—— The Identical Sep 05
—— The Longest Week Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05
—— The Remaining Sep 05

Top Box Office

92% Guardians of the Galaxy $16.3M
20% Teenage Mutant Ninja Turtles $11.8M
39% If I Stay $9.3M
33% As Above/So Below $8.3M
21% Let's Be Cops $8.2M
36% The November Man $7.7M
18% When The Game Stands Tall $5.6M
32% The Giver $5.3M
65% The Hundred-Foot Journey $4.6M
34% The Expendables 3 $3.5M

Coming Soon

—— No Good Deed Sep 12
—— Dolphin Tale 2 Sep 12
—— Atlas Shrugged: Who Is John Galt? Sep 12
100% The Skeleton Twins Sep 12
100% The Disappearance of Eleanor Rigby Sep 12

Premieres Tonight

25% Houdini: Season 1

New Episodes Tonight

—— Anger Management: Season 2
71% Dallas: Season 3
—— Mistresses: Season 2
25% Partners: Season 1
67% Teen Wolf: Season 4
62% Under the Dome: Season 2

Discuss Last Night's Shows

—— Breathless: Season One
100% Falling Skies: Season 4
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
46% Reckless: Season 1
87% The Strain: Season 1
—— Unforgettable: Season 2

Coogan's Bluff Reviews

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Vincent Canby
New York Times
Top Critic IconTop Critic

The screenplay is so predictable in situation and so arch in its supposedly tough, blunt, wise talk that it turns into a joke told by someone with no sense of humor.

Full Review Source: New York Times | Original Score: 2/5

May 9, 2005
Philip Martin
Arkansas Democrat-Gazette

| Original Score: 3/5

February 25, 2005
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

Siegel knows what he wants and gets it.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

October 23, 2004
Scott Weinberg

Eastwood moves from country to city ... with predictably entertaining results.

| Original Score: 3/5

April 2, 2005
Tim Brayton
Antagony & Ecstasy

A satisfying police yarn with some really great, physically hefty location photography.

Full Review Source: Antagony & Ecstasy | Original Score: 7/10

August 21, 2014
Jeffrey M. Anderson
Combustible Celluloid

The film is like a cousin to the Western genre, with Coogan keeping his trap shut and his emotions to himself, but Siegel, with his expert craftsmanship, brisk pacing and exciting action, gives us plenty of other stuff to concentrate on.

Full Review Source: Combustible Celluloid

March 13, 2009
Pablo Villaca
Cinema em Cena

A subtrama romântica é dispensável e J. Cobb é desperdiçado pelo filme. Ainda assim, Eastwood transforma o lacônico Coogan em um personagem interessante nesta sua primeira parceria com Siegel.

| Original Score: 3/5

June 11, 2006
Dennis Schwartz
Ozus' World Movie Reviews

A wry humored cop thriller.

Full Review Source: Ozus' World Movie Reviews | Original Score: B+

May 24, 2008
Carol Cling
Las Vegas Review-Journal

| Original Score: 4/5

January 5, 2004
Nicolas Lacroix

| Original Score: 3/5

December 14, 2002
Robert Roten
Laramie Movie Scope

| Original Score: 3/5

September 20, 2003
Kim Newman
Empire Magazine

New York cop thriller with a touch of the Westerna and a touch of the Eastwood...and all the better for it.

Full Review Source: Empire Magazine | Original Score: 4/5

January 1, 2000
Don Druker
Chicago Reader
Top Critic IconTop Critic

Eastwood's performance as the flawed, headstrong superman has been terribly underrated, but he brings to the part of Coogan a sure knowledge of the man's obvious strengths and not so obvious failings.

Full Review Source: Chicago Reader

January 1, 2000
Emanuel Levy

This urban Western, the first collaboration with Don Siegel, is a significant transitional film in Eastwood's career and screen image, situated between his 1960s Spaghetti Westerns and the Dirty Harry film series of the 1970s.

Full Review Source: EmanuelLevy.Com | Original Score: B

June 20, 2007


It lacks the punch of Dirty Harry but still makes for reasonably exciting viewing.

Full Review Source: Film4

May 24, 2003

Time Out
Top Critic IconTop Critic

Even Siegel's somehow off-centre treatment of New York hippiedom is intriguingly wry.

Full Review Source: Time Out

June 24, 2006

Top Critic IconTop Critic

Story is of the clash between sophisticated law enforcement and frontier-style simplistics, which is perhaps one of the major internal American problems.

Full Review Source: Variety

March 26, 2009
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