Exclusive: The Art of Coraline with Henry Selick
The director takes us through the visuals of his masterpiece.
"It was very challenging to shoot in 3D at first; it took four months to work it out. I know a lot about 3D, I know Lenny going back 20 years, but the main thing is that it's like learning a language. It's easy to use too much because it's cool. For me it was about coming up with a script for when and how to use it based on story. Then it wasn't so difficult. It's easy to get carried away, and I'm especially happy we kept a lid on it."