At once a clear-eyed document of the war, an inquiry into the way events become filtered into news, and a complex, surprising portrait of the personalities behind the scenes.
Control Room (2004)
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Reviews Counted:105
Fresh:101
Rotten:4
Average Rating:7.8/10
Consensus: A fascinating, enlightening behind-the-scenes look at the Al Jazeera network.
Theatrical Release:May 21, 2004 Limited
Box Office: $2,222,612
Synopsis: "It benefits Al-Jazeera to play to Arab nationalism because that's their audience, just like Fox plays to American patriotism, for the exact same reason... because that's their audience... the big... "It benefits Al-Jazeera to play to Arab nationalism because that's their audience, just like Fox plays to American patriotism, for the exact same reason... because that's their audience... the big thing for my generation is for these two perspectives - my perspective, the Western perspective, and the Arab perspective - to understand each other better... because, truly, the two worlds are colliding at a rapid rate." - Lt. Josh Rushing, Central Command Press Officer, U.S. Army CONTROL ROOM, by Jehane Noujaim (Startup.com), an award-winning Arab-American filmmaker who has lived within and embraced both worlds, provides an opportunity to re-examine what is perhaps the most pressing question of international relations today: "is America radicalizing or stabilizing the Arab world?" Without miring itself in shadowy conspiracy theories, CONTROL ROOM provides a balanced view of Al-Jazeera's presentation of the second Iraq war to their worldwide Arab audience, and in so doing calls into question many of the prevailing images and positions offered up by the U.S. news media. CONTROL ROOM's view inside Al-Jazeera-a network branded "Osama Bin-Laden's mouthpiece" and subject of intense criticism from U.S. administration officials for showing images of Iraqi casualties and American POWs that American viewers never saw-suggests that its views on news reportage might actually be more in tune with democratic ideals than those of its Western counterparts. CONTROL ROOM neatly bridges the gap between timeless and timely; timeless because it locates itself in the midst of the ongoing cultural clash between Western and Arab worlds, timely because it does so through the prism of satellite television's impact on how viewers receive information worldwide - from news providers, driven by the patriotism of their audiences, to Army information officers, driven by military objectives. CONTROL ROOM is a seminal documentary that explores how Truth is gathered, presented, and ultimately created by those who deliver it. -- © Magnolia Pictures [More]
Starring: Hassan Ibrahim, Samir Khader, Deema Khatib, Tom Mintier
Starring: Hassan Ibrahim, Samir Khader, Deema Khatib, Tom Mintier, Josh Rushing, David Shuster
Director: Jehane Noujaim
Director: Jehane Noujaim
Producer: Hani Salama, Rosadel Varela
Studio: Magnolia Pictures
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Reviews for Control Room
Movies don't reveal the truth, but good ones like this can provide an intimate and nuanced glimpse at some alternative reality.
Control Room should be required viewing for anyone within reach of a TV signal.
A perceptive picture of the way in which modern warfare has turned the information battle into its permanent second front.
This modest yet necessary documentary digs into the tussle between bias and balance in modern journalism and sends you out debating where one side's reporting becomes the other side's distortion.
Unlike most American media outlets, al-Jazeera happens to be one news service that the Pentagon hasn't been able to "manage."
A timely and provocative critique of the notion of journalistic objectivity.
"Control Room" is more than just a compelling film. It's a public service.
Takes an unusually balanced look at the consistently unbalanced coverage of the war in Iraq.
An enlightening documentary about how the U.S. networks and the Arab satellite news channel Al Jazeera covered the early days of the war in Iraq.
What Noujaim does show is the side rarely seen over here, and she does so in a way that's brisk, informative and even entertaining in its own wrenching way.
Em um ano que gerou ótimos filmes como F9/11, Bush’s Brain, The Hunting of the President e Outfoxed, este ainda se destaca como o mais eloqüente.
'The press, not war, is the necessary evil in Control Room and information is now more powerful than missiles.'
In the words of an Al Jazeera producer: 'Rumsfeld calls this ''incitement.'' I call it true journalism.'
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| 36% 36% | Angels & Demons |
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