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Cotton Mary (2000)
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Reviews Counted:33
Fresh:12
Rotten:21
Average Rating:4.9/10
Runtime: 2 hrs 4 mins
Genre: Dramas
Synopsis: In COTTON MARY, director Ismail Merchant explores the dynamics of being Anglo-Indian in post-colonial India. In 1954 British rule has officially ended in India but class-consciousness is still very... In COTTON MARY, director Ismail Merchant explores the dynamics of being Anglo-Indian in post-colonial India. In 1954 British rule has officially ended in India but class-consciousness is still very much alive in the Macintosh household. After Lily Macintosh (Greta Scacchi) endures a painful pregnancy and delivery she becomes unable to breast-feed her baby daughter. Hospital nurse Cotton Mary (Madhur Jaffrey) comes to the rescue, secretly bringing the baby to her sister, a wet nurse, and uses the opportunity to become indispensably helpful and fulfill her ambitious desire to work in an English home. As an Anglo-Indian--she insists her father was a member of the British military--Cotton Mary ingratiates herself to Lily, considering herself more British than Indian. John Macintosh (James Wilby) is an absentee husband and father whose neglectful ways are fueled by the appearance of Mary's seductive niece, Rosie (Sakina Jaffrey, who is Madhur Jaffrey's real life daughter). Cotton Mary, whose nickname comes from her insistence upon wearing only British cotton, longs for acceptance by the white upper class members she serves while denouncing her Indian roots. Madhur Jaffrey, a long-time collaborator on Merchant Ivory productions, served as co-director of the film. [More]
Starring: Greta Scacchi, Madhur Jaffrey, James Wilby, Sarah Badel
Starring: Greta Scacchi, Madhur Jaffrey, James Wilby, Sarah Badel, Joanna David, Sakina Jaffrey, Gemma Jones, Richard Hawley
Director: Ismail Merchant
Director: Ismail Merchant
Composer: Richard Robbins
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Reviews for Cotton Mary
Cotton Mary...is an obsequious, scheming, condescending, ambitious, callous, insincere, officious snob and thief. Two hours in her company is too much to ask.
All very, very long-winded. And it’s a basic filmic truth that if you fail to provide an audience with even one character to sympathise with, interest will rapidly flag.
A heavy-handed melodrama whose title character is a symbol with a capital S.
Cotton Mary is terminally marred by good taste; and melodrama is like the Star-Kist commercial: people don't want tuna with good taste; they want tuna that tastes good.
As a serious reflection on the impact of colonial exploitation on both its perpetrators and its victims, it pretty much misses the boat.
Cotton Mary, Ismail Merchant’s second film as a director, puts some interestingly layered material into play, but he can’t quite bring it together.
As fascinating as the central character is, the film has all the excitement of watching the glaze harden on a scone.
Nothing is expressed directly; only the curtains move, blowing in the subcontinent wind.
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