Average Rating: 3.6/10
Reviews Counted: 26
Fresh: 3 | Rotten: 23
No consensus yet.
Average Rating: 3.8/10
Critic Reviews: 13
Fresh: 1 | Rotten: 12
No consensus yet.
liked it
Average Rating: 3.4/5
User Ratings: 907
In this drama set in Eastern Europe in 1944, (Martin Landau) plays Josef Krauzenberg, a wealthy Hungarian Jewish business owner who, despite his fortune, finds his life hanging in the balance as the Nazi "final solution" is being enacted throughout Eastern Europe. Under the terms of the Third Reich's "Europa Plan," Krauzenberg arranges with Nazi leaders to exchange his fortune, his business holdings (textile plants, steel mills, ownership of several banks) and a collection of rare art for safe
Nov 18, 2005 Wide
Oct 13, 2006
Slow Hand Releasing
All Critics (26) | Top Critics (13) | Fresh (3) | Rotten (23)
Mainly notable for its inappropriate, blithe sentimentality. In another film this would be the usual Hollywood hokum. In a film about the most serious subject imaginable, it amounts to moral idiocy.
The worst Holocaust movie ever.
The whole thing is coarse and vulgar, as it hides its low fascinations behind a scrim of Holocaust piety until it becomes pure kitsch.
A handsome Holocaust melodrama hobbled by a transparent and cartoonish script.
Pure sentimental melodrama, with not a moment's reflection on any issue larger than the fate of our heroes.
Potentially powerful subject matter is given an unconvincingly melodramatic treatment.
The most mawkish and shallow take on the holocaust committed to screen in many a long year.
A case study in why Holocaust movies are so difficult to get right.
Its intentions are doubtless good, but it ends up exploiting the Holocaust for cheap suspense.
It's a sucrose period piece that somehow averts its gaze from the brutal reality of Nazi genocide, and manages to conjure a fatuous feelgood happy ending.
Is over-arching sincerity only results in a stiffness that gives way to B-movie melodramatics in time for the cliché-ridden finale.
Despite some tense scenes, this movie still falls fairly flat.
Put-upon Jews weep on cue or stare defiantly into the camera, spouting impromptu speeches about getting some of their own back one day; all the while, violins wail in the background.
The Aryan Couple gets great mileage out of its tension and suspense, and its commitment to developing its characters as real people in an unthinkable dilemma.
he story loses its grip and momentum during the laboriously realized denouement, which follows the hired help's struggle to escape to Switzerland amid overwrought action sequences propelled by a shrieking violin-driven soundtrack.
These two are so pretty and vacant they seem better suited to modeling for a perfume ad than taking on the Third Reich.
It turns real genocide into another kind of B-movie moustache-twirling.
Directed with the flat artlessness of a lower-rung Masterpiece Theater entry, pulling heartstrings with Igor Khoroshev's lugubrious score and scripted with banal bromides insulting to its subject matter.
Yes, ladies and gentlemen, the Holocaust is back, more overwrought than ever before.
May 7, 2009Super Reviewer
I liked it. But I must say this kind of subject matter is very interesting to me. Like Anne Frank's Hiding place, Schindler's List. Any movie that depicts the struggles the Jewish people went through during WWII is interesting to me. It was a shameful time in history.
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