Convento (2012)
Average Rating: 7.5/10
Reviews Counted: 9
Fresh: 9 | Rotten: 0
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Average Rating: N/A
Critic Reviews: 4
Fresh: 4 | Rotten: 0
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Average Rating: 1.5/5
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Movie Info
Convento is more than a film to watch. Convento is a film immersion. At the convergence of the rivers Oeiras and Guadiana, along what some believe to be a ley line possessing mystical energies, rises the four hundred year old monastery Sao Francisco. Its light earthen walls, marked by the sun and time, house a labyrinth of terraces, courtyards, gardens and fountains, all offering secret places to contemplate. An ancient irrigation system delivers water throughout, a silvery artery connecting all
Jul 27, 2012 Limited
Rooftop Films
- Official Site
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All Critics (9) | Top Critics (4) | Fresh (9) | Rotten (0)
Against the sacred and time-tossed setting, the artist's creations cast an uncanny spell: Inanimate yet alive, abandoned as scrap or carrion, yet newly born.
An unusual, lightly surreal and unorthodox documentary by Jarred Alterman, Convento takes an unconventional approach that accentuates its subjects and never exploits them.
Every member of the three-person family has found aesthetic fulfillment uniquely suited to the ancient retreat, as does helmer Alterman, who revels in serene vistas teeming with hybrid creations.
Alterman's camerawork, panning and zooming about Christiaan's ants, rabbits, birds, and other assorted mecha creatures, conveys a sense of ominous religious awe.
Alterman's camera languidly soaks up the landscape, lingering long enough so that we can appreciate both the beauty of the setting and the surprising dialogue created between it and Christiaan's artwork.
The real star of this show is not the family but the otherworldly objects they churn out.
This unortho-doc ultimately doesn't need to explain much more about its subjects' motivations because its images provide their own explanation.
A complex melding of the natural and the machine, his robotic art pieces are at once beautiful and yet things nightmares are made of.
Convento captures the casually reassuring pleasure, as well as the potentially disconcerting oddness, of seeing something commonplace anew.
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