Average Rating: 4.9/10
Reviews Counted: 33
Fresh: 12 | Rotten: 21
No consensus yet.
Average Rating: 5.9/10
Critic Reviews: 14
Fresh: 6 | Rotten: 8
No consensus yet.
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Average Rating: 2.8/5
User Ratings: 547
Ismail Merchant, best known as a producer for his work with director James Ivory (including Howards End and A Room With a View), takes possession of the director's chair in this drama. In 1954, seven years after India has gained independence from Great Britain, many Indians still feel like second-class citizens in their own country, as the nation's sovereignty has not immediately erased the perception that the British are superior to the Indian-born natives. Such a woman is Cotton Mary (Madhur
Mar 15, 2000 Wide
Mar 6, 2001
Universal Studios Home Video
All Critics (40) | Top Critics (15) | Fresh (12) | Rotten (21) | DVD (5)
Cotton Mary, Ismail Merchant's second film as a director, puts some interestingly layered material into play, but he can't quite bring it together.
Engrossing from the first frame and written with admirable skill and insight by Alexandra Viets, Cotton Mary is a milestone for Merchant Ivory and a pleasure for the company's admirers.
The film wants to make larger points, but succeeds only in being a story of derangement.
Nothing is expressed directly; only the curtains move, blowing in the subcontinent wind.
A heavy-handed melodrama whose title character is a symbol with a capital S.
Cotton Mary is terminally marred by good taste; and melodrama is like the Star-Kist commercial: people don't want tuna with good taste; they want tuna that tastes good.
An Indian drama about the de-humanizing effects of class-warfare.
There's a definite thrill to be gained from watching elements of genre trash invade such a film.
Cotton Mary suffers from its lack of sympathetic characters, but it is still far from a disaster.
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