
Financial Times

Film %u0107e stoga biti shvatljiv samo onim gledateljima koji detalje povijesti "Joy Divisiona" i Curtisovog %u017Eivota imaju u malom prstu, a to su, dakako, najokorjeliji fanovi.

Full Review Source: Index.hr | comment Comment
07/15/09
Dragan Antulov
Dragan Antulov
Index.hr

A terrific film about a complex human being.

Full Review Source: Film Journal International | comment Comment
10/04/07
Lewis Beale
Lewis Beale
Film Journal International

Control is like a wake where the guests forgot to bring the booze and, for the most part, have nothing very nice or even particularly interesting to say about the deceased.

Full Review Source: Village Voice | comment Comment
10/09/07
LD Beghtol
LD Beghtol
Village Voice
Top Critic Icon Top Critic

The monochromatic palette suggests the kitchen-sink heyday of 1960s British cinema; fittingly, 'Control' is at its best when it concentrates on the quotidian.

Full Review Source: Commercial Appeal (Memphis, TN) | comment Comment
12/21/07
John Beifuss
John Beifuss
Commercial Appeal (Memphis, TN)

It features lots of music from that time, and it has decent performances, but it fails to make the case for its fallen star.

Full Review Source: Hollywood Reporter | comment Comment
05/17/07
Ray Bennett
Ray Bennett
Hollywood Reporter
Top Critic Icon Top Critic

Story-wise, this picture doesn't break new ground; this is a tale that one can find littered throughout the pages of history both recent and long ago, but the way Corbijn has presented it gives it a freshness and fervor that makes it worth sampling.

Full Review Source: ReelViews | comment Comment
10/11/07
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

A gorgeous and well-acted movie that doesn't have quite enough substance to sustain its two hour running time.

Full Review Source: Metromix.com | comment Comment
10/10/07
Geoff Berkshire
Geoff Berkshire
Metromix.com

Corbijn's movie is shot in a stunning high-contrast monochrome, perversely turning Macclesfield's grimness into grandeur. It effortlessly revives a British cinematic style that you might call beautiful realism.

Full Review Source: Guardian [UK] | comment Comment
05/24/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]

Control is never less than completely engaging. The film is visually mesmerizing.

Full Review Source: Jam! Movies | comment Comment
10/26/07
Liz Braun
Liz Braun
Jam! Movies

One of the finest character studies of the year.

Full Review Source: Antagony & Ecstasy | comment Comment
10/06/07
Tim Brayton
Tim Brayton
Antagony & Ecstasy

More expressive than Gus Van Sant's "Last Days" about a tragic music figure, but incrementally so.

Full Review Source: Cinema Signals | comment Comment
01/19/08
Jules Brenner
Jules Brenner
Cinema Signals

A steady and moving memorial to a man who rarely felt comfortable in his own skin.

Full Review Source: Boston Globe | comment Comment
10/26/07
Ty Burr
Ty Burr
Boston Globe
Top Critic Icon Top Critic

Commits the crime of turning Curtis into just another music legend.

Full Review Source: Filmcritic.com | comment Comment
10/09/07
Chris Cabin
Chris Cabin
Filmcritic.com

Suicide and the lives of artists are two of the toughest subjects for cinema to grapple with, and ‘Control’ squares up bravely to both.

Full Review Source: Time Out | comment Comment
10/05/07
Dave Calhoun
Dave Calhoun
Time Out

At least Control does right by the doting wife, typically given the shaft in these movies as simply victim and toss-away, here played as heartbreakingly courageous by two-time Oscar nominee Samantha Morton (third times the charm?).

Full Review Source: Cinematical | comment Comment
10/11/07
Christopher Campbell
Christopher Campbell
Cinematical

Cinematographer Martin Ruhe's stunning black and white photography recalls the early Beatles days, Stuart Sutcliffe's doomed artist reborn in the post punk era.

Full Review Source: Reeling Reviews | comment Comment
10/21/07
Laura Clifford
Laura Clifford
Reeling Reviews

The exquisite images are continually underscored with an almost Lynchian creepiness.

Full Review Source: Shadows on the Wall | comment Comment
10/05/07
Rich Cline
Rich Cline
Shadows on the Wall
 
 
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Latest News for Control

May 19, 2009: Cannes 2009: George Clooney to Play Assassin
There's a double dose of George Clooney news that's emerged at Cannes yesterday. Firstly, Variety reports that the greying star has signed on to topline A Very Private Gentleman... More...

June 02, 2008: RT on DVD: Transformers, Starship Troopers To Invade; Avoid Jessica Alba's Eye
Look out! Starship Troopers and Transformers are about to assault your senses in HD, and soon you can choose Harold and Kumar's adventures. This week's new releases are... More...

December 14, 2007: Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...

October 11, 2007: Critical Consensus: No Debatin' Clayton, Night Almost Owns, Elizabeth Not Golden
This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark... More...

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