Chase cakewalks through the same role he's been playing for the past 10 or so years.
Cops & Robbersons (1994)
Tomatometer
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Reviews Counted:18
Fresh:3
Rotten:15
Average Rating:3.7/10
Runtime: 1 hr 33 mins
Genre: Comedies
Synopsis: Director Michael Ritchie teams up once again with FLETCH star Chevy Chase for this lighthearted comedy about a police officer who gets in over his head after he's forced to move in with a suburban... Director Michael Ritchie teams up once again with FLETCH star Chevy Chase for this lighthearted comedy about a police officer who gets in over his head after he's forced to move in with a suburban family. When tough veteran cop Jake Stone (Jack Palance) and his rookie partner, Tony Moore (David Barry Gray), arrive at the doorstep of the mildly dysfunctional Robbersons in order to stake out a criminal living next door, he has no idea what he's getting into. Norman Robberson (Chase) is a bumbling idiot who has been reared on classic cop shows; his wife, Helen (Dianne Wiest), is a well-intentioned mom who's beginning to lose her positive outlook; and their three children are overwhelmingly excited by the arrival of the policemen--especially Cindy (Fay Masterson), who develops a severe crush on Moore. When Osborn (Robert Davi), the neighbor in question, begins to smell something afoul at the Robbersons, Norman finally gets the chance to act out his favorite cop show clichés and aid in the criminal's apprehension. Along the way, the stakeout provides Jake with the close family ties he's been missing in his life. Ritchie's film is a sweet comedy that the whole family can enjoy. [More]
Starring: Chevy Chase, Jack Palance, Dianne Wiest, Robert Davi
Starring: Chevy Chase, Jack Palance, Dianne Wiest, Robert Davi, David Barry Gray
Director: Michael Ritchie
Director: Michael Ritchie
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Reviews for Cops & Robbersons
Chevy Chase is lucky Cops and Robbersons isn't a sitcom. If it were, it would be canceled as pronto as his talk show was.
You can guess the rest -- but you'll never guess just how amazingly bad it all is.
Trapped in a sitcom sensibility, the film never makes the vital connection with the audience that's necessary to spawn a hit.
In Cops and Robbersons, Chevy Chase has an unfortunate chance to prove that there's something even more unfunny than his disastrous talk show.
Chase, as I've already noted, is stuck with a character who goes nowhere, dooming him from the start.
Chevy Chase returns to the anonymous, unmemorable suburban mode that made his earlier movies profitable. And guess what? The results are anonymous and unmemorable.
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