Cotton Mary suffers from its lack of sympathetic characters, but it is still far from a disaster.
Cotton Mary (2000)
Tomatometer
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Reviews Counted:33
Fresh:12
Rotten:21
Average Rating:4.9/10
Runtime: 2 hrs 4 mins
Genre: Dramas
Synopsis: In COTTON MARY, director Ismail Merchant explores the dynamics of being Anglo-Indian in post-colonial India. In 1954 British rule has officially ended in India but class-consciousness is still very... In COTTON MARY, director Ismail Merchant explores the dynamics of being Anglo-Indian in post-colonial India. In 1954 British rule has officially ended in India but class-consciousness is still very much alive in the Macintosh household. After Lily Macintosh (Greta Scacchi) endures a painful pregnancy and delivery she becomes unable to breast-feed her baby daughter. Hospital nurse Cotton Mary (Madhur Jaffrey) comes to the rescue, secretly bringing the baby to her sister, a wet nurse, and uses the opportunity to become indispensably helpful and fulfill her ambitious desire to work in an English home. As an Anglo-Indian--she insists her father was a member of the British military--Cotton Mary ingratiates herself to Lily, considering herself more British than Indian. John Macintosh (James Wilby) is an absentee husband and father whose neglectful ways are fueled by the appearance of Mary's seductive niece, Rosie (Sakina Jaffrey, who is Madhur Jaffrey's real life daughter). Cotton Mary, whose nickname comes from her insistence upon wearing only British cotton, longs for acceptance by the white upper class members she serves while denouncing her Indian roots. Madhur Jaffrey, a long-time collaborator on Merchant Ivory productions, served as co-director of the film. [More]
Starring: Greta Scacchi, Madhur Jaffrey, James Wilby, Sarah Badel
Starring: Greta Scacchi, Madhur Jaffrey, James Wilby, Sarah Badel, Joanna David, Sakina Jaffrey, Gemma Jones, Richard Hawley
Director: Ismail Merchant
Director: Ismail Merchant
Composer: Richard Robbins
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Reviews for Cotton Mary
A heavy-handed melodrama whose title character is a symbol with a capital S.
Cotton Mary, Ismail Merchant’s second film as a director, puts some interestingly layered material into play, but he can’t quite bring it together.
Merchant's direction is not as smooth as one might imagine after all his years as James Ivory's producer, but the understanding of the subject matter brings resonance and authentic surprise to many scenes.
The film wants to make larger points, but succeeds only in being a story of derangement.
Credible and moving that Greta Scacchi's performance is, Madhur Jaffrey is the real jewel of this Merchant-Ivory work.
Cotton Mary...is an obsequious, scheming, condescending, ambitious, callous, insincere, officious snob and thief. Two hours in her company is too much to ask.
All very, very long-winded. And it’s a basic filmic truth that if you fail to provide an audience with even one character to sympathise with, interest will rapidly flag.
Nothing is expressed directly; only the curtains move, blowing in the subcontinent wind.
The entire film lacks the subtlety which is the hallmark of good writing.
As fascinating as the central character is, the film has all the excitement of watching the glaze harden on a scone.
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